https://lucassimoes.com.br lucas simoes Mon, 26 Jul 2021 14:31:39 +0000 https://lucassimoes.com.br en https://lucassimoes.com.br/Lucas-Simoes Thu, 30 Apr 2020 17:23:25 +0000 lucas simoes https://lucassimoes.com.br/Lucas-Simoes lucas simões exhibitions artist’s publications critic reviews about ︎ arregaçadxs [queer drawings] relevos dissecados e desenhos&nbsp; drawing tense inbound&nbsp; ressaca You Text Nothing Like You Look corpos de prova white lies grave gravidade volátil recalque diferencialabismos vazios engessadosNotUrna desertodeluded detachment BEBADOSAMBA não-ditos o peso, o tempo provável horizontecaixão perdidoverdade é uma colagem contínua ficções desmanches desretratos desmemórias autor retrato queimaduras https://lucassimoes.com.br/Beliscoes Mon, 26 Jul 2021 14:31:39 +0000 lucas simoes https://lucassimoes.com.br/Beliscoes Beliscões <img width="1670" height="1702" width_o="1670" height_o="1702" data-src="https://freight.cargo.site/t/original/i/743254f2b58838899b7c75824100077722fabcb3aaed8680512386e49d419829/chapado-n.6_01--.jpg" data-mid="114787293" border="0" src="https://freight.cargo.site/w/1000/i/743254f2b58838899b7c75824100077722fabcb3aaed8680512386e49d419829/chapado-n.6_01--.jpg" /><img width="1670" height="1702" width_o="1670" height_o="1702" data-src="https://freight.cargo.site/t/original/i/089c8fcaa07b6db6dd8f54a01f034302329196441d67f10b51861f34b73401dd/chapado-n.6_01--.jpg" data-mid="114706311" border="0" src="https://freight.cargo.site/w/1000/i/089c8fcaa07b6db6dd8f54a01f034302329196441d67f10b51861f34b73401dd/chapado-n.6_01--.jpg" /> chapado n.6 {beliscões}2021Aço e papelSteel and paper48 x 48 x 9 cm <img width="2431" height="3639" width_o="2431" height_o="3639" data-src="https://freight.cargo.site/t/original/i/423573a1673469d1a325e953e67c7f99a9facf88a9873dd645fdc3c03c280ed5/chapado-n.6_04.jpg" data-mid="114693976" border="0" src="https://freight.cargo.site/w/1000/i/423573a1673469d1a325e953e67c7f99a9facf88a9873dd645fdc3c03c280ed5/chapado-n.6_04.jpg" /> <img width="2248" height="2864" width_o="2248" height_o="2864" data-src="https://freight.cargo.site/t/original/i/614dd98628129387858f478c7f48bc9011a3ac73c7a68f363d5b7c84bf8c5803/chapado-n.6_03.jpg" data-mid="114787295" border="0" src="https://freight.cargo.site/w/1000/i/614dd98628129387858f478c7f48bc9011a3ac73c7a68f363d5b7c84bf8c5803/chapado-n.6_03.jpg" /> chapado <img width="1696" height="2104" width_o="1696" height_o="2104" data-src="https://freight.cargo.site/t/original/i/d6f909219000eb381ec1a32fe6a951504788db3a904071475bd9e1a2506d1a6b/chapado-n.8--02.jpg" data-mid="114693938" border="0" src="https://freight.cargo.site/w/1000/i/d6f909219000eb381ec1a32fe6a951504788db3a904071475bd9e1a2506d1a6b/chapado-n.8--02.jpg" /> Chapado n.8 2021 aço e papel steel and papel 64 x 48 x 18 cm <img width="1880" height="2816" width_o="1880" height_o="2816" data-src="https://freight.cargo.site/t/original/i/17653dadb90845b74ef8eab6b1653202bf34b23d28bf6c0248bb4d7bebfe1493/chapado-n.8--05.jpg" data-mid="114693953" border="0" src="https://freight.cargo.site/w/1000/i/17653dadb90845b74ef8eab6b1653202bf34b23d28bf6c0248bb4d7bebfe1493/chapado-n.8--05.jpg" /> <img width="1616" height="2317" width_o="1616" height_o="2317" data-src="https://freight.cargo.site/t/original/i/ba395399f5d4362c02f78cdb0df6ffad7b68bac21f9b5fdc3619ef3bb223c820/chapado-n.8--03.jpg" data-mid="114693944" border="0" src="https://freight.cargo.site/w/1000/i/ba395399f5d4362c02f78cdb0df6ffad7b68bac21f9b5fdc3619ef3bb223c820/chapado-n.8--03.jpg" /> <img width="1880" height="2816" width_o="1880" height_o="2816" data-src="https://freight.cargo.site/t/original/i/cfeed70345694dca63ee6ba740f6e3d5d6b6b12da352170ee16edc99b298604c/chapado-n.8--04.jpg" data-mid="114693948" border="0" src="https://freight.cargo.site/w/1000/i/cfeed70345694dca63ee6ba740f6e3d5d6b6b12da352170ee16edc99b298604c/chapado-n.8--04.jpg" /> <img width="1736" height="1682" width_o="1736" height_o="1682" data-src="https://freight.cargo.site/t/original/i/0ba5c79b936b42036f80deba1fd6603483e5e6cdc6abe994dcdaefc1ac447250/chapado-n.9--01-sm.jpg" data-mid="114694029" border="0" src="https://freight.cargo.site/w/1000/i/0ba5c79b936b42036f80deba1fd6603483e5e6cdc6abe994dcdaefc1ac447250/chapado-n.9--01-sm.jpg" /> Chapado n. 9 {hairy} 2021 aço e papel steel and paper 48 x 48 x 9 cm <img width="1424" height="1680" width_o="1424" height_o="1680" data-src="https://freight.cargo.site/t/original/i/b8c34da02c98ccb38126003109ee3560586a390d96b4992dc2c1e2927fd561d8/chapado-n.9--03-sm.jpg" data-mid="114694025" border="0" src="https://freight.cargo.site/w/1000/i/b8c34da02c98ccb38126003109ee3560586a390d96b4992dc2c1e2927fd561d8/chapado-n.9--03-sm.jpg" /> <img width="1361" height="1463" width_o="1361" height_o="1463" data-src="https://freight.cargo.site/t/original/i/e0c7ef7f179f46aecac40b9a0937ac2a94c55d291627148d038dd73235a71cd7/chapado-n.9--02-sm.jpg" data-mid="114694023" border="0" src="https://freight.cargo.site/w/1000/i/e0c7ef7f179f46aecac40b9a0937ac2a94c55d291627148d038dd73235a71cd7/chapado-n.9--02-sm.jpg" /> <img width="2816" height="1880" width_o="2816" height_o="1880" data-src="https://freight.cargo.site/t/original/i/e856ccbb0323b8451f481f97a4db8443afdc3169daadbbc7131f063f9e331b06/chapado-n.9--04-sm.jpg" data-mid="114694027" border="0" src="https://freight.cargo.site/w/1000/i/e856ccbb0323b8451f481f97a4db8443afdc3169daadbbc7131f063f9e331b06/chapado-n.9--04-sm.jpg" /> <img width="1752" height="2032" width_o="1752" height_o="2032" data-src="https://freight.cargo.site/t/original/i/4f9fa3775269d6fb0210401688cd77ba0161584b9520a91174940c6292fb3c93/chapado-n.7--01.jpg" data-mid="114704516" border="0" src="https://freight.cargo.site/w/1000/i/4f9fa3775269d6fb0210401688cd77ba0161584b9520a91174940c6292fb3c93/chapado-n.7--01.jpg" /> chapado n.7 {beliscões} 2021 aço e papel steel and paper 64 x 48 x 10 cm <img width="1552" height="2248" width_o="1552" height_o="2248" data-src="https://freight.cargo.site/t/original/i/bd72d7fca4c43d291b5cb63d63e19d3f049594a42dff7d877995daf3052de8ee/chapado-n.7--02.jpg" data-mid="114704539" border="0" src="https://freight.cargo.site/w/1000/i/bd72d7fca4c43d291b5cb63d63e19d3f049594a42dff7d877995daf3052de8ee/chapado-n.7--02.jpg" /> <img width="1616" height="2144" width_o="1616" height_o="2144" data-src="https://freight.cargo.site/t/original/i/7559af3bb298a1402ae09a90b19da93b52a1505197ed6399feca0645aed0fb99/chapado-n.7--03.jpg" data-mid="114704540" border="0" src="https://freight.cargo.site/w/1000/i/7559af3bb298a1402ae09a90b19da93b52a1505197ed6399feca0645aed0fb99/chapado-n.7--03.jpg" /> <img width="1880" height="2816" width_o="1880" height_o="2816" data-src="https://freight.cargo.site/t/original/i/83ab69875e72afdfa14a89d552bebf0121d204f9a0692377d4fd24959fb37d57/chapado-n.7--04.jpg" data-mid="114704541" border="0" src="https://freight.cargo.site/w/1000/i/83ab69875e72afdfa14a89d552bebf0121d204f9a0692377d4fd24959fb37d57/chapado-n.7--04.jpg" /> <img width="1880" height="2816" width_o="1880" height_o="2816" data-src="https://freight.cargo.site/t/original/i/6673eb7d3e41c1bf67e912323fb06adb8da54250e92045335731767eae3b69c5/chapado-n.7--05.jpg" data-mid="114704537" border="0" src="https://freight.cargo.site/w/1000/i/6673eb7d3e41c1bf67e912323fb06adb8da54250e92045335731767eae3b69c5/chapado-n.7--05.jpg" /> <img width="1624" height="2648" width_o="1624" height_o="2648" data-src="https://freight.cargo.site/t/original/i/73ccb64a94c907a962e48f0e12176273e8d132ec7405bec3f6750ee185167679/chapado-n.12--03.jpg" data-mid="114705759" border="0" src="https://freight.cargo.site/w/1000/i/73ccb64a94c907a962e48f0e12176273e8d132ec7405bec3f6750ee185167679/chapado-n.12--03.jpg" /> chapado. 12 [poperô] 2021 aço e papel steel and paper 48 x 48 x 9 cm <img width="1748" height="1838" width_o="1748" height_o="1838" data-src="https://freight.cargo.site/t/original/i/faaf6fedbb9b4bf631f27a5e434f26b0d05df8319047ee1971ad09dba38618dc/chapado-n.12--01.jpg" data-mid="114706204" border="0" src="https://freight.cargo.site/w/1000/i/faaf6fedbb9b4bf631f27a5e434f26b0d05df8319047ee1971ad09dba38618dc/chapado-n.12--01.jpg" /> <img width="1700" height="1676" width_o="1700" height_o="1676" data-src="https://freight.cargo.site/t/original/i/e182c15638c6405b4f91938dac7630d3b255541e66f913605bff1495ae3afbf2/chapado-n.12--02.jpg" data-mid="114706206" border="0" src="https://freight.cargo.site/w/1000/i/e182c15638c6405b4f91938dac7630d3b255541e66f913605bff1495ae3afbf2/chapado-n.12--02.jpg" /> https://lucassimoes.com.br/arregacadxs-queer-drawings Fri, 03 Jul 2020 12:09:40 +0000 lucas simoes https://lucassimoes.com.br/arregacadxs-queer-drawings arregaçadxs [queer drawings] works inspired by the research of Elizabeth Otto on the queer comunity in Bauhaus during 1919-1933. In this series of works, a couple geometrical cuts in a ream of paper is stretched to its limit - not no&nbsp;be teared apart - creating structures that evoke sexual forms with no specific gender. Texto em português Na sequência ddas leituras feitas para a série Desenhos, fui então em busca de escritos sobre desenho na Bauhaus (1919-1933), a escola geradora e disseminadora do pensamento moderno nas artes. Num atravessamento inesperado, entrei em contato com a pesquisa da historiadora Elizabeth Otto2, que levanta questões sobre gênero, sexualidade, corpo, identidade e políticas radicais dentro da lendária escola de arte e arquitetura. Bauhaus é sempre associada à nomes famosos como Paul Klee, Walter Gropius, László Moholy-Nagy e Marcel Breuer, mas seu entendimento é ampliado quando se reivindicam as vidas historicamente marginalizadas e as conquistas de seus mais de 1200 professores e estudantes, colocando-os como peças-chave do entendimento deste movimento. Movimento que só poderia ter sido tão potente por causa desta sua diversidade. A junção das ideias de “Queer” e de “Bauhaus” me pareceu bastante inesperada de início, mas considerando que o projeto da Bauhaus tinha como questão central buscar novos modos de viver, e isto incluía ideias sobre sexo, e até certo ponto, sexualidade, esta chave de leitura se tornou um caminho de busca e interesse pessoal. Como resumiu Tirza True Latimer; “a palavra queer carrega conotações do período modernista, quando esta circulava como sinônimo de ‘excêntrico, estranho, esquisito, peculiar, suspeito, dúbio, anormal”3, e também como escreve Jack Halberstam sobre um “modo de vida queer”, que abarca “práticas subculturais, métodos alternativos de alianças, formas de manifestações transgênero, e as formas de representação dedicadas à capturar estes modos de ser obstinadamente excêntricos”4 A partir destes fatos histórico-sociais e pelo significado do desenho como uma atividade que está sempre engajada em profícuos e densos diálogos com outras formas de discurso e com outros modos de construir fabulações sobre coisas e experiências do mundo, surgiram os “Arregaçadxs {Queer drawings}”, desenhos sobre uma resma de papel, onde os traços são cortes profundos sobre estas camadas, modificando sua morfologia. Um ou dois cortes geométricos, vestígios do traço modernista, atravessam a espessura da resma de papel, que quando tensionada para além de seu limite ortogonal, arregaçada ao máximo, a ponto de quase-romper, gera volumes de formas sensuais, eróticas, unidades sem gênero definido. Estes são estruturados sobre chapas de aço, que se encaixam como mecanismos aptos a segurarem os pontos de tensão do papel arregaçado, chapas que tiveram suas formas desenhadas como complemento à forma dos volumes de papel, como se desenha uma sombra, evitando que a obra tenha uma borda ortogonal definida e que o suporte, mesmo que necessário, não deixe de ter sua importância compositiva. <img width="2154" height="3028" width_o="2154" height_o="3028" data-src="https://freight.cargo.site/t/original/i/1ec39eeed6ff8e26fbd99603efe52180ede56fa3cd4048ba912d17a63e71423e/arregaaadxs---queer-drawings-01---1.jpg" data-mid="76394551" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/1ec39eeed6ff8e26fbd99603efe52180ede56fa3cd4048ba912d17a63e71423e/arregaaadxs---queer-drawings-01---1.jpg" /> Arregaçadx [Queer Drawing n.1], 2020aço e papelacero y papel steel and paper 54 x 37 x 10 cm <img width="2154" height="3028" width_o="2154" height_o="3028" data-src="https://freight.cargo.site/t/original/i/1ec39eeed6ff8e26fbd99603efe52180ede56fa3cd4048ba912d17a63e71423e/arregaaadxs---queer-drawings-01---1.jpg" data-mid="76394551" border="0" src="https://freight.cargo.site/w/1000/i/1ec39eeed6ff8e26fbd99603efe52180ede56fa3cd4048ba912d17a63e71423e/arregaaadxs---queer-drawings-01---1.jpg" /> <img width="2595" height="3885" width_o="2595" height_o="3885" data-src="https://freight.cargo.site/t/original/i/2671ac095b2a00ed84333173730a5b687fee161d54fe1a6aabfc12049395574e/arregaaadxs---queer-drawings-01---2.jpg" data-mid="76394553" border="0" src="https://freight.cargo.site/w/1000/i/2671ac095b2a00ed84333173730a5b687fee161d54fe1a6aabfc12049395574e/arregaaadxs---queer-drawings-01---2.jpg" /> <img width="2456" height="3706" width_o="2456" height_o="3706" data-src="https://freight.cargo.site/t/original/i/e5a5effbe78b0e2eb783ad48bb5dec3f2ab4f85a63f009384ed62db8a7075aca/arregaaadxs---queer-drawings-01---3.jpg" data-mid="76394554" border="0" src="https://freight.cargo.site/w/1000/i/e5a5effbe78b0e2eb783ad48bb5dec3f2ab4f85a63f009384ed62db8a7075aca/arregaaadxs---queer-drawings-01---3.jpg" /> <img width="2265" height="3695" width_o="2265" height_o="3695" data-src="https://freight.cargo.site/t/original/i/89f834fb64678bade9a6dda751d984ed35cd3f4a2f3ea28ccb2b41f010bae0b5/arregaaadxs---queer-drawings-01---4.jpg" data-mid="76394555" border="0" src="https://freight.cargo.site/w/1000/i/89f834fb64678bade9a6dda751d984ed35cd3f4a2f3ea28ccb2b41f010bae0b5/arregaaadxs---queer-drawings-01---4.jpg" /> <img width="2618" height="3919" width_o="2618" height_o="3919" data-src="https://freight.cargo.site/t/original/i/3aeee8e577c928a3badf4eba31408181e9fdc174cfe31397a48a48225acacee7/arregaaadxs---queer-drawings-01---5.jpg" data-mid="76394556" border="0" src="https://freight.cargo.site/w/1000/i/3aeee8e577c928a3badf4eba31408181e9fdc174cfe31397a48a48225acacee7/arregaaadxs---queer-drawings-01---5.jpg" /> <img width="1963" height="2301" width_o="1963" height_o="2301" data-src="https://freight.cargo.site/t/original/i/9d00a69a62ac5c8b8cb27c07d5a3aa3982e122b42f4483882513c0054a49fef1/arregaaadxs---queer-drawings-02---1.jpg" data-mid="76394558" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/9d00a69a62ac5c8b8cb27c07d5a3aa3982e122b42f4483882513c0054a49fef1/arregaaadxs---queer-drawings-02---1.jpg" /> Arregaçadx [Queer Drawing n.2], 2020aço e papelacero y papelsteel and paper42 x 33 x 12 cm <img width="1963" height="2301" width_o="1963" height_o="2301" data-src="https://freight.cargo.site/t/original/i/9d00a69a62ac5c8b8cb27c07d5a3aa3982e122b42f4483882513c0054a49fef1/arregaaadxs---queer-drawings-02---1.jpg" data-mid="76394558" border="0" src="https://freight.cargo.site/w/1000/i/9d00a69a62ac5c8b8cb27c07d5a3aa3982e122b42f4483882513c0054a49fef1/arregaaadxs---queer-drawings-02---1.jpg" /> <img width="2236" height="2932" width_o="2236" height_o="2932" data-src="https://freight.cargo.site/t/original/i/d665c53f606b631d40f61d85c9fb012fbc8a42ee7e51064267ff767a7543ad33/arregaaadxs---queer-drawings-02---2.jpg" data-mid="76394560" border="0" src="https://freight.cargo.site/w/1000/i/d665c53f606b631d40f61d85c9fb012fbc8a42ee7e51064267ff767a7543ad33/arregaaadxs---queer-drawings-02---2.jpg" /> <img width="2413" height="3557" width_o="2413" height_o="3557" data-src="https://freight.cargo.site/t/original/i/3937de609a6e141e1db34662a383f385834a06ca9f22e3d22e7a05ca068d50fc/arregaaadxs---queer-drawings-02---3.jpg" data-mid="76394561" border="0" src="https://freight.cargo.site/w/1000/i/3937de609a6e141e1db34662a383f385834a06ca9f22e3d22e7a05ca068d50fc/arregaaadxs---queer-drawings-02---3.jpg" /> <img width="3606" height="2505" width_o="3606" height_o="2505" data-src="https://freight.cargo.site/t/original/i/d7fec60f1fff4f6bae28094842155a5f369121fae5541d7cd34d0eee39a1c25e/arregaaadxs---queer-drawings-02---4.jpg" data-mid="76394562" border="0" src="https://freight.cargo.site/w/1000/i/d7fec60f1fff4f6bae28094842155a5f369121fae5541d7cd34d0eee39a1c25e/arregaaadxs---queer-drawings-02---4.jpg" /> <img width="2663" height="2132" width_o="2663" height_o="2132" data-src="https://freight.cargo.site/t/original/i/ae72b1588d4cbe3fe49df35654ebf8cbbd2232bf40814c113a555ec2b96e06a3/arregaaadxs---queer-drawings-03---1.jpg" data-mid="76394563" border="0" src="https://freight.cargo.site/w/1000/i/ae72b1588d4cbe3fe49df35654ebf8cbbd2232bf40814c113a555ec2b96e06a3/arregaaadxs---queer-drawings-03---1.jpg" /> Arregaçadx [Queer Drawing n.3], 2020 aço e papelacero y papelsteel and paper 31 x 45 x 12 cm <img width="2663" height="2132" width_o="2663" height_o="2132" data-src="https://freight.cargo.site/t/original/i/ae72b1588d4cbe3fe49df35654ebf8cbbd2232bf40814c113a555ec2b96e06a3/arregaaadxs---queer-drawings-03---1.jpg" data-mid="76394563" border="0" src="https://freight.cargo.site/w/1000/i/ae72b1588d4cbe3fe49df35654ebf8cbbd2232bf40814c113a555ec2b96e06a3/arregaaadxs---queer-drawings-03---1.jpg" /> <img width="2503" height="2684" width_o="2503" height_o="2684" data-src="https://freight.cargo.site/t/original/i/8626d12904b8027b883249ac92d4615cc6e9e60ac3e491f75e43e8540e52d667/arregaaadxs---queer-drawings-03---2.jpg" data-mid="76394564" border="0" src="https://freight.cargo.site/w/1000/i/8626d12904b8027b883249ac92d4615cc6e9e60ac3e491f75e43e8540e52d667/arregaaadxs---queer-drawings-03---2.jpg" /> <img width="2288" height="2548" width_o="2288" height_o="2548" data-src="https://freight.cargo.site/t/original/i/3452d4aeca5cde8cebf564b4f7c75f16c78962477b2337c843df08c46c125f88/arregaaadxs---queer-drawings-03---3.jpg" data-mid="76394565" border="0" src="https://freight.cargo.site/w/1000/i/3452d4aeca5cde8cebf564b4f7c75f16c78962477b2337c843df08c46c125f88/arregaaadxs---queer-drawings-03---3.jpg" /> <img width="3425" height="2535" width_o="3425" height_o="2535" data-src="https://freight.cargo.site/t/original/i/d37c989e6e8bdd53b38e143c18c6509e277f9b6f31930bf8340c66c898841295/arregaaadxs---queer-drawings-03---4.jpg" data-mid="76394566" border="0" src="https://freight.cargo.site/w/1000/i/d37c989e6e8bdd53b38e143c18c6509e277f9b6f31930bf8340c66c898841295/arregaaadxs---queer-drawings-03---4.jpg" /> https://lucassimoes.com.br/relevos-dissecados-e-desenhos Fri, 03 Jul 2020 13:20:34 +0000 lucas simoes https://lucassimoes.com.br/relevos-dissecados-e-desenhos relevos dissecados e desenhos “Balance, tension, unpredictability, adjusting expectations—the defining features of Lucas Simões’s artwork point as much to the process and beauty of making buildings as to that of building a relationship, a life, with another human being. The paper in this show often takes on figurative (maybe even sensual) qualities: spreading, bending, teasing, exposing, demurring. Drawing is a more primordial art form than sculpture. It is more direct; it removes a measure of mediation between an object and its conception. Simões’s new drawings bring us closer to the early lives of his artworks (as digital renderings no one but the artist ever sees), closer to his first love (architecture), closer to the inside of his mind, and perhaps even to his experience of eros." extract from drawing tense exhibition’s text by Colin Doyle Texto em português Esta pesquisa partiu da leitura de textos de dois arquitetos fundadores da arquitetura moderna brasileira. Lucio Costa (escola carioca) e Vilanova Artigas (escola paulista). A pedido do Ministério da Educação e Cultura, Lucio Costa propôs em 1940 um programa para a reformulação do ensino de desenho no curso secundário, visando desenvolver nos jovens a capacidade analítica por meio do desenho como inseparável das forças da imaginação. Intenção, compreensão, significado e construção se conjugavam nesta experiência formativa do desenho. “O rabisco não é nada, o risco – o traço – é tudo. O risco tem carga, é desenho com determinada intenção1”, afirmava. Quase três décadas depois, Vilanova Artigas, em 1 de maio de 1967, pronuncia a aula inaugural da Faculdade de Arquitetura da Universidade de São Paulo, onde explorou o conteúdo semântico da palavra “desenho”, para mostrar um conflito histórico, desde Platão, entre técnica, arte e significado: desenho – desígnio – design (desenho/intenção/projeto).Três palavras diferentes na língua portuguesa, mas que em outras línguas como no italiano "disegno" ou no inglês “design” aglutinam a potência semântica. Sendo assim, a série Desenhos explora o traço, ou melhor, citando Lucio Costa, “o risco que tem carga”. O traço que nestes trabalhos se tornam cortes, sulcos que atravessam resmas inteiras de papel. Gestos simples que definem a construção do desenho no papel a partir da movimentação da resma no espaço. Movimentos algumas vezes quase sem esforço, apenas com a força da gravidade. Outras vezes uma simples torção cria relevos dissecados de papel. Seus pontos de tensão são sustentados por chapas de aço, como réguas para o movimento pretendido nas folhas. <img width="1545" height="2000" width_o="1545" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ff2f80145a914edb6c215b43921f5b665cb2b8d7dccfc9deaa599428bcfdf7b9/Desenho-N01-1_DSC4300.jpg" data-mid="76395715" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/ff2f80145a914edb6c215b43921f5b665cb2b8d7dccfc9deaa599428bcfdf7b9/Desenho-N01-1_DSC4300.jpg" /> DESENH0 #1, 2019 aço e papel steel and paper 80x56cm 31 x 22 in <img width="1545" height="2000" width_o="1545" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ff2f80145a914edb6c215b43921f5b665cb2b8d7dccfc9deaa599428bcfdf7b9/Desenho-N01-1_DSC4300.jpg" data-mid="76395715" border="0" src="https://freight.cargo.site/w/1000/i/ff2f80145a914edb6c215b43921f5b665cb2b8d7dccfc9deaa599428bcfdf7b9/Desenho-N01-1_DSC4300.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8ee849ac97c15a6cc244de326768a04d3998f72688215ca6e53ffc75ce9a282a/Desenho-N01-2_DSC4301.jpg" data-mid="76395716" border="0" src="https://freight.cargo.site/w/1000/i/8ee849ac97c15a6cc244de326768a04d3998f72688215ca6e53ffc75ce9a282a/Desenho-N01-2_DSC4301.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/5ba7272ad780683342eb2fb85ffb539b7b875cf2566db784641bb3d9dd56e931/Desenho-N01-3_DSC4303.jpg" data-mid="76395757" border="0" src="https://freight.cargo.site/w/1000/i/5ba7272ad780683342eb2fb85ffb539b7b875cf2566db784641bb3d9dd56e931/Desenho-N01-3_DSC4303.jpg" /> <img width="1508" height="2000" width_o="1508" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1279931cb19c9985ac01d131410c64620e6e054fa2687bc923a8b0c8ff1ba7d0/Desenho-N02-1_DSC4305.jpg" data-mid="76395717" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/1279931cb19c9985ac01d131410c64620e6e054fa2687bc923a8b0c8ff1ba7d0/Desenho-N02-1_DSC4305.jpg" /> DESENH0#2, 2019 aço e papel steel and paper 54 x39 cm 21 X 15 in <img width="1508" height="2000" width_o="1508" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1279931cb19c9985ac01d131410c64620e6e054fa2687bc923a8b0c8ff1ba7d0/Desenho-N02-1_DSC4305.jpg" data-mid="76395717" border="0" src="https://freight.cargo.site/w/1000/i/1279931cb19c9985ac01d131410c64620e6e054fa2687bc923a8b0c8ff1ba7d0/Desenho-N02-1_DSC4305.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ae69f0ed7cad194197b39b074bbae28a15175866d9e0b0ae9673e014f553afde/Desenho-N02-2_DSC4310.jpg" data-mid="76395718" border="0" src="https://freight.cargo.site/w/1000/i/ae69f0ed7cad194197b39b074bbae28a15175866d9e0b0ae9673e014f553afde/Desenho-N02-2_DSC4310.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1bb2ca6de5f9f71cb8e3008851168494cb05732ff126018bf9630a5cab61e6c5/Desenho-N02-3.jpg" data-mid="76395719" border="0" src="https://freight.cargo.site/w/1000/i/1bb2ca6de5f9f71cb8e3008851168494cb05732ff126018bf9630a5cab61e6c5/Desenho-N02-3.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/601b3a947dcf4eea245e60b9cba7874e1d297313a38178430c5545b3485208fe/Desenho-N02-4-_DSC4350.jpg" data-mid="76395720" border="0" src="https://freight.cargo.site/w/1000/i/601b3a947dcf4eea245e60b9cba7874e1d297313a38178430c5545b3485208fe/Desenho-N02-4-_DSC4350.jpg" /> <img width="1508" height="2000" width_o="1508" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0d25981625557497c6626cac91b5c73ded6bf7302099463ad29272ce1077a27f/Desenho-N03-1_DSC4331.jpg" data-mid="76395721" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/0d25981625557497c6626cac91b5c73ded6bf7302099463ad29272ce1077a27f/Desenho-N03-1_DSC4331.jpg" /> DESENH0#3, 2019 aço e papel steel and paper 54 x39 cm 21 X 15 in <img width="1508" height="2000" width_o="1508" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0d25981625557497c6626cac91b5c73ded6bf7302099463ad29272ce1077a27f/Desenho-N03-1_DSC4331.jpg" data-mid="76395721" border="0" src="https://freight.cargo.site/w/1000/i/0d25981625557497c6626cac91b5c73ded6bf7302099463ad29272ce1077a27f/Desenho-N03-1_DSC4331.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ab6283b2b556603cd85f7030a286b3c542a096d22a41aea9a69f42289a50c6c9/Desenho-N03-2_DSC4328.jpg" data-mid="76395722" border="0" src="https://freight.cargo.site/w/1000/i/ab6283b2b556603cd85f7030a286b3c542a096d22a41aea9a69f42289a50c6c9/Desenho-N03-2_DSC4328.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c5a653ac08e87bd499524df56860973a9ba3b214f1cd0bc004fc5b550f53804d/Desenho-N03-3_DSC4323.jpg" data-mid="76395723" border="0" src="https://freight.cargo.site/w/1000/i/c5a653ac08e87bd499524df56860973a9ba3b214f1cd0bc004fc5b550f53804d/Desenho-N03-3_DSC4323.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7aa26ea7e454f5e17b7dbe6bf65ab8c62103e7b2c30a18eb2a7746584194315b/Desenho-N03-4.jpg" data-mid="76395724" border="0" src="https://freight.cargo.site/w/1000/i/7aa26ea7e454f5e17b7dbe6bf65ab8c62103e7b2c30a18eb2a7746584194315b/Desenho-N03-4.jpg" /> <img width="1277" height="2000" width_o="1277" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c4532888466ea3763086fe6b4c43cc7e1140616d8f45b8da14a42abc675a948a/Desenho-N04-1_DSC4334.jpg" data-mid="76395725" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/c4532888466ea3763086fe6b4c43cc7e1140616d8f45b8da14a42abc675a948a/Desenho-N04-1_DSC4334.jpg" />DESENH0#4, 2019 aço e papel steel and paper 100x61 cm 39 X 24 in <img width="1277" height="2000" width_o="1277" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c4532888466ea3763086fe6b4c43cc7e1140616d8f45b8da14a42abc675a948a/Desenho-N04-1_DSC4334.jpg" data-mid="76395725" border="0" src="https://freight.cargo.site/w/1000/i/c4532888466ea3763086fe6b4c43cc7e1140616d8f45b8da14a42abc675a948a/Desenho-N04-1_DSC4334.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4adcd4c3844bf8c4c2dd0aa63675925e74a89401aa3b672aff57742418053402/Desenho-N04-2_DSC4337.jpg" data-mid="76395726" border="0" src="https://freight.cargo.site/w/1000/i/4adcd4c3844bf8c4c2dd0aa63675925e74a89401aa3b672aff57742418053402/Desenho-N04-2_DSC4337.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2dc10abd0460db9610d2e19456b1e272e9f670ffe4671c594d110e21ce0e83c9/Desenho-N04-3_DSC4340.jpg" data-mid="76395727" border="0" src="https://freight.cargo.site/w/1000/i/2dc10abd0460db9610d2e19456b1e272e9f670ffe4671c594d110e21ce0e83c9/Desenho-N04-3_DSC4340.jpg" /> <img width="2000" height="1483" width_o="2000" height_o="1483" data-src="https://freight.cargo.site/t/original/i/081c6df80c18500b08a39eaca074da79f49448dc8e8c7deff993b2b1031b9874/Desenho-N06-1-_DSC4409.jpg" data-mid="76395728" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/081c6df80c18500b08a39eaca074da79f49448dc8e8c7deff993b2b1031b9874/Desenho-N06-1-_DSC4409.jpg" /> DESENH0#6, 2019 aço e papel steel and paper 61 x 92 cm 24 X 36 in <img width="2000" height="1483" width_o="2000" height_o="1483" data-src="https://freight.cargo.site/t/original/i/081c6df80c18500b08a39eaca074da79f49448dc8e8c7deff993b2b1031b9874/Desenho-N06-1-_DSC4409.jpg" data-mid="76395728" border="0" src="https://freight.cargo.site/w/1000/i/081c6df80c18500b08a39eaca074da79f49448dc8e8c7deff993b2b1031b9874/Desenho-N06-1-_DSC4409.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/634adaba8d2349b2a580aa4c488f56e7f1270e9040c2fb9d2536e56bd72ec106/Desenho-N06-2-_DSC4412.jpg" data-mid="76395729" border="0" src="https://freight.cargo.site/w/1000/i/634adaba8d2349b2a580aa4c488f56e7f1270e9040c2fb9d2536e56bd72ec106/Desenho-N06-2-_DSC4412.jpg" /> <img width="1473" height="2000" width_o="1473" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a907b254804334ed31750c36d2043cac3b1fca15b55383e8b584d2e82a68898d/Desenho-N06-3-_DSC4417.jpg" data-mid="76395730" border="0" src="https://freight.cargo.site/w/1000/i/a907b254804334ed31750c36d2043cac3b1fca15b55383e8b584d2e82a68898d/Desenho-N06-3-_DSC4417.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/21f6c68e532a5881a8009fc13e6c666c10110d63036cf733d0d6831ad721f431/Desenho-N06-4.jpg" data-mid="76395731" border="0" src="https://freight.cargo.site/w/1000/i/21f6c68e532a5881a8009fc13e6c666c10110d63036cf733d0d6831ad721f431/Desenho-N06-4.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/475381b4f86709e4625474eab812fd33bf3c06322d9da3e7ed7c15870299f1ce/Desenho-N06-5-_DSC4423.jpg" data-mid="76395732" border="0" src="https://freight.cargo.site/w/1000/i/475381b4f86709e4625474eab812fd33bf3c06322d9da3e7ed7c15870299f1ce/Desenho-N06-5-_DSC4423.jpg" /> <img width="1499" height="2000" width_o="1499" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f39ba581b524fc9ae62881a9809d612771ed5fb7fa6d1af5628e4533280b348a/Desenho-N07-1-_DSC4344.jpg" data-mid="76395733" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/f39ba581b524fc9ae62881a9809d612771ed5fb7fa6d1af5628e4533280b348a/Desenho-N07-1-_DSC4344.jpg" /> DESENH0#7, 2019 aço e papel steel and paper 61 x46 cm 24 X 18 in <img width="1277" height="2000" width_o="1277" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c4532888466ea3763086fe6b4c43cc7e1140616d8f45b8da14a42abc675a948a/Desenho-N04-1_DSC4334.jpg" data-mid="76395725" border="0" src="https://freight.cargo.site/w/1000/i/c4532888466ea3763086fe6b4c43cc7e1140616d8f45b8da14a42abc675a948a/Desenho-N04-1_DSC4334.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f30b423590f8cc7ebd468fe64b9724f5c6c3191f2fbc9a912bb6f2ff8ff9a38f/Desenho-N07-2_DSC4341.jpg" data-mid="76395734" border="0" src="https://freight.cargo.site/w/1000/i/f30b423590f8cc7ebd468fe64b9724f5c6c3191f2fbc9a912bb6f2ff8ff9a38f/Desenho-N07-2_DSC4341.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/45a91fbcfcfe300e21c0f01963b297e291fd54b8ac0fe426d8eaf3cdf3cf60b4/Desenho-N07-3_DSC4346.jpg" data-mid="76395735" border="0" src="https://freight.cargo.site/w/1000/i/45a91fbcfcfe300e21c0f01963b297e291fd54b8ac0fe426d8eaf3cdf3cf60b4/Desenho-N07-3_DSC4346.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/426529581c1c3387543564f1b0a5c9938f34568decc58941f80295e96d880643/Desenho-N07-4_DSC4348.jpg" data-mid="76395736" border="0" src="https://freight.cargo.site/w/1000/i/426529581c1c3387543564f1b0a5c9938f34568decc58941f80295e96d880643/Desenho-N07-4_DSC4348.jpg" /> <img width="2000" height="1318" width_o="2000" height_o="1318" data-src="https://freight.cargo.site/t/original/i/be15dd73de05a764d4ffeeb8ce81a40215c8a851af7813c1ebd34da09f1acec2/Desenho-N08-1_DSC4367.jpg" data-mid="76395737" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/be15dd73de05a764d4ffeeb8ce81a40215c8a851af7813c1ebd34da09f1acec2/Desenho-N08-1_DSC4367.jpg" /> DESENHO#8, 2019 aço e papel steel and paper 51 x 81 cm 20 X 32 in <img width="2000" height="1318" width_o="2000" height_o="1318" data-src="https://freight.cargo.site/t/original/i/be15dd73de05a764d4ffeeb8ce81a40215c8a851af7813c1ebd34da09f1acec2/Desenho-N08-1_DSC4367.jpg" data-mid="76395737" border="0" src="https://freight.cargo.site/w/1000/i/be15dd73de05a764d4ffeeb8ce81a40215c8a851af7813c1ebd34da09f1acec2/Desenho-N08-1_DSC4367.jpg" /> <img width="1797" height="2000" width_o="1797" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4f8fc1d61a3b74c15aeddbe4498c10ff6ebdfcb0e798a684ea0c50c8f662991c/Desenho-N08-2_DSC4379.jpg" data-mid="76395738" border="0" src="https://freight.cargo.site/w/1000/i/4f8fc1d61a3b74c15aeddbe4498c10ff6ebdfcb0e798a684ea0c50c8f662991c/Desenho-N08-2_DSC4379.jpg" /> <img width="1809" height="2000" width_o="1809" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e4bfb6dd905554c2888cf8f77bd5ea1fa9eb53cbd4b31cf10e6df96ddd98537c/Desenho-N08-3_DSC4382.jpg" data-mid="76395759" border="0" src="https://freight.cargo.site/w/1000/i/e4bfb6dd905554c2888cf8f77bd5ea1fa9eb53cbd4b31cf10e6df96ddd98537c/Desenho-N08-3_DSC4382.jpg" /> <img width="2155" height="2765" width_o="2155" height_o="2765" data-src="https://freight.cargo.site/t/original/i/69e54140849e3522a484aa0eb157b9f8fa7ecfd860ec2dbd76d145aad7f601d4/desenho-9---2.jpg" data-mid="76395747" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/69e54140849e3522a484aa0eb157b9f8fa7ecfd860ec2dbd76d145aad7f601d4/desenho-9---2.jpg" /> DESENHO #9, 2020 aço e papelacero y papel steel and paper 51 x 33 x 10 cm <img width="2155" height="2765" width_o="2155" height_o="2765" data-src="https://freight.cargo.site/t/original/i/69e54140849e3522a484aa0eb157b9f8fa7ecfd860ec2dbd76d145aad7f601d4/desenho-9---2.jpg" data-mid="76395747" border="0" src="https://freight.cargo.site/w/1000/i/69e54140849e3522a484aa0eb157b9f8fa7ecfd860ec2dbd76d145aad7f601d4/desenho-9---2.jpg" /> <img width="2163" height="2994" width_o="2163" height_o="2994" data-src="https://freight.cargo.site/t/original/i/a7595fb1e17cbf7939661b566079b4f68293cf715cc8ed7161e48f5e946de3b9/desenho-9---3.jpg" data-mid="76395748" border="0" src="https://freight.cargo.site/w/1000/i/a7595fb1e17cbf7939661b566079b4f68293cf715cc8ed7161e48f5e946de3b9/desenho-9---3.jpg" /> <img width="2531" height="3422" width_o="2531" height_o="3422" data-src="https://freight.cargo.site/t/original/i/8019e787a13ad117fdea168a56686ffb00000dbae0e13c84426630e57aba1650/desenho-9--4.jpg" data-mid="76395750" border="0" src="https://freight.cargo.site/w/1000/i/8019e787a13ad117fdea168a56686ffb00000dbae0e13c84426630e57aba1650/desenho-9--4.jpg" /> <img width="2564" height="3664" width_o="2564" height_o="3664" data-src="https://freight.cargo.site/t/original/i/987d957be3ee615fdc06b1802c8c47d582f2fdd8e9b7a7ac9d82ccbb72c342a4/desenho-9---5.jpg" data-mid="76395749" border="0" src="https://freight.cargo.site/w/1000/i/987d957be3ee615fdc06b1802c8c47d582f2fdd8e9b7a7ac9d82ccbb72c342a4/desenho-9---5.jpg" /> <img width="2672" height="3268" width_o="2672" height_o="3268" data-src="https://freight.cargo.site/t/original/i/c96cf75e4b42a48cc67089f032ceaa084fd1ca46dc475a6379ccbfbde84de25d/desenho-10---1.jpg" data-mid="76395751" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/c96cf75e4b42a48cc67089f032ceaa084fd1ca46dc475a6379ccbfbde84de25d/desenho-10---1.jpg" /> DESENHO #10, 2020aço e papel acero y papel steel and paper 46 x 32 x 11 cm <img width="2672" height="3268" width_o="2672" height_o="3268" data-src="https://freight.cargo.site/t/original/i/c96cf75e4b42a48cc67089f032ceaa084fd1ca46dc475a6379ccbfbde84de25d/desenho-10---1.jpg" data-mid="76395751" border="0" src="https://freight.cargo.site/w/1000/i/c96cf75e4b42a48cc67089f032ceaa084fd1ca46dc475a6379ccbfbde84de25d/desenho-10---1.jpg" /> <img width="2667" height="3386" width_o="2667" height_o="3386" data-src="https://freight.cargo.site/t/original/i/0603643e59309d4c9fc3bf8a5f899453f7e6cfb3c437296fd09281b30e22279a/desenho-10---2.jpg" data-mid="76395752" border="0" src="https://freight.cargo.site/w/1000/i/0603643e59309d4c9fc3bf8a5f899453f7e6cfb3c437296fd09281b30e22279a/desenho-10---2.jpg" /> <img width="2417" height="3624" width_o="2417" height_o="3624" data-src="https://freight.cargo.site/t/original/i/2910b9f6ed48ce8368d1583e05c278ad4ba24841417432114b8624f50645a455/desenho-10---3.jpg" data-mid="76395754" border="0" src="https://freight.cargo.site/w/1000/i/2910b9f6ed48ce8368d1583e05c278ad4ba24841417432114b8624f50645a455/desenho-10---3.jpg" /> <img width="1944" height="2968" width_o="1944" height_o="2968" data-src="https://freight.cargo.site/t/original/i/2966a36c224edc480d47934aa6c4119e57c1ca84095710c6e043d07b9e3cb80e/desenho-10---4.jpg" data-mid="76395756" border="0" src="https://freight.cargo.site/w/1000/i/2966a36c224edc480d47934aa6c4119e57c1ca84095710c6e043d07b9e3cb80e/desenho-10---4.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/61b37a3ba6b915778ac05fa432dd453a2ee450ec96a812d1ae1e8ef5d5900c1d/Relevo-Dissecado-01-DSC03200--Grimalt-de-Blanch.jpg" data-mid="76395739" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/61b37a3ba6b915778ac05fa432dd453a2ee450ec96a812d1ae1e8ef5d5900c1d/Relevo-Dissecado-01-DSC03200--Grimalt-de-Blanch.jpg" /> RELEVO DISSECADO [1], 2019 aço e papelacero y papel steel and paper 60 x 80 cm <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/cc1476ba0c04a640af46d8d77d2a02c6d7b0d11e5089c90586219583694b61ab/Relevo-Dissecado-03-DSC03186-02--Grimalt-de-Blanch.jpg" data-mid="76395740" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/cc1476ba0c04a640af46d8d77d2a02c6d7b0d11e5089c90586219583694b61ab/Relevo-Dissecado-03-DSC03186-02--Grimalt-de-Blanch.jpg" /> RELEVO DISSECADO [3], 2019 aço e papelacero y papel steel and paper 110 x 63 <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/375965ff6cd7038a567574e443f7ff67863128d431bc75dd3f646b19bcc45c06/Relevo-Dissecado-04-DSC03189-02--Grimalt-de-Blanch.jpg" data-mid="76395741" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/375965ff6cd7038a567574e443f7ff67863128d431bc75dd3f646b19bcc45c06/Relevo-Dissecado-04-DSC03189-02--Grimalt-de-Blanch.jpg" /> RELEVO DISSECADO [4], 2019 aço e papelacero y papel steel and paper 113 x 77 cm <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/673c54710b3077e51e0f37726d101c318aeaff2b7edb7c4da76db96aa814505f/Relevo-Dissecado-05-DSC03199--Grimalt-de-Blanch.jpg" data-mid="76395743" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/673c54710b3077e51e0f37726d101c318aeaff2b7edb7c4da76db96aa814505f/Relevo-Dissecado-05-DSC03199--Grimalt-de-Blanch.jpg" /> RELEVO DISSECADO [5], 2019 aço e papelacero y papel steel and paper 48 x 37 cm <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/22a5cdd4d902db53bd92933fe1425d5be7d7bbb02b437179f4dbe61466b82e6d/Relevo-Dissecado-07-DSC03193--Grimalt-de-Blanch.jpg" data-mid="76395745" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/22a5cdd4d902db53bd92933fe1425d5be7d7bbb02b437179f4dbe61466b82e6d/Relevo-Dissecado-07-DSC03193--Grimalt-de-Blanch.jpg" /> RELEVO DISSECADO [7], 2019 aço e papelacero y papel steel and paper 59 x 29 cm <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/b10c390c830bb318cf61012554b3815209783aa5ee2e39fd7f2e07f288b9c141/Relevo-Dissecado-08-DSC03201--Grimalt-de-Blanch.jpg" data-mid="76395746" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/b10c390c830bb318cf61012554b3815209783aa5ee2e39fd7f2e07f288b9c141/Relevo-Dissecado-08-DSC03201--Grimalt-de-Blanch.jpg" /> RELEVO DISSECADO [8], 2019 aço e papelacero y papel steel and paper 65 x 68 cm <img width="2000" height="1799" width_o="2000" height_o="1799" data-src="https://freight.cargo.site/t/original/i/aa67f89d63cf0efff80a728aab3e15cbba5f0b293d10437d27e6d0f8b9ab5b9c/relevo-dissecado-N09-1-_DSC4393.jpg" data-mid="76400423" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/aa67f89d63cf0efff80a728aab3e15cbba5f0b293d10437d27e6d0f8b9ab5b9c/relevo-dissecado-N09-1-_DSC4393.jpg" /> RELEVO DISSECADO [9], 2019 aço, papel e folha douradaacero, papel y hoja doradasteel, paper and golden leaf 37 x 35 cm <img width="2000" height="1799" width_o="2000" height_o="1799" data-src="https://freight.cargo.site/t/original/i/aa67f89d63cf0efff80a728aab3e15cbba5f0b293d10437d27e6d0f8b9ab5b9c/relevo-dissecado-N09-1-_DSC4393.jpg" data-mid="76400423" border="0" src="https://freight.cargo.site/w/1000/i/aa67f89d63cf0efff80a728aab3e15cbba5f0b293d10437d27e6d0f8b9ab5b9c/relevo-dissecado-N09-1-_DSC4393.jpg" /> <img width="1554" height="2000" width_o="1554" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9d90cdc19a8714f2785db15849f202eb3da9e74c1e51607e612b18728e5c4399/relevo-dissecado-N09-2-_DSC4397.jpg" data-mid="76400425" border="0" src="https://freight.cargo.site/w/1000/i/9d90cdc19a8714f2785db15849f202eb3da9e74c1e51607e612b18728e5c4399/relevo-dissecado-N09-2-_DSC4397.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/fd0955f4d78a8d43c761287cf4ae34a354f2b019d077edbb4292b1bbd5374fc2/relevo-dissecado-N09-3-_DSC4399.jpg" data-mid="76400427" border="0" src="https://freight.cargo.site/w/1000/i/fd0955f4d78a8d43c761287cf4ae34a354f2b019d077edbb4292b1bbd5374fc2/relevo-dissecado-N09-3-_DSC4399.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/81b3f65e545dc9d99ad457baa81aaa3d9368e495c02dbc80a9fc27bdec65c662/relevo-dissecado-N09-4-_DSC4400.jpg" data-mid="76400430" border="0" src="https://freight.cargo.site/w/1000/i/81b3f65e545dc9d99ad457baa81aaa3d9368e495c02dbc80a9fc27bdec65c662/relevo-dissecado-N09-4-_DSC4400.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b30abaa96844308d522a73812f9409acddfd0190e7d3037b927238a61acc9743/relevo-dissecado-N09-5-_DSC4406.jpg" data-mid="76400432" border="0" src="https://freight.cargo.site/w/1000/i/b30abaa96844308d522a73812f9409acddfd0190e7d3037b927238a61acc9743/relevo-dissecado-N09-5-_DSC4406.jpg" /> <img width="2246" height="2236" width_o="2246" height_o="2236" data-src="https://freight.cargo.site/t/original/i/c94b46e71456c9ab974b4946ecab0d07451099e36cb52bbe9fb1b11776f4253c/chapado-n.6_01.jpg" data-mid="95207382" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/c94b46e71456c9ab974b4946ecab0d07451099e36cb52bbe9fb1b11776f4253c/chapado-n.6_01.jpg" />Chapado n.6 [Beliscões], &nbsp;2020aço carbono com oxidação preta e papel jornal black oxidazed carbon steel and paper&nbsp; 39 x 39 x 6 cm&nbsp; <img width="2246" height="2236" width_o="2246" height_o="2236" data-src="https://freight.cargo.site/t/original/i/c94b46e71456c9ab974b4946ecab0d07451099e36cb52bbe9fb1b11776f4253c/chapado-n.6_01.jpg" data-mid="95207382" border="0" src="https://freight.cargo.site/w/1000/i/c94b46e71456c9ab974b4946ecab0d07451099e36cb52bbe9fb1b11776f4253c/chapado-n.6_01.jpg" /> <img width="2487" height="3026" width_o="2487" height_o="3026" data-src="https://freight.cargo.site/t/original/i/1ca0fefef398187fdc869e9ac1d3fd64a1c6d8810c7249566975aaf57f71d8f9/chapado-n.6_02.jpg" data-mid="95207383" border="0" src="https://freight.cargo.site/w/1000/i/1ca0fefef398187fdc869e9ac1d3fd64a1c6d8810c7249566975aaf57f71d8f9/chapado-n.6_02.jpg" /> <img width="2600" height="3280" width_o="2600" height_o="3280" data-src="https://freight.cargo.site/t/original/i/7aa6e7d291a79c9fc067edd609302c498bc923e25d5d76ff827691d49a57a6dc/chapado-n.6_03.jpg" data-mid="95207384" border="0" src="https://freight.cargo.site/w/1000/i/7aa6e7d291a79c9fc067edd609302c498bc923e25d5d76ff827691d49a57a6dc/chapado-n.6_03.jpg" /> <img width="2431" height="3639" width_o="2431" height_o="3639" data-src="https://freight.cargo.site/t/original/i/3525f9af795f4aa831f7710d68d61af6f793da192c5e3db7c86f820664ff18bb/chapado-n.6_04.jpg" data-mid="95207385" border="0" src="https://freight.cargo.site/w/1000/i/3525f9af795f4aa831f7710d68d61af6f793da192c5e3db7c86f820664ff18bb/chapado-n.6_04.jpg" /> https://lucassimoes.com.br/drawing-tense-1 Fri, 03 Jul 2020 22:41:25 +0000 lucas simoes https://lucassimoes.com.br/drawing-tense-1 drawing tenseLora Reynolds Gallery, Austin, Texas <img width="2000" height="1389" width_o="2000" height_o="1389" data-src="https://freight.cargo.site/t/original/i/e91d22e101249c56a191ee2b9d109ff5b24fa4db0befddd26d48719f10a38283/_DSC4749.jpg" data-mid="76435865" border="0" src="https://freight.cargo.site/w/1000/i/e91d22e101249c56a191ee2b9d109ff5b24fa4db0befddd26d48719f10a38283/_DSC4749.jpg" /> <img width="2000" height="1389" width_o="2000" height_o="1389" data-src="https://freight.cargo.site/t/original/i/e91d22e101249c56a191ee2b9d109ff5b24fa4db0befddd26d48719f10a38283/_DSC4749.jpg" data-mid="76435865" border="0" src="https://freight.cargo.site/w/1000/i/e91d22e101249c56a191ee2b9d109ff5b24fa4db0befddd26d48719f10a38283/_DSC4749.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/647cb5bc916855ba4ea34e836bf406769102966f376b23417a2ad9439f516cd9/_DSC4759.jpg" data-mid="76435866" border="0" src="https://freight.cargo.site/w/1000/i/647cb5bc916855ba4ea34e836bf406769102966f376b23417a2ad9439f516cd9/_DSC4759.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/a98c237b791a44be4410465018d7eb2c84887416ac46a8c6341e150f3386a1b8/_DSC4756.jpg" data-mid="76435892" border="0" src="https://freight.cargo.site/w/1000/i/a98c237b791a44be4410465018d7eb2c84887416ac46a8c6341e150f3386a1b8/_DSC4756.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/847f5249df06a3a9e1e19a9e04bec595f1a8a249cdf2d3ed2f588307664d729f/_DSC4743.jpg" data-mid="76435891" border="0" src="https://freight.cargo.site/w/1000/i/847f5249df06a3a9e1e19a9e04bec595f1a8a249cdf2d3ed2f588307664d729f/_DSC4743.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/56af944d7fb15adc0e5f97b2f4f75b332b557354b74d7558264fe42c3cd906b4/_DSC4764.jpg" data-mid="76435893" border="0" src="https://freight.cargo.site/w/1000/i/56af944d7fb15adc0e5f97b2f4f75b332b557354b74d7558264fe42c3cd906b4/_DSC4764.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/bb6ec7152d471afd18c21e8b214cee31f8c23be3395a39a925153bc298a8b3b4/_DSC4768.jpg" data-mid="76435901" border="0" src="https://freight.cargo.site/w/1000/i/bb6ec7152d471afd18c21e8b214cee31f8c23be3395a39a925153bc298a8b3b4/_DSC4768.jpg" /> exhibition views,&nbsp;Lora Reynolds Gallery, Austin, Texas,&nbsp;November 2019 (Portuguese text below) Lucas Simões thinks of his new works as drawings, even though they carry no graphite and have some dimensionality. He draws with an industrial laser, cutting angular or curved shapes (reminiscent of Brutalist architecture) into blackened steel plates, essentially turning them into elaborate paperclips that pinch, pull, and compress his trademark stacks of tracing paper. He slices into each stack to make its sheets spread apart or curl back onto themselves. Screws pierce both the steel and the paper—from the front—simultaneously holding the artworks together and fixing them to the wall. The new drawings hang in precarious tension, as do Simões’s previous concrete and paper Abismo sculptures. Before he found art-making, Simões was an architect. He worked on commercial projects as part of a large team and designed and built residential projects on his own. He made architectural drawings in AutoCAD, the same software he uses to draw plans for his artworks now. Before the pieces in this show were realized (when they existed only on his computer screen), the line separating them from architectural drawings, in Simões’s mind, was faint. They could have just as easily become rooms, spaces, buildings. But by pushing their final form toward drawing instead of architecture, Simões is grasping for a type of poetic purity that was hard to come by when he was designing buildings. His architectural practice was mired in compromise, tempering beautiful dreams with practicality. The negotiations that define his art-making practice, however, he undertakes directly with his materials. Metal sheets , concrete, tracing paper, brass, gold leaf, rebar, insulating sheathing—the materials Simões works with all have minds of their own. His constructions never turn out exactly like their blueprints stipulate (the same goes for buildings), no matter how precisely he follows his plans. Pulling molds off his concrete forms once they dry, Simões sometimes finds surprising surface textures or colors. He usually needs to revise the plans for his metal plates after building a mock-up—to adjust the direction or amount of tension the plate applies to the paper it holds. A large stack of tracing paper with a slice through its middle, when suspended vertically, will drape differently than a smaller but otherwise identical stack. And once his work in the studio is complete, installing his drawings/sculptures in the gallery always requires unexpected adjustments to find their perfect balance points. Balance, tension, unpredictability, adjusting expectations—the defining features of Lucas Simões’s artwork point as much to the process and beauty of making buildings as to that of building a relationship, a life, with another human being. The paper in this show often takes on figurative (maybe even sensual) qualities: spreading, bending, teasing, exposing, demurring. Drawing is a more primordial art form than sculpture. It is more direct; it removes a measure of mediation between an object and its conception. Simões’s new drawings bring us closer to the early lives of his artworks (as digital renderings no one but the artist ever sees), closer to his first love (architecture), closer to the inside of his mind, and perhaps even to his experience of eros." text by Colin Doyle <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/82d28601c5c25b472da2716700dbd8db85ac94588e89e0852752c5d3d26006e5/_DSC4497.jpg" data-mid="76435877" border="0" data-scale="75" alt="As Built, 2019 [paper, steel and intervention on wall] 140 x 140 x 30 cm" data-caption="As Built, 2019 [paper, steel and intervention on wall] 140 x 140 x 30 cm" src="https://freight.cargo.site/w/1000/i/82d28601c5c25b472da2716700dbd8db85ac94588e89e0852752c5d3d26006e5/_DSC4497.jpg" /> As Built, 2019 papel, aço e intervenção em parede paper, steel and intervention on wall site specific140 x 140 x 30 cm <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8d1bb55775a65536d06a88ec389e61f5ed4728d934c42e5a23fc5ed0f144f0c1/_DSC4528.jpg" data-mid="76435878" border="0" src="https://freight.cargo.site/w/1000/i/8d1bb55775a65536d06a88ec389e61f5ed4728d934c42e5a23fc5ed0f144f0c1/_DSC4528.jpg" /> <img width="2000" height="1389" width_o="2000" height_o="1389" data-src="https://freight.cargo.site/t/original/i/e91d22e101249c56a191ee2b9d109ff5b24fa4db0befddd26d48719f10a38283/_DSC4749.jpg" data-mid="76435865" border="0" src="https://freight.cargo.site/w/1000/i/e91d22e101249c56a191ee2b9d109ff5b24fa4db0befddd26d48719f10a38283/_DSC4749.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/f1357e1dd0027275817152ffcfde85b5dc21b223d25bfde76c91e7fd0624c489/_DSC4531.jpg" data-mid="76435879" border="0" src="https://freight.cargo.site/w/1000/i/f1357e1dd0027275817152ffcfde85b5dc21b223d25bfde76c91e7fd0624c489/_DSC4531.jpg" /> In this exhibition were shown pieces from desenhos, releveos dissecados and corpos de prova series. <img width="1499" height="2000" width_o="1499" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3041ff5a8405b4de7748d78c590bf3107beacf8989ff89c6c5fc85f51c0cc174/_DSC4344.jpg" data-mid="76435887" border="0" src="https://freight.cargo.site/w/1000/i/3041ff5a8405b4de7748d78c590bf3107beacf8989ff89c6c5fc85f51c0cc174/_DSC4344.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6daa23c3c065262c352ab9b58621fd0281755c898834265ae6d02a17488bcc58/_DSC4493.jpg" data-mid="76435882" border="0" src="https://freight.cargo.site/w/1000/i/6daa23c3c065262c352ab9b58621fd0281755c898834265ae6d02a17488bcc58/_DSC4493.jpg" /> <img width="1508" height="2000" width_o="1508" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d1d945883f6cae7bcb796df69fd63944ccd0b4501cfe927742c473bd7d1613e4/_DSC4331.jpg" data-mid="76435869" border="0" src="https://freight.cargo.site/w/1000/i/d1d945883f6cae7bcb796df69fd63944ccd0b4501cfe927742c473bd7d1613e4/_DSC4331.jpg" /> <img width="1545" height="2000" width_o="1545" height_o="2000" data-src="https://freight.cargo.site/t/original/i/506aeb84b50612e6ac9ca1d5b7117e6332a8201705677b2d1c0803cc1a3bdb52/_DSC4300.jpg" data-mid="76435867" border="0" src="https://freight.cargo.site/w/1000/i/506aeb84b50612e6ac9ca1d5b7117e6332a8201705677b2d1c0803cc1a3bdb52/_DSC4300.jpg" /> <img width="1277" height="2000" width_o="1277" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4646720b7f822be8cb40563b808cf57fe8a1a99a9cceed9d3839b5a3c3405634/_DSC4334.jpg" data-mid="76435883" border="0" src="https://freight.cargo.site/w/1000/i/4646720b7f822be8cb40563b808cf57fe8a1a99a9cceed9d3839b5a3c3405634/_DSC4334.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d6f487704f8665c6dcfb9b9605b90381a07f39be253ac1438e50fa57ecd14ee2/_DSC4435.jpg" data-mid="76435885" border="0" src="https://freight.cargo.site/w/1000/i/d6f487704f8665c6dcfb9b9605b90381a07f39be253ac1438e50fa57ecd14ee2/_DSC4435.jpg" /> <img width="2000" height="1483" width_o="2000" height_o="1483" data-src="https://freight.cargo.site/t/original/i/0e83cd9551d7fb1a67e8cdd5d7e7359d6e3655636fd4fcf2cb3abf15e39ddf9f/_DSC4409.jpg" data-mid="76435874" border="0" src="https://freight.cargo.site/w/1000/i/0e83cd9551d7fb1a67e8cdd5d7e7359d6e3655636fd4fcf2cb3abf15e39ddf9f/_DSC4409.jpg" /> <img width="2000" height="1799" width_o="2000" height_o="1799" data-src="https://freight.cargo.site/t/original/i/163ab9e469370853ca7d8e9810c6bbc684582e3a9e326223d735738aff03f9fd/_DSC4393.jpg" data-mid="76435871" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/163ab9e469370853ca7d8e9810c6bbc684582e3a9e326223d735738aff03f9fd/_DSC4393.jpg" /> Texto em português Lucas Simões enxerga seus trabalhos como desenhos, mesmo que eles não carreguem traços de grafite e tenham uma certa tridimensionalidade. Desenha em chapas de aço pretas com um laser industrial, recortando formas curvas ou anguladas (reminiscências da arquitetura brutalista), transformando-as em elaborados clipes de papel que beliscam, puxam e comprimem suas características pilhas de papel manteiga. Os cortes que sulcam as pilhas fazem o papel se abrir ou encurvar sobre si mesmo. Os parafusos prendem tanto o papel quando as chapas simultaneamente, pela frente, segurando a peça e prendendo-a à parede. Os novos desenhos são suspensos numa tensão precária, assim como os trabalhos anteriores de concreto e papel de Simões, as esculturas da série Abismo. Antes de dedicar-se à arte, Simões atuava como arquiteto. Trabalhou em projetos comerciais participando de equipes e realizou projetos residenciais individuais. Os desenhos eram realizados em AutoCAD, o mesmo software usado para desenhar suas obras agora. A linha que distinguia as peças desta esta exposição antes de serem realizadas (quando apenas existiam em sua tela de computador) de projetos arquitetônicos, na mente de Simões, era tênue. Poderiam facilmente ter se tornado cômodos, espaços, edifícios. Mas apenas conduzindo sua forma final para o desenho ao invés que para a arquitetura, Simões alcança uma pureza poética difícil de impetrar quando desenhava edifícios para seus clientes. Sua pratica de arquitetura era limitada pelo compromisso, mitigando sonhos pela realidade. As negociações que definem sua pratica como artista, ao contrario, são diretamente ligadas a seus materiais. Chapas metálicas, concreto, papel manteiga, latão, folha de ouro, vergalhões, camadas isolantes – os materiais que Simões usa em sua obra tem suas próprias identidades. Seus trabalhos quase nunca saem exatamente como seus projetos previam (assim como acontece com as construções), não importa quão precisamente são seguidos os desenhos. Ao retirar os moldes uma vez que o concreto secou, Simões se depara as vezes com texturas e cores inesperados. É comum que os desenhos das chapas metálicas precisem de revisão após realizar os testes – ajustar a direção ou a quantidade de pressão que a chapa concentra no papel que segura. Uma grande pilha de papel manteiga incisa em seu meio, quando suspensa, irá se encurvar diferentemente de uma pilha menor. E assim que o trabalho de ateliê se conclui, instalar seus desenhos/esculturas na galeria demanda ajustes inesperados ao alcançar o equilíbrio perfeito. Equilíbrio, tensão, imprevisibilidade, afinar expectativas – as características que definem o trabalho de Lucas Simões apontam tanto ao processo e a beleza de realizar edificações como à construção de relações, a vida com outro ser humano. O papel, nesta exposição, assume frequentemente qualidades figurativas (quem sabe sensuais): se abrindo, dobrando, provocando, expondo, hesitando. O desenho é uma arte mais primordial que a escultura. É mais direto, remove uma certa interferência entre o objeto e sua própria concepção. Os novos desenhos de Simões nos aproximam dos embriões de seus trabalhos (desenhos digitais que apenas o artista vê), de seu primeiro amor (a arquitetura), de sua mente e talvez, de sua experiência com o eros. &nbsp; &nbsp; Texto de Colin Doyle https://lucassimoes.com.br/inbound-1 Fri, 03 Jul 2020 20:11:01 +0000 lucas simoes https://lucassimoes.com.br/inbound-1 inboundTravelling towards a particular place, especially when returning to the original point of departure Galeria Pelaires, Mallorca, Spain <img width="2684" height="2071" width_o="2684" height_o="2071" data-src="https://freight.cargo.site/t/original/i/47c4903ff22f644aff29c8cc7b720abcdcdcc53b1523e78b8baaaed1fd3f4080/inbound-tratada-2.jpg" data-mid="76427786" border="0" src="https://freight.cargo.site/w/1000/i/47c4903ff22f644aff29c8cc7b720abcdcdcc53b1523e78b8baaaed1fd3f4080/inbound-tratada-2.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/caa894dc4d456250072de4ed6fece0cc0a2e367e5216af34664963be41c2e0ad/DSC03168--Grimalt-de-Blanch.jpg" data-mid="76427769" border="0" src="https://freight.cargo.site/w/1000/i/caa894dc4d456250072de4ed6fece0cc0a2e367e5216af34664963be41c2e0ad/DSC03168--Grimalt-de-Blanch.jpg" /> <img width="1588" height="1291" width_o="1588" height_o="1291" data-src="https://freight.cargo.site/t/original/i/84b01f3de3b5b125f7fc7f60c88cb61adb83181d624f9e81c28b5dcb54a7f3aa/DSC03161_2--Grimalt-de-Blanch.jpg" data-mid="76427767" border="0" src="https://freight.cargo.site/w/1000/i/84b01f3de3b5b125f7fc7f60c88cb61adb83181d624f9e81c28b5dcb54a7f3aa/DSC03161_2--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/b7ee90148a3bd5cd0a35a331f05f79a9d5335bd3ce5106b1a55cab5d4e1fe8f3/DSC03170--Grimalt-de-Blanch.jpg" data-mid="76427747" border="0" src="https://freight.cargo.site/w/1000/i/b7ee90148a3bd5cd0a35a331f05f79a9d5335bd3ce5106b1a55cab5d4e1fe8f3/DSC03170--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1662" width_o="2500" height_o="1662" data-src="https://freight.cargo.site/t/original/i/748133c223f1fb88cfc6352cc395ae0016763a8456b1e1b3ff8054c1bf983eb1/DSC03176--Grimalt-de-Blanch.jpg" data-mid="76427770" border="0" src="https://freight.cargo.site/w/1000/i/748133c223f1fb88cfc6352cc395ae0016763a8456b1e1b3ff8054c1bf983eb1/DSC03176--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/5256a44b54109d92f31a3a59f381937f53912010f59e234e3269539cecc4446c/DSC03172--Grimalt-de-Blanch.jpg" data-mid="76427771" border="0" src="https://freight.cargo.site/w/1000/i/5256a44b54109d92f31a3a59f381937f53912010f59e234e3269539cecc4446c/DSC03172--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1674" width_o="2500" height_o="1674" data-src="https://freight.cargo.site/t/original/i/a6aeb1f72d89926f0f26e5a0b942f4f6821597c47ae644a98c2f571177f2e80b/DSC03167--Grimalt-de-Blanch.jpg" data-mid="76427746" border="0" src="https://freight.cargo.site/w/1000/i/a6aeb1f72d89926f0f26e5a0b942f4f6821597c47ae644a98c2f571177f2e80b/DSC03167--Grimalt-de-Blanch.jpg" /> images of the exhibition, Galeria Pelaires, Mallorca - Spain, 2019 (Portuguese text below) The built environment is one thing, how people dwell in it, another 1. In Building and Dwelling: Ethics for the City, Richard Sennet, as already started in fundamental works such as Flesh and Stone (1997), keeps investigating how the body interacts with the city by focusing on those matters that concerns it for being a fundamental basis for the development of modernity and all circumstances defining the present as well as socioeconomic constraints in a post-capitalist society. In 2007, Mark Fisher wrote My defences/become fences&nbsp;2 about the resentment in one of his last texts on pre-Brexit Britain. In 1974, Clarice Lispector wrote that there will be no room for people&nbsp;3, referring to the city of Brasilia. Two different contexts. More than four decades apart. The same issues. To build and to live, or how to interact with the city and ourselves in an overly complex environment. “Inbound. Travelling towards a particular place, especially when returning to the original point of departure”4 is a body of work that Brazilian artist Lucas Simões has created specifically for Pelaires Gallery. He examines the issues related to the ways and manners we live on an island, a particular place, full of peculiarities, where the sea is the only boundary and frontier, the unforgiving horizon on which the city was designed, as Clarice Lispector wrote about Brasilia. Drawing limits, delimiting spaces, living places, building experiences. While considering architects and town planners as the draftsmen of the future and the idea of drawing (design / intent) as what is yet to be built (destiny, lines, trace), Lucas Simões’ work keeps exploring what was once described as the affective nature of form by Brazilian art critic Mário Pedrosa, one of the main instigators of modern art in Brazil. As part of that genealogy, associated with some of the most relevant Brazilian modern artists, Simões’ work, as already seen in projects such as Ressaca (2018), tackles poetically, yet critically, some of the ideas of development the wel(un)fare society has led us to, notions that lay on the edges and boundaries of our own cities. Inbound can comprehended as a counterpoint to that work. It is a site-specific installation, where a forest of columns and pillars built with enclosing and isolating features (such as fences, barriers, meshes) are mixed with concrete (cement) to create a new environment, a temporary experience, a topology that may not be described as a home. Mere transition. A space to go through. The idea that on the island everything grows, vibrates and fits 5, as Chillida wrote about sculptures. This installation has led to other works such as Chão 2019 (ground, floor), a floor piece through which the artist deals with stratification, a firm surface on which life and experiences are shaped. Moving objects over permanent surfaces. What changes over what remains. The future over the past that still survives under our feet. Paper, regarded as a fictitious place on which the future is shaped, and future constructions are drawn, reappears in Simões’ work. However, this time he does not set paper against concrete as he did in the past in projects such as Abismos. This time, he uses other materials to build his relevos dissecados, 2019 (dissected relieves), wall pieces with clear references to topography, erosion, gullies and once again to the boundaries dividing what once belonged to all humankind. Inbound. Paper as the place where the drawing is traced, the plan, the design, the fold. Inbound. Concrete as the built reality of what before was only a possibility. Inbound. The possibility of an island. The possibility of a city. As Sennet writes, the possibility of how we would like to live together. Emergency facing the isolation of a new collectivity. text by Jesus Alcaide 1- Sennett, Richard; "Building and Dwelling: Ethics for the City" Farrar, Straus and Giroux, 2018 2- Fisher, Mark; “Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures” ; Zero Books, 20143- Lispector, Clarice; “Complete Stories”; New Directions, 2018 4- Oxford Dictionary of English; p882 - 3rd Edition, 2010 - Oxford University Pres 5- Rocafort, Nacho Fernández; “Eduardo Chillida, Escritos”; La Fábrica, 2019 <img width="2500" height="1662" width_o="2500" height_o="1662" data-src="https://freight.cargo.site/t/original/i/b87e4fa9017a5eb0606260912bfe76b08cd88f44fd272e9afbf39770ac1576d0/DSC03176--Grimalt-de-Blanch.jpg" data-mid="76427754" border="0" src="https://freight.cargo.site/w/1000/i/b87e4fa9017a5eb0606260912bfe76b08cd88f44fd272e9afbf39770ac1576d0/DSC03176--Grimalt-de-Blanch.jpg" />INBOUND,&nbsp;201910 colunas tecnica mista mixed mediadimensiones variable variable dimensions <img 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data-src="https://freight.cargo.site/t/original/i/809ee74966ae84c48a8108b85c1390d217366020b41167060c24e0dee29cc953/DSC03227--Grimalt-de-Blanch.jpg" data-mid="76427764" border="0" src="https://freight.cargo.site/w/1000/i/809ee74966ae84c48a8108b85c1390d217366020b41167060c24e0dee29cc953/DSC03227--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/39c833f36c971ea5e26e2825c5e8ed783100ccfec1caf9cfe17f688266e1cd11/DSC03214--Grimalt-de-Blanch.jpg" data-mid="76427759" border="0" src="https://freight.cargo.site/w/1000/i/39c833f36c971ea5e26e2825c5e8ed783100ccfec1caf9cfe17f688266e1cd11/DSC03214--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/ec11f1050e8adabeab6f586bdcd7fe4701c91b34c8eb2e88b6287baecdc4c15f/DSC03224--Grimalt-de-Blanch.jpg" data-mid="76427762" border="0" src="https://freight.cargo.site/w/1000/i/ec11f1050e8adabeab6f586bdcd7fe4701c91b34c8eb2e88b6287baecdc4c15f/DSC03224--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/226a6bb5c0c80cf6482b3a039503d13dc2ef417363184552c6423dc425efd3d1/DSC03218--Grimalt-de-Blanch.jpg" data-mid="76427761" border="0" src="https://freight.cargo.site/w/1000/i/226a6bb5c0c80cf6482b3a039503d13dc2ef417363184552c6423dc425efd3d1/DSC03218--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/4090bf4f3fd023d1e6631f516f95063f4be5ca9db515774023618c0203dff23a/DSC03240--Grimalt-de-Blanch.jpg" data-mid="76427780" border="0" src="https://freight.cargo.site/w/1000/i/4090bf4f3fd023d1e6631f516f95063f4be5ca9db515774023618c0203dff23a/DSC03240--Grimalt-de-Blanch.jpg" /> Chão,&nbsp;2019 concreto e aço hormigón y acero concrete and steel 200 x 200 x 40 cm <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/08dd7f125aec74471a0383586e656c03cc9d0074db09fd71f9a08bdc87378465/DSC03161--Grimalt-de-Blanch.jpg" data-mid="76427745" border="0" src="https://freight.cargo.site/w/1000/i/08dd7f125aec74471a0383586e656c03cc9d0074db09fd71f9a08bdc87378465/DSC03161--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/43188758b52efa06dadc6b46990473334fd5de966fb056ebde4b14d2b5940aaf/DSC03239--Grimalt-de-Blanch.jpg" data-mid="76427779" border="0" src="https://freight.cargo.site/w/1000/i/43188758b52efa06dadc6b46990473334fd5de966fb056ebde4b14d2b5940aaf/DSC03239--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/c2bde286247879d2d41d997f663323d6262e8cc3ccc15ed6818bbe8992867d31/DSC03233--Grimalt-de-Blanch.jpg" data-mid="76427774" border="0" src="https://freight.cargo.site/w/1000/i/c2bde286247879d2d41d997f663323d6262e8cc3ccc15ed6818bbe8992867d31/DSC03233--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/13fdff20283d20645dee801072f1fb9dbfaa41b9a2d4d6b7e905f0515d309582/DSC03235--Grimalt-de-Blanch.jpg" data-mid="76427776" border="0" src="https://freight.cargo.site/w/1000/i/13fdff20283d20645dee801072f1fb9dbfaa41b9a2d4d6b7e905f0515d309582/DSC03235--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/e4af74a5617a3c1ed9914763c7c0148b7a5cd11a5f2816fc85535365efedcffd/DSC03238--Grimalt-de-Blanch.jpg" data-mid="76427778" border="0" src="https://freight.cargo.site/w/1000/i/e4af74a5617a3c1ed9914763c7c0148b7a5cd11a5f2816fc85535365efedcffd/DSC03238--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/33346ca6daa08f9bdf4de537df2f0bcfa2daaa9399f6ca833fc44165e9a805a9/DSC03232--Grimalt-de-Blanch.jpg" data-mid="76427773" border="0" src="https://freight.cargo.site/w/1000/i/33346ca6daa08f9bdf4de537df2f0bcfa2daaa9399f6ca833fc44165e9a805a9/DSC03232--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/8a55321fd7416a389e0c4c80281b8a862b02939556b4d6d9cbb8a8091dc9e091/DSC03234--Grimalt-de-Blanch.jpg" data-mid="76427775" border="0" src="https://freight.cargo.site/w/1000/i/8a55321fd7416a389e0c4c80281b8a862b02939556b4d6d9cbb8a8091dc9e091/DSC03234--Grimalt-de-Blanch.jpg" /> In this exhibition were also shown pieces from desenhos and relevos dissecados series. <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/2f42a16b94b2a7d770b318fe6f4fff907b14113e8db6a9aeebe867cf01bfc802/DSC03186--Grimalt-de-Blanch.jpg" data-mid="76427748" border="0" src="https://freight.cargo.site/w/1000/i/2f42a16b94b2a7d770b318fe6f4fff907b14113e8db6a9aeebe867cf01bfc802/DSC03186--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/e6de208d29260f3082948457fe9328ba64880a7a4fa230ca27c7eb2df8c72fad/DSC03189--Grimalt-de-Blanch.jpg" data-mid="76427749" border="0" src="https://freight.cargo.site/w/1000/i/e6de208d29260f3082948457fe9328ba64880a7a4fa230ca27c7eb2df8c72fad/DSC03189--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/0c1ea314dab3a933f52523a54ab903b05b5c1e01d3401a3cc0d5ad95af5cf074/DSC03193--Grimalt-de-Blanch.jpg" data-mid="76427750" border="0" src="https://freight.cargo.site/w/1000/i/0c1ea314dab3a933f52523a54ab903b05b5c1e01d3401a3cc0d5ad95af5cf074/DSC03193--Grimalt-de-Blanch.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/ee5e580926d506745f63e0e21910162a7e3f0829d6ec8e041f0c02d234f292b9/DSC03199--Grimalt-de-Blanch.jpg" data-mid="76427751" border="0" src="https://freight.cargo.site/w/1000/i/ee5e580926d506745f63e0e21910162a7e3f0829d6ec8e041f0c02d234f292b9/DSC03199--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/5b2ad4be0d810a59d46b93c36cf11b5d39385487b1538864076b57266ae05b4e/DSC03201--Grimalt-de-Blanch.jpg" data-mid="76427752" border="0" src="https://freight.cargo.site/w/1000/i/5b2ad4be0d810a59d46b93c36cf11b5d39385487b1538864076b57266ae05b4e/DSC03201--Grimalt-de-Blanch.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/43147b76c4807a9c51364c5e64f09187d7d4dec246335b153aa5006a88f12a2d/DSC03200--Grimalt-de-Blanch.jpg" data-mid="76427753" border="0" src="https://freight.cargo.site/w/1000/i/43147b76c4807a9c51364c5e64f09187d7d4dec246335b153aa5006a88f12a2d/DSC03200--Grimalt-de-Blanch.jpg" /> Texto em português “O ambiente construído é uma coisa, como as pessoas o habitam, outra.” Em Building and Dwelling: Ethics for the City (Construir e morar: ética para a cidade, 2019), Richard Sennet, assim como jà começado em estudo fundamentais como Flesh and Stone (Carne e Pedra, 2017) continua investigando como o corpo interage com a cidade, enfatizando as questões que a essa pertencem por ser base fundamental do desenvolvimento da modernidade e as circunstâncias que definem o presente assim como os limites socioeconômicos da sociedade pós-capitalista. Em 2007, Mark Fisher escreveu, com ressentimento, que minhas defesas/se tornam barreiras, em um de seus últimos textos sobre o Reino Unido pre-brexit. Já em 1974, Clarice Lispector havia escrito que não haverá lugar para as pessoas, referindo-se a cidade de Brasília. Dois contextos diferentes, a quatro décadas de distancia. As mesmas questões. Construir e morar, ou como interagir com a cidade e conosco em um ambiente altamente complexo.&nbsp; “Inbound. Travelling towards a particular place, especially when returning to the original point of departure” é um conjunto de obras pensadas pelo artista Brasileiro Lucas Simões especificamente para a Galeria Pelaires. Nele, são abordadas as questões relativas as maneiras de se morar numa ilha, um lugar peculiar e repleto de particularidades, onde o mar é a única barreira e fronteira, esse horizonte impiedoso sobre o qual foi desenhada a cidade, como havia escrito Clarice Lispector sobre Brasília. Desenhar limites, delimitar espaços, habitar lugares, construir experiências. A partir da ideia de que arquitetos e urbanistas são os projetistas do futuro e o conceito do desenho como algo que ainda não foi realizado (destino, traço, risco), Lucas Simões continua explorando em seu trabalho o que foi definido “a natureza afetiva das formas” pelo critico de arte brasileiro Mário Pedrosa, um dos maiores instigadores da arte moderna em seu país. &nbsp; Dentro desta genealogia, que o conecta a alguns dos mais importantes artistas modernos brasileiros, o trabalho de Simões, assim como já vimos em Ressaca(2018) desafia, poeticamente mas criticamente algumas das ideias de desenvolvimento as quais a sociedade do bem(mau)estar nos levou, noções sobre os limites e as fronteiras dentro de nossas próprias cidades. Inbound pode ser considerado como contraponto a este trabalho. Nesta instalação site-specific,, uma floresta de colunas e pilares realizados com elementos de isolamento (como cercas, barreiras, grades) são unidos ao concreto para criar um novo ambiente, um lugar de experiência temporária, uma topologia que é impossível definir como casa. Mero passadouro. Um espaço a ser atravessado. Uma visão sobre a ilha onde, como escrevia Chillida em relação a escultura, tudo cresce, vibra e se encaixa. &nbsp; Foram realizados outros trabalhos relacionados a esta instalação, como Chão (2019), uma obra de piso que aborda a questão da estratificação, esse lugar firme sobre o qual se constrói a vida e a experiência. O móvel sobre o fixo, o que muda sobre o que sempre permanece. A vida futura sobre o passado que ainda vive sob nossos pés.&nbsp; O papel, visto como um lugar fictício onde se forma o futuro, e as construções futuras são desenhadas, volta mais uma vez no trabalho de Simões, porém não como contraponto ao concreto, assim como acontecia em trabalho como Abismos: desta vez são outros os materiais que constroem seus Relevos Dissecados (2019), peças de parede com claras referencias a topografia, a erosão, aos cortes no terreno e mais uma vez, aos limites e fronteiras que demarcam o que já não é de todos.&nbsp; Inbound. O papel como lugar de desenho, de projeto, de esboço, de dobra. Inbound. O concreto como a realidade construída do que antes era apenas possiblidade. Inbound, a possibilidade de uma ilha. A possibilidade de uma cidade. Como escreve Sennet, a possibilidade de “como queremos viver coletivamente”. A emergência frente ao isolamento de uma nova coletividade. texto de Jesus Alcaide 1- Sennett, Richard; "Building and Dwelling: Ethics for the City" Farrar, Straus and Giroux, 2018 2- Fisher, Mark; “Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures” ; Zero Books, 2014 3- Lispector, Clarice; “Complete Stories”; New Directions, 2018 4- Oxford Dictionary of English; p882 - 3rd Edition, 2010 - Oxford University Pres 5- Rocafort, Nacho Fernández; “Eduardo Chillida, Escritos”; La Fábrica, 2019 https://lucassimoes.com.br/ressaca-1 Fri, 03 Jul 2020 20:10:07 +0000 lucas simoes https://lucassimoes.com.br/ressaca-1 ressacaCasa Triangulo, São Paulo, Brazil. <img width="4032" height="2248" width_o="4032" height_o="2248" data-src="https://freight.cargo.site/t/original/i/ad5c67ae13b048e28942c5d8b422a4ffe9ecad87dcc5c9ea71be9a5b8f002999/RESSACA_01_5.jpeg" data-mid="76427730" border="0" src="https://freight.cargo.site/w/1000/i/ad5c67ae13b048e28942c5d8b422a4ffe9ecad87dcc5c9ea71be9a5b8f002999/RESSACA_01_5.jpeg" /> (portuguese text below) The Portuguese word ressaca translates to either “hangover” or “undertow” in English – in both cases meaning an aftermath or something that produces an effect. The abnormal movement of the undertow of large waves. The physical symptoms that appear when the toxic effects begin to leave the body. The nausea and the storm surge that submerges the coastline. The presentiment of psychological wounds and the promises of change. The currents that drag swimmers and the detritus that gets cast up on the beach. The ressaca foreshadows that what is to come will be different from the past. It is doubt, clouded vision and projection. The exhibition Ressaca is simultaneously a moment of synthesis and a turning point, it is a culmination and a re-beginning. An end, a letting go. A retrospective look at the artworks and research that precedes Ressaca will find a work whose scope is mainly defined in relation to architecture, especially the modernist trend and its subthemes, specificities, “ideological lapses,” “weaknesses,” and “unfulfilled promises,” among others. Underlying the circumscribable themes there are divergent wishes and interests that sporadically appear, making it hard to delineate relationships of causality between the work and the discourse. The ressaca reconciles such imprecisions that evince the comfort of that “speech,” making them compatible with a definite message, an intelligible critical aim, an end. The ressaca also allows for a momentary undoing of the prescriptive associations or metaphoric analogies, giving rise to an indeterminate and propositional state/space. A balance between overdetermination and the unforeseen underlies a large part of the production of Lucas Simões. If, on the one hand, his pieces begin with the extreme preciseness of the vectorial grid of CAD (Computer Aided Design) software, on the other, they presuppose the imprecisions of their manual making, the mutation of the material over time, the unpredictability of the contact with the spectator, and other unpredictable aspects. The rigorous planning that goes into the pieces makes these expected/desired unforeseen outcomes all the more powerful. Thus, the “final work” does not represent the instant at which the artist “loses control” of the artwork in face of the contingencies of the real; rather, it denotes merely the development of the happenings that were previously calculated and authorized for the work.(1) In his large-scale installations, Lucas Simões gives rise to situations where the visitor’s movement through the exhibition space presupposes a reconfiguration of the work, whether by a physical “confrontation” between the viewer and the piece, or by a radical shift in the perception of the work according to the observer’s specific position.(2) As “participation” is nearly inevitable in these works, they avoid the paternalism of an edifying “interactive” experience. In the spatio-temporal experience of Lucas Simões’ installations, the certainty of the design grid becomes a vortex, a labyrinth; (3) it creates places marked by a subliminal and ambiguous tension, between the threatening and the playful, where the distinction between controller and the controlled becomes blurred; it declares its danger of imminent rupture and its precarious balance;4 it refers to the visual vocabulary and experience we inherit from the streets and cites the tension between the idealized notions of space and the reality of its physical manifestation and everyday appropriation.(5) By circulating through the exhibition room, the viewer contributes to the work’s permanent reconfiguration or even its “destruction,”(6) maintaining it in a limbo between ruin and construction. Although most of Lucas Simões’ works are possible to grasp on an architectural scale, miniaturization and giantism are inherent qualities of his sculptural pieces. Such sculptures are structured based on the intersection of two types of operation: the appropriation of objects and the exploration of determined materials that lead to the creation of new artifacts. Through carefully considered combinations and juxtapositions, Lucas creates compositions that enlarge the “vibrations” of each one of the parts, intensifying the formal limits of each element in order to allow for the emergence of other narratives that are inherent to them but which remain dormant under their “uses.” The exchangeability of scales makes the viewer “gauge” these artworks through an enlargement or miniaturization of his or her own body. The fictional possibility of walking over the topographies (7) or of dwelling in the proto-monuments (8) and buildings molded by Lucas Simões is contradicted by an enclosed dimension the pieces seem to contain, something to which we do not have access, whose existence we can only glimpse and suppose. The objects (9) featured in Ressaca combine a series of operations recurrent in the artist’s sculptural research – such as the use of light and fragile materials that impose forms on the materials to which they lend solidity, weight and permanence, as well as the importance of gravity, of balance, and of the void – with a set of formal decisions that point to an equation never before seen in Lucas Simões’ practice. But the state of ressacaprevents an interpretative or prescriptive discourse that would “tame” these pieces, since they beckon for a more obscure existence, less subservient to themes and labels. To the infeasibility of conclusions the ressacaadds the certainty of the discourse where the careful planning becomes indeterminate due to anticipated, desired and yet unforeseen outcomes. The end, a letting go. Bruno de Almeida, August 2018 The notes describe works by Lucas Simões, the titles in bold font correspond to the works in the exhibition Ressaca: 1. Engessados (2014) – fragile plaster sculptures that reinterpret the hinged, manipulatable Bichossculptural series by Lygia Clark as though they were paralyzed [JN3] and fossilized in plaster. The pieces are then arranged on an abrasive surface where the public can manipulate them; the friction between the surface and the plaster wears down the pieces until they completely disappear. 2.&nbsp;“Ressaca” (2018) – Installation in the larger room of Casa Triângulo. Fifty-two metallic panels articulated with one another, each totally or partially closed with material such as steel, PVC, perforated sheets of wood, foam, steel screens, mosquito netting, cellular polycarbonate (which refers to the translucent plane that delimits the entire perimeter of the gallery). Each panel possesses two rotating wheels that allow them to slide on the floor so the set can be reconfigured by the visitors. The 65-meter length of this work corresponds to the dividing line between the terrain of Casa Triângulo and the public space. 3.&nbsp;Caixão Perdido (2012) – A labyrinth whose design results from the decomposition of an orthogonal grid juxtaposed to a space of variable proportions and shapes. The installation occupied a space that had then been recently opened up by breaking down some of the building’s walls. This site-specific work was carried out in the space that is currently that of Pivô, in the Copan Building. 4.&nbsp; Grave Gravidade (2016) – a wall of concrete blocks constructed without foundations, without a structure and where the mortar is substituted by layers of foam. An area of danger is marked off around it because there is a real risk that it might fall over. &nbsp; 5.&nbsp; “quatro cantos entre quatro paredes” (2015)&nbsp;– A project involving a set of installations for the public space, consisting in various compositions of white walls whose arrangements give rise to minimal, labyrinthine paths with an alternation between protected and exposed spaces. The absence of rules, explanations and monitoring makes it possible for the citizens to spontaneously appropriate the space. 6.&nbsp; Recalque diferencial (2015) – The exhibition room’s floor is covered by a thin layer of concrete over a foam “mattress.” The weight of the visitors who enter the space makes the floor crack and sink down momentarily, gradually returning to its original position through the natural reconfiguration of the shape of the foam. Over the course of the exhibition, the floor accumulates the cracks resulting from the paths taken by the visitors through the room. 7.&nbsp; provável horizonte series (2013) – Objects of everyday tactile memory, reproduced in cement and overlain on topographic scale models made of paper. 8.&nbsp; Abismos series (2017) – Concrete objects and reams of paper where the two materials are correlated through relationships of weight, pressure and gravity. The pieces of concrete, with different forms and textures, will eventually present cracks and splits due to the constant mutation of the material and the forces and efforts to which they are submitted. The position of the paper is molded by this rigid structure. 9.&nbsp;The series you text nothing like you look (2018) – A series of sculptures in the other room at Casa Triângulo. The pieces create a dialogue between the material that gives them their body and a series of written messages that inspired their production. Each of the pieces originates based on a phrase, in its original language, which is used in the first part of the artwork’s title. When the piece is finished the artist completes its title with a second line originary from another language chosen according to the reading of the finished artwork. In this exhibition were also shown pieces from You Text Nothing Like You Look series. <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/964386228142479aa0978f6214482e9e0487506c61bf25f40a4c4a36bb6a1017/_MG_6146.jpg" data-mid="76427736" border="0" src="https://freight.cargo.site/w/1000/i/964386228142479aa0978f6214482e9e0487506c61bf25f40a4c4a36bb6a1017/_MG_6146.jpg" /> <img width="4032" height="2248" width_o="4032" height_o="2248" data-src="https://freight.cargo.site/t/original/i/ad5c67ae13b048e28942c5d8b422a4ffe9ecad87dcc5c9ea71be9a5b8f002999/RESSACA_01_5.jpeg" data-mid="76427730" border="0" src="https://freight.cargo.site/w/1000/i/ad5c67ae13b048e28942c5d8b422a4ffe9ecad87dcc5c9ea71be9a5b8f002999/RESSACA_01_5.jpeg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/45e3da1acc9fa19cbbca4b1ae9340f69a9c4bc40eb032f463579601b517ac871/_MG_6163.jpg" data-mid="76427733" border="0" src="https://freight.cargo.site/w/1000/i/45e3da1acc9fa19cbbca4b1ae9340f69a9c4bc40eb032f463579601b517ac871/_MG_6163.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/8c01f0eab03411fe78c16a79a30827187128171466aca0e2816c1dff28873a34/_MG_6164.jpg" data-mid="76427737" border="0" src="https://freight.cargo.site/w/1000/i/8c01f0eab03411fe78c16a79a30827187128171466aca0e2816c1dff28873a34/_MG_6164.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/56cf53e81bb7734399f202facfecd9548cfd08809d0e961cdd5ae449fd46db37/_MG_6178.jpg" data-mid="76427735" border="0" src="https://freight.cargo.site/w/1000/i/56cf53e81bb7734399f202facfecd9548cfd08809d0e961cdd5ae449fd46db37/_MG_6178.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/e90aeff3a68c08597f45f22d9fc33d9e8dbb980a5fe75d48593a65b758bb11f5/_MG_6167.jpg" data-mid="76427734" border="0" src="https://freight.cargo.site/w/1000/i/e90aeff3a68c08597f45f22d9fc33d9e8dbb980a5fe75d48593a65b758bb11f5/_MG_6167.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/f058c55388ef7ceb6a8b42951fa95493a418a6f0e7cc75d764a5035a3607ccb4/_MG_6151.jpg" data-mid="76427738" border="0" src="https://freight.cargo.site/w/1000/i/f058c55388ef7ceb6a8b42951fa95493a418a6f0e7cc75d764a5035a3607ccb4/_MG_6151.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/ad389a8302d065423784287c89c72ac1950065ec5cbcaed4a5208c64850b2a16/_MG_6152.jpg" data-mid="76427731" border="0" src="https://freight.cargo.site/w/1000/i/ad389a8302d065423784287c89c72ac1950065ec5cbcaed4a5208c64850b2a16/_MG_6152.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/f0f254fe100dc9741e03bd06cb2081e38eccdc1922f30e73fe950d3c76fb1579/_MG_6153.jpg" data-mid="76427739" border="0" src="https://freight.cargo.site/w/1000/i/f0f254fe100dc9741e03bd06cb2081e38eccdc1922f30e73fe950d3c76fb1579/_MG_6153.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/0440e49f0fe2a4d64a5139f9538b8c08a5535100fb8cf7ecccf5c11fc0018e8c/_MG_6154.jpg" data-mid="76427732" border="0" src="https://freight.cargo.site/w/1000/i/0440e49f0fe2a4d64a5139f9538b8c08a5535100fb8cf7ecccf5c11fc0018e8c/_MG_6154.jpg" /> images of the exhibition, Casa Triangulo gallery, São Paulo, Brazil, 2018 <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/c3f54ee762a7651ef6365422a3ce8bda3fdafef7a38ef0cf6218e10b344aec3f/_MG_6183.jpg" data-mid="76427742" border="0" src="https://freight.cargo.site/w/1000/i/c3f54ee762a7651ef6365422a3ce8bda3fdafef7a38ef0cf6218e10b344aec3f/_MG_6183.jpg" /> Texto em português Ressaca é o conjunto de efeitos na sequência de um acontecimento, aquilo que fica ou que produz algo. O movimento anormal de refluxo das ondas. Os sintomas físicos que aparecem quando os efeitos tóxicos começam a abandonar o corpo. A náusea e as vagas que submergem o litoral. Os presságios das mazelas psicológicas e as promessas de mudança. As correntes que tragam banhistas e os detritos que escorrem na praia. A ressaca prenuncia que o porvir não será como o pretérito. É dúvida, visão turva e projeção. “Ressaca” é simultaneamente um momento de síntese e inflexão, é o culminar e o recomeçar. O fim, abandona-se. Um olhar retrospectivo sobre a obra e pesquisa que antecede “Ressaca” se depara com um trabalho cujo “escopo” é definido majoritariamente em relação à arquitetura, principalmente à vertente Modernista e seus subtemas, especificidades, “lapsos ideológicos”, "fracassos”, “promessas por-cumprir”, entre outros. Aos temas circunscritíveis subjazem vontades e interesses desviantes que aparecem pontualmente, dificultando as relações de causalidade entre o trabalho e o discurso. A ressaca propicia tais inexatidões que evidenciam o conforto daquela “fala” com uma mensagem positivada, uma ambição crítica inteligível, um fim. A ressaca também possibilita um desfazer momentâneo de associações prescritivas ou analogias metafóricas, gerando um estado/espaço de indeterminação e proposição. O equilíbrio entre hiper-determinação e imprevisto é subjacente a grande parte da produção de Lucas Simões. Se, por um lado, as suas peças começam da exatidão extrema do grid vetorial do CAD (Computer Aided Design), por outro, elas pressupõem as imprecisões da sua feitura manual, a mutação do material ao longo do tempo, a imprevisibilidade do contato com o espectador, entre outras. O grande rigor projetual inerente às peças é aquilo que permite que esses imprevistos-esperáveis/desejáveis sejam potencializados. Deste modo, a “obra finalizada” não representa o instante em que o artista “perde o controle” do trabalho face às contingências do real, ao invés, denota apenas o desenrolar de acontecimentos que foram previamente calculados e outorgados ao trabalho (1). Nas suas instalações de grande escala, Lucas Simões engendra situações onde o movimento do visitante pelo espaço de exposição pressupõe uma reconfiguração do trabalho; seja ela resultante de um “confronto” físico entre o sujeito e a peça ou de uma mutação radical da percepção do trabalho de acordo com o posicionamento daquele que o observa (2). A quase inevitabilidade da “participação” afasta qualquer paternalismo de uma experiência “interativa” edificante. Na vivência espacio-temporal das instalações de Lucas Simões, a certeza do grid projetual desfaz-se, torna-se vórtice, labirinto (3); cria lugares marcados por uma tensão subliminar e ambígua, entre o ameaçador e o lúdico, onde se confunde o que controla e o que é controlado; declara o seu perigo de ruptura iminente e o seu equilíbrio precário(4); remete ao vocabulário visual e experiência que herdamos das ruas e cita a tensão entre as noções idealizadas do espaço e a realidade de sua manifestação física e apropriação quotidiana (5). Circular pela sala de exposição é contribuir para a permanente reconfiguração ou até mesmo a “destruição” do trabalho (6), mantendo-o num limbo entre a ruína e a construção. Embora na maioria dos trabalhos de Lucas Simões seja possível apreender uma escala arquitetônica, a miniaturização e o gigantismo são qualidades inerentes às suas peças escultóricas. Tais esculturas estruturam-se a partir da intersecção de dois tipos de operação; a apropriação de objetos e a exploração de determinados materiais que leva à criação de novos artefatos. Através de ponderadas combinações e justaposições, Lucas cria composições que amplificam as “vibrações” de cada uma das partes, intensificando os limites formais de cada elemento, de modo a possibilitar a emergência de outras narrativas que lhes são inerentes mas que permanecem adormecidas sob os seus “usos”. A permutabilidade de escalas faz com que o sujeito “meça” estes trabalhos através de uma ampliação ou miniaturização do seu próprio corpo. A possibilidade fictícia de percorrer as topografias (7) ou de habitar os proto- monumentos (8) e edifícios moldados por Lucas Simões é contrariada por uma dimensão encerrada que as peças parecem conter, algo a que não temos acesso, que apenas podemos entrever e supor. Os objetos que “Ressaca” traz (9), conjugam uma série de operações recorrentes na pesquisa escultórica do artista (tais como o uso de materiais leves e frágeis que impõem formas aos materiais aos quais associamos solidez, peso e permanência; a importância da gravidade, do equilíbrio e do vazio, entre outros) com um conjunto de decisões formais que apontam para uma equação até então inédita na prática de Lucas Simões. Mas o estado de ressaca impossibilita um discurso interpretativo ou prescritivo que venha “domesticar” tais peças, já que elas próprias reivindicam uma existência mais opaca e menos subserviente a temas e rótulos. À inviabilidade de conclusões, a ressaca apõe a certeza do discurso que dá espaço à indeterminação projetiva e que antecipa e incita imprevistos desejáveis. O fim, abandona-se. texto de Bruno de Almeida,&nbsp; 2018 As notas descrevem trabalhos de Lucas Simões, os títulos destacados correspondem às obras da exposição “Ressaca”: 1. Engessados (2014) - Esculturas de gesso frágil que reinterpretam a obra “Bichos” de Lygia Clark como se estes estivessem paralisados e fossilizados no gesso. As peças estão dispostas numa superfície abrasiva onde público pode manipula-las, o atrito entre a superfície e o gesso desgasta as peças até ao seu completo desaparecimento. 2. Ressaca (2018) – Instalação na sala maior da Casa Triângulo. 52 painéis metálicos articulados entre si, cada um é total ou parcialmente encerrado com materiais tais como: aço, PVC, chapa perfurada de madeira, espuma, telas de aço, tela de mosquiteiro, policarbonato alveolar (que remete ao plano translúcido que delimita todo o perímetro da galeria). Cada painel possui 2 rodízios giratórios fazendo-os deslizar sobre o chão e garantindo que o conjunto possa ser reconfigurado pelos visitantes. Os 65 metros de comprimento deste trabalho correspondem à linha de divisão entre o terreno da Casa Triângulo e o espaço público. 3. Caixão Perdido (2012) – Labirinto cuja planta resulta da decomposição de um grid ortogonal justaposto a um espaço de formas e cotas variáveis. A instalação ocupa um espaço então recém-descoberto resultante da quebra de algumas paredes do edifício. Site-specific realizado no atual espaço do Pivô, Edifício Copan. 4. Grave Gravidade (2016) - Muro de blocos de concreto construído sem fundações, sem estrutura e onde o rejunte é substituído por camadas de espuma macia. Uma área de perigo é delimitada ao seu redor pois possui um risco real de desabamento. 5. quatro cantos entre quatro paredes (2015) - Projeto de um conjunto de instalações para o espaço público que consiste na em diversas composição de muros brancos cujas disposições geram percursos mínimos e labirínticos com alternância entre espaços protegidos e expostos. A ausência de regras, explicações e monitoramento, dá lugar à possibilidade de uma apropriação franca do espaço pelos cidadãos. 6. Recalque diferencial (2015) - O chão da sala expositiva é coberto com uma camada fina de concreto sobre um “colchão” de espuma. O peso daqueles que entram no espaço faz com que este chão rache e afunde momentaneamente, voltando gradualmente à sua posição original através da reconfiguração natural da forma da espuma. Ao longo da exposição o chão acumula as rachaduras resultante dos percursos dos visitantes pela sala. 7. Série provável horizonte (2013) - Objetos de memória tátil, cotidiana, replicados em cimento e sobrepostos em maquetes topográficas de papel. 8. Série Abismos (2017) – Objetos de concreto e resmas de folhas de papel onde a correlação de ambos materiais se dá através de relações de peso, pressão e gravidade. As peças de concreto, com diferentes formas e texturas, eventualmente irão apresentar rachaduras e trincas dadas pela constante mutação do material e pelas forças e esforços aos quais estão submetidos. A posição do papel é moldada por essa estrutura rígida. 9. Série you text nothing like you look (2018) - Série de esculturas na sala menor da Casa Triângulo. As peças criam um diálogo entre a matéria que lhes dá corpo e uma série de versos que inspiram a sua produção. Cada uma das peças se origina a partir de uma frase, em sua língua original, que é usada na primeira parte do título do trabalho. Quando a peça é finalizada o artista completa o seu título com um segundo verso em outra língua cuja escolha advém da leitura do trabalho acabado. https://lucassimoes.com.br/You-Text-Nothing-Like-You-Look Mon, 20 Aug 2018 19:54:46 +0000 lucas simoes https://lucassimoes.com.br/You-Text-Nothing-Like-You-Look You Text Nothing Like You Look [YTNLYL] <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/c3f54ee762a7651ef6365422a3ce8bda3fdafef7a38ef0cf6218e10b344aec3f/_MG_6183.jpg" data-mid="69955273" border="0" src="https://freight.cargo.site/w/1000/i/c3f54ee762a7651ef6365422a3ce8bda3fdafef7a38ef0cf6218e10b344aec3f/_MG_6183.jpg" /> (Portuguese text below) Pieces of the You Text Nothing Like You Look series are a reflection over the possibilities of a dialogue between text (poetry) and matter (sculpture), based on the premises that a sculpture is too a form of language, with a vocabulary (matter and shape) and a grammar (the relation between matter, shape and space) establishing a writing (the sculpture-object). Analyzing his previous production, the artist tries to identify and build his language’s structure, to produce sculptures starting from a selection of poetry’s verses. On these premises, the process almost assimilates to the idea of translation, not in a mechanical procedure translating words and phrases between languages, but as a sort of “transcription”, term created by poet, translator and critic Haroldo de Campos, referring to his own translating process. Translating accepting that different languages bring different forms and meanings and suggesting semantic and formal re-creations expanding the boundaries between languages. Each piece is generated by a verse, in its original language, used as the first part of the title. As the pieces is completed, the artist complete the title with a second verse, in another idiom, from his own interpretation over the finalized work. This way, each piece has a double title, the firs one is the generating verse, the other one is the response given by the object itself to this translating process.&nbsp; The objects &nbsp;featured in Ressaca combine a series of operations recurrent in the artist’s sculptural research – such as the use of light and fragile materials that impose forms on the materials to which they lend solidity, weight and permanence, as well as the importance of gravity, of balance, and of the void – with a set of formal decisions that point to an equation never before seen in Lucas Simões’ practice. But the state of ressacaprevents an interpretative or prescriptive discourse that would “tame” these pieces, since they beckon for a more obscure existence, less subservient to themes and labels. To the infeasibility of conclusions the ressacaadds the certainty of the discourse where the careful planning becomes indeterminate due to anticipated, desired and yet unforeseen outcomes. The end, a letting go. extract from&nbsp;Bruno de Almeida Texto em português Os trabalhos da série YOU TEXT NOTHING LIKE YOU LOOK são uma reflexão das possibilidades de diálogo entre texto (poesia) e matéria (escultura), partindo do princípio que o objeto escultórico também é uma linguagem, com um vocabulário (matéria e forma) e uma gramática (a relação entre matéria, forma e espaço) que estabelecem uma escrita (objeto-escultura). &nbsp; Analisando sua produção pré-existente o artista tenta identificar e constituir sua estrutura de linguagem para produzir esculturas a partir de uma seleção de versos de poesia. Neste sentido o processo se aproxima da ideia de tradução, mas não no sentido mecânico de traduzir palavras e frases entre línguas, mas como “transcriação”, termo cunhado pelo poeta, tradutor e crítico Haroldo de Campos, para se referir ao seu processo de tradução. Traduzir aceitando que diferentes línguas trazem formas e significados diferentes e propondo re-criações semânticas e formais que expandem os limites da sua língua para a língua do original. Cada uma das peças partem de um verso, em sua língua original, que é usada na primeira parte do título do trabalho. Depois da peça finalizada o artista completa o seu título com um segundo verso em outra língua cuja escolha advém da leitura do trabalho acabado. Sendo assim a obra tem um título duplo, o primeiro é o verso inicial, e o segundo a resposta dada pelo objeto à este processo de tradução. Os objetos que “Ressaca” traz, conjugam uma série de operações recorrentes na pesquisa escultórica do artista (tais como o uso de materiais leves e frágeis que impõem formas aos materiais aos quais associamos solidez, peso e permanência; a importância da gravidade, do equilíbrio e do vazio, entre outros) com um conjunto de decisões formais que apontam para uma equação até então inédita na prática de Lucas Simões. Mas o estado de ressaca impossibilita um discurso interpretativo ou prescritivo que venha “domesticar” tais peças, já que elas próprias reivindicam uma existência mais opaca e menos subserviente a temas e rótulos. À inviabilidade de conclusões, a ressaca apõe a certeza do discurso que dá espaço à indeterminação projetiva e que antecipa e incita imprevistos desejáveis. O fim, abandona-se. &nbsp; extraido de Bruno de Almeida &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; <img width="2294" height="3462" width_o="2294" height_o="3462" data-src="https://freight.cargo.site/t/original/i/8892bcc781a997bfb58230a99968813515528026ccaf6c3c67c5e756b29a8dea/00-you-text-nothing-like-you-look.jpg" data-mid="69385308" border="0" src="https://freight.cargo.site/w/1000/i/8892bcc781a997bfb58230a99968813515528026ccaf6c3c67c5e756b29a8dea/00-you-text-nothing-like-you-look.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/ad16ebf99161d8a8bb3bfd358f1b23b0f32030a95b05103cf47a0934f3abc914/_MG_6184.jpg" data-mid="69955275" border="0" src="https://freight.cargo.site/w/1000/i/ad16ebf99161d8a8bb3bfd358f1b23b0f32030a95b05103cf47a0934f3abc914/_MG_6184.jpg" /> images of the exhibition, Casa Triangulo Gallery, São Paulo, Brazil, 2018 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/fdbeb8d0e92ff420fa2b034a7bcae066001fe3aa1b9b58fa5ffe1779416ba391/_MG_6186.jpg" data-mid="69955277" border="0" src="https://freight.cargo.site/w/1000/i/fdbeb8d0e92ff420fa2b034a7bcae066001fe3aa1b9b58fa5ffe1779416ba391/_MG_6186.jpg" />YTNLYL #5 tutto è pronto per me - ma manca qualcosa &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * Aceita, prazer, que há catástrofe. &nbsp; &nbsp; (Pier Paolo Pasolini, "Un biancone di calce viva, alto" in "Poesia in forma di rosa", p.188) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; (Nuno Ramos, "Sermões" - "prédio"; p.94) 2018 concreto, tinta epóxi, folha dourada concrete, epoxi paint and golden leaf 90 x 90 x 40 cm <img width="2814" height="2601" width_o="2814" height_o="2601" data-src="https://freight.cargo.site/t/original/i/ce4a683034c87310a760d9fb608fe71ca3dc0bb9e143f7193bf22f9540a451e3/05-tutto-e-pronto-per-me-ma-manca-qualcosa-Aceita-prazer_03.jpg" data-mid="69963039" border="0" src="https://freight.cargo.site/w/1000/i/ce4a683034c87310a760d9fb608fe71ca3dc0bb9e143f7193bf22f9540a451e3/05-tutto-e-pronto-per-me-ma-manca-qualcosa-Aceita-prazer_03.jpg" /> <img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/10592c66b6b12d706c5a26c11a47fad0dc5eb71ce289f1e19ff1e7158180d7bf/_MG_6185.jpg" data-mid="69955276" border="0" src="https://freight.cargo.site/w/1000/i/10592c66b6b12d706c5a26c11a47fad0dc5eb71ce289f1e19ff1e7158180d7bf/_MG_6185.jpg" /> <img width="2672" height="3749" width_o="2672" height_o="3749" data-src="https://freight.cargo.site/t/original/i/8afc1279b85a03912a109fa79e11d02ab2844a7c85204f070ece5a2807cd8746/04-title_5.jpg" data-mid="69385317" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/8afc1279b85a03912a109fa79e11d02ab2844a7c85204f070ece5a2807cd8746/04-title_5.jpg" /> YTNLYL #4Perde-se a forma no silêncio&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; *Quale segreto eternoMi farà sempre gola in te? (Orides Fontela, “acalantos I” in “transposição”, p.62)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; (Giuseppe Ungaretti, “danni con fantasia” p.148) 2018 concreto, poliestireno expandido, aço e folha de cobreconcrete, expanded polytyrene, steel and cooper leaf64 x 42 x 14 cm <img width="1463" height="1984" width_o="1463" height_o="1984" data-src="https://freight.cargo.site/t/original/i/ead355f49a03e6b526adf0bab56a2aff35171b1d15eb1ffa5b06f83a23c04948/B-04-Perde-se-a-forma-no-silncio--Quale-segreto-etern_2.jpg" data-mid="69964100" border="0" src="https://freight.cargo.site/w/1000/i/ead355f49a03e6b526adf0bab56a2aff35171b1d15eb1ffa5b06f83a23c04948/B-04-Perde-se-a-forma-no-silncio--Quale-segreto-etern_2.jpg" /> <img width="1680" height="1984" width_o="1680" height_o="1984" data-src="https://freight.cargo.site/t/original/i/1054709fbeca1ae356ce1d690f2da1f1781ef4eeb49d90a6f11214008b0e12a9/B-04-Perde-se-a-forma-no-silncio--Quale-segreto-etern_1.jpg" data-mid="69964099" border="0" src="https://freight.cargo.site/w/1000/i/1054709fbeca1ae356ce1d690f2da1f1781ef4eeb49d90a6f11214008b0e12a9/B-04-Perde-se-a-forma-no-silncio--Quale-segreto-etern_1.jpg" /> <img width="1339" height="1984" width_o="1339" height_o="1984" data-src="https://freight.cargo.site/t/original/i/aada27b3786408ced391260290c3ff28769cfc7777fa136502bb5bdb05bd5d13/B-04-title_4.jpg" data-mid="69385319" border="0" src="https://freight.cargo.site/w/1000/i/aada27b3786408ced391260290c3ff28769cfc7777fa136502bb5bdb05bd5d13/B-04-title_4.jpg" /> <img width="1358" height="1984" width_o="1358" height_o="1984" data-src="https://freight.cargo.site/t/original/i/414e02d94313413f094213e1c370b2c7de7c8cc6667bc0e435b835d29d8b59fd/B_04-title_3.jpg" data-mid="69385318" border="0" src="https://freight.cargo.site/w/1000/i/414e02d94313413f094213e1c370b2c7de7c8cc6667bc0e435b835d29d8b59fd/B_04-title_3.jpg" /> <img width="2231" height="3436" width_o="2231" height_o="3436" data-src="https://freight.cargo.site/t/original/i/cb79097d04b8d45c8778a784f8f0cc0b8129a8d48bc9c84955b1277aa9dbefa2/08-el-futuro-es-un-poco-de-agua-en-tus-ojos-o-mar-subiu-o-degrau-das-manhs-idosas-01.jpg" data-mid="69966917" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/cb79097d04b8d45c8778a784f8f0cc0b8129a8d48bc9c84955b1277aa9dbefa2/08-el-futuro-es-un-poco-de-agua-en-tus-ojos-o-mar-subiu-o-degrau-das-manhs-idosas-01.jpg" /> YTNLYL#8 el futuro es un poco de agua en tus ojos &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * o mar subiu o degrau das manhãs idosas &nbsp; (Octavio Paz, "Trowbridge Street - 4" in "Vuelta" p.356) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; (Al Berto, "Eremitério" 5, in "Uma Existência de Papel" p509) 2018 borracha, concreto, aço inox, aço cabono, imã, vidro, silicone e pirita (rocha) rubber, concrete, stainless steel, carbon steel, magnet, glass, silicone and pyrite 173 x ø 35 cm <img width="1780" height="2492" width_o="1780" height_o="2492" data-src="https://freight.cargo.site/t/original/i/114b3c977dcf606868716f4aa622d53a8c80a99f74ee1c0c8d2e0050583e0eb8/el-futuro-es-un-poco-de-agua-en-tus-ojos-o-mar-subiu-o-degrau-das-manhs-idosas-02-2.jpg" data-mid="69967303" border="0" src="https://freight.cargo.site/w/1000/i/114b3c977dcf606868716f4aa622d53a8c80a99f74ee1c0c8d2e0050583e0eb8/el-futuro-es-un-poco-de-agua-en-tus-ojos-o-mar-subiu-o-degrau-das-manhs-idosas-02-2.jpg" /> <img width="2056" height="3965" width_o="2056" height_o="3965" data-src="https://freight.cargo.site/t/original/i/be72f62783488e716f78b443b98e6ca856f25b6f902d1ac1d95398bbbb04c1eb/08-el-futuro-es-un-poco-de-agua-en-tus-ojos-_01.jpg" data-mid="69966914" border="0" src="https://freight.cargo.site/w/1000/i/be72f62783488e716f78b443b98e6ca856f25b6f902d1ac1d95398bbbb04c1eb/08-el-futuro-es-un-poco-de-agua-en-tus-ojos-_01.jpg" /> <img width="2672" height="4000" width_o="2672" height_o="4000" data-src="https://freight.cargo.site/t/original/i/99c65a93055c1afaee77dd6ef7f5927872743176bb1365f88687650eb85bd15f/08-el-futuro-es-un-poco-de-agua-en-tus-ojos-_03.jpg" data-mid="69966916" border="0" src="https://freight.cargo.site/w/1000/i/99c65a93055c1afaee77dd6ef7f5927872743176bb1365f88687650eb85bd15f/08-el-futuro-es-un-poco-de-agua-en-tus-ojos-_03.jpg" /> <img width="1696" height="1772" width_o="1696" height_o="1772" data-src="https://freight.cargo.site/t/original/i/0fe212b287843dcbd599ef53e2c47e93eba5cc59879b7146d4f21b7787e1e707/B-02-no-day-is-safe-from-news-of-you.jpg" data-mid="69385294" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/0fe212b287843dcbd599ef53e2c47e93eba5cc59879b7146d4f21b7787e1e707/B-02-no-day-is-safe-from-news-of-you.jpg" /> YTNLYL #2No day is safe from news of you &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; *quando vea los ojos/ que tengo en los mios tatuados (Silvya Plath, "The Rival" in "Ariel") (Alejandra Pzarnik, "Árbol de Diana, 19") 2018vidro, carvão, aço inox, cimento, aço carbono e folha prata glass, coal, stainless steel, cement, carbon steel and silver leaf 47 x 33 x 33 cm <img width="1696" height="1772" width_o="1696" height_o="1772" data-src="https://freight.cargo.site/t/original/i/0fe212b287843dcbd599ef53e2c47e93eba5cc59879b7146d4f21b7787e1e707/B-02-no-day-is-safe-from-news-of-you.jpg" data-mid="69385294" border="0" src="https://freight.cargo.site/w/1000/i/0fe212b287843dcbd599ef53e2c47e93eba5cc59879b7146d4f21b7787e1e707/B-02-no-day-is-safe-from-news-of-you.jpg" /> <img width="1276" height="1772" width_o="1276" height_o="1772" data-src="https://freight.cargo.site/t/original/i/464f9d1eb51069b22aa94043e5aa0589f58d728d33de2ec5bbbd43852b29d1d2/B-02-no-day-is-safe-from-news-of-you_02.jpg" data-mid="69385295" border="0" src="https://freight.cargo.site/w/1000/i/464f9d1eb51069b22aa94043e5aa0589f58d728d33de2ec5bbbd43852b29d1d2/B-02-no-day-is-safe-from-news-of-you_02.jpg" /> <img width="1840" height="1772" width_o="1840" height_o="1772" data-src="https://freight.cargo.site/t/original/i/f5a1da7407257070556f6074037a547c0e651ad79b678cee1901a6e02225edc8/B-02-no-day-is-safe-from-news-of-you_03.jpg" data-mid="69960161" border="0" src="https://freight.cargo.site/w/1000/i/f5a1da7407257070556f6074037a547c0e651ad79b678cee1901a6e02225edc8/B-02-no-day-is-safe-from-news-of-you_03.jpg" /> <img width="1626" height="3582" width_o="1626" height_o="3582" data-src="https://freight.cargo.site/t/original/i/214c3126dfaa313eb2d26c26fd615638bd050b25c95331ff1e3c9c60d97cd153/02-no-day-is-safe-from-news-of-you_05.jpg" data-mid="69960948" border="0" src="https://freight.cargo.site/w/1000/i/214c3126dfaa313eb2d26c26fd615638bd050b25c95331ff1e3c9c60d97cd153/02-no-day-is-safe-from-news-of-you_05.jpg" /> <img width="2284" height="3863" width_o="2284" height_o="3863" data-src="https://freight.cargo.site/t/original/i/81eb74c14d4c9f9fe84acdc18e053ef4871c47aff9488aeb5a3c754d64f0857c/02-no-day-is-safe-from-news-of-you_06.jpg" data-mid="69961210" border="0" src="https://freight.cargo.site/w/1000/i/81eb74c14d4c9f9fe84acdc18e053ef4871c47aff9488aeb5a3c754d64f0857c/02-no-day-is-safe-from-news-of-you_06.jpg" /> <img width="2116" height="3576" width_o="2116" height_o="3576" data-src="https://freight.cargo.site/t/original/i/739eac8e6d3fc8a304188e0d8856b1c8c215f8501d5a52e6394760e980fbf1a4/History-of-Touches---Era-vuota--nessuno-guardava--eravamo-ben-nudi_02.jpg" data-mid="69967581" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/739eac8e6d3fc8a304188e0d8856b1c8c215f8501d5a52e6394760e980fbf1a4/History-of-Touches---Era-vuota--nessuno-guardava--eravamo-ben-nudi_02.jpg" /> YTNLYL #10 History of Touches &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; * Era vuota, nessuno guardava, eravamo ben nudi. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;(Bjork Gudmundsdottir - "history of touches" in "Vulnicura") &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; (Cesare Pavese - "Dopo", in "Dopo" p.168 ) 2018 concreto, aço carbono e borracha de PVC concrete, carbon steel and PVC rubber 170 x 65 x 22 cm <img width="2672" height="4000" width_o="2672" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8ed2773cbbd4edc9a2ace0acfa77b6a2352ff37e375a558ab7ab4db65eebab7f/History-of-Touches---Era-vuota--nessuno-guardava--eravamo-ben-nudi_03.jpg" data-mid="69967582" border="0" src="https://freight.cargo.site/w/1000/i/8ed2773cbbd4edc9a2ace0acfa77b6a2352ff37e375a558ab7ab4db65eebab7f/History-of-Touches---Era-vuota--nessuno-guardava--eravamo-ben-nudi_03.jpg" /> <img width="2672" height="4000" width_o="2672" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fb2e89e2007369031bc67de360edd6cdb84296368eace1249696159f0b860e8e/History-of-Touches---Era-vuota--nessuno-guardava--eravamo-ben-nudi_04.jpg" data-mid="69967583" border="0" src="https://freight.cargo.site/w/1000/i/fb2e89e2007369031bc67de360edd6cdb84296368eace1249696159f0b860e8e/History-of-Touches---Era-vuota--nessuno-guardava--eravamo-ben-nudi_04.jpg" /> <img width="3968" height="5555" width_o="3968" height_o="5555" data-src="https://freight.cargo.site/t/original/i/9667ada54ef26762b6d4aa2c591e2021886a43268a150d79184e20330df715ec/History-of-Touches---Era-vuota--nessuno-guardava--eravamo-ben-nudi_05-2.jpg" data-mid="69967644" border="0" src="https://freight.cargo.site/w/1000/i/9667ada54ef26762b6d4aa2c591e2021886a43268a150d79184e20330df715ec/History-of-Touches---Era-vuota--nessuno-guardava--eravamo-ben-nudi_05-2.jpg" /> <img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/339e3865388020b7f37e7ecc4cc667efa01abbeb83913b171a6370d7e3589cb0/LS031_a-erosa-vai-desnudar-brasilia-ate-o-osso_300.jpg" data-mid="73419321" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/339e3865388020b7f37e7ecc4cc667efa01abbeb83913b171a6370d7e3589cb0/LS031_a-erosa-vai-desnudar-brasilia-ate-o-osso_300.jpg" /> YTNLYL #15 A erosão vai desnudar Brasilia até o osso &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * Awaiting masses of clouds to give them expression (Clarice Lispector,&nbsp;Brasilia) (Sylvia Plath,&nbsp;Brasilia) 2019concreto, polipropileno expandido, XPS e folha dourada concrete, expanded polypropylene, XPS and golden leaf 185 x 85 x 36 cm <img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/339e3865388020b7f37e7ecc4cc667efa01abbeb83913b171a6370d7e3589cb0/LS031_a-erosa-vai-desnudar-brasilia-ate-o-osso_300.jpg" data-mid="73419321" border="0" src="https://freight.cargo.site/w/1000/i/339e3865388020b7f37e7ecc4cc667efa01abbeb83913b171a6370d7e3589cb0/LS031_a-erosa-vai-desnudar-brasilia-ate-o-osso_300.jpg" /> <img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/477b058c30f8df3fa362fe30ff43ffbf505ad099b3ef7f10b20e51b9136b21dd/LS031_a-erosa-vai-desnudar-brasilia-ate-o-osso_3001.jpg" data-mid="73419322" border="0" src="https://freight.cargo.site/w/1000/i/477b058c30f8df3fa362fe30ff43ffbf505ad099b3ef7f10b20e51b9136b21dd/LS031_a-erosa-vai-desnudar-brasilia-ate-o-osso_3001.jpg" /> <img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/6cc48a3b0fda7e39d7a5da2f31d9f5641b062a21deed2afdb071c3601f72cc2f/LS031_a-erosa-vai-desnudar-brasilia-ate-o-osso_3002.jpg" data-mid="73419323" border="0" src="https://freight.cargo.site/w/1000/i/6cc48a3b0fda7e39d7a5da2f31d9f5641b062a21deed2afdb071c3601f72cc2f/LS031_a-erosa-vai-desnudar-brasilia-ate-o-osso_3002.jpg" /> <img width="2194" height="3749" width_o="2194" height_o="3749" data-src="https://freight.cargo.site/t/original/i/5b735b10a5974920ef46f5cd5d4a61b73d377a853d69c909e72aee1b6a8369a0/01-_-1-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" data-mid="69968902" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/5b735b10a5974920ef46f5cd5d4a61b73d377a853d69c909e72aee1b6a8369a0/01-_-1-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" /> YTNLYL #1It took root at my coming&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * É crua a vida. Alça de tripa e metal &nbsp; (Silvya Plath, "Night shift" in "The Colossus", p.7) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; (Hilda Hilst, "Alcoólicas I") 2018 cimento, metal, bucha vegetal e folha dourada cement, metal, vegetal sponge and golden leaf 167 x 40 x 40 <img width="1181" height="1768" width_o="1181" height_o="1768" data-src="https://freight.cargo.site/t/original/i/98bd1b33ad97d72015395bcc2e43d2a3bd5ff87b983ca4fd6cbc36b6dd73aa35/B-01-_-5-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" data-mid="69385300" border="0" src="https://freight.cargo.site/w/1000/i/98bd1b33ad97d72015395bcc2e43d2a3bd5ff87b983ca4fd6cbc36b6dd73aa35/B-01-_-5-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" /> <img width="1181" height="1768" width_o="1181" height_o="1768" data-src="https://freight.cargo.site/t/original/i/b06431da666d6ced09cb7cf56ed96e8df3047a3c2984251d512077640dbda381/B-01-_-8-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" data-mid="69385301" border="0" src="https://freight.cargo.site/w/1000/i/b06431da666d6ced09cb7cf56ed96e8df3047a3c2984251d512077640dbda381/B-01-_-8-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" /> <img width="2523" height="3899" width_o="2523" height_o="3899" data-src="https://freight.cargo.site/t/original/i/5e461e933e94614dc2f555a9cb292b828088732d7a0726f0d5cd280602f2816f/01-_-4-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" data-mid="69968905" border="0" src="https://freight.cargo.site/w/1000/i/5e461e933e94614dc2f555a9cb292b828088732d7a0726f0d5cd280602f2816f/01-_-4-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" /> <img width="2026" height="3761" width_o="2026" height_o="3761" data-src="https://freight.cargo.site/t/original/i/63473f7a342fad64ced4a0355752fa0bc7e906db57cbc1343e35851646bcc332/01-_-2-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" data-mid="69968903" border="0" src="https://freight.cargo.site/w/1000/i/63473f7a342fad64ced4a0355752fa0bc7e906db57cbc1343e35851646bcc332/01-_-2-it-took-root-ay-my-coming_-crua-a-vida-ala-de-tripa-e-metal.jpg" /> <img width="1113" height="1984" width_o="1113" height_o="1984" data-src="https://freight.cargo.site/t/original/i/a93612b99cea05136aa6b77d90eaac832b46f4d324d0b13b4de84a35020d3ab7/B-03-title_01.jpg" data-mid="69385327" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/a93612b99cea05136aa6b77d90eaac832b46f4d324d0b13b4de84a35020d3ab7/B-03-title_01.jpg" /> YTNLYL #3The secret is too plain. The pity of it smarts &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; *de um primitivo gozo em que ele é o amante e a coisa amada (John Ashbery, "self portrait in a convex mirror" in "self portrait in a convex mirror") (António Ramos Rosa, "Gênese - Ninguém é o sósia ou o duplo de si...") 2018aço, cimento, buxa vegetal, folha de prata steel, cement, vegetal sponge and silver leaf170 x 90 x 10 cm <img width="1113" height="1984" width_o="1113" height_o="1984" data-src="https://freight.cargo.site/t/original/i/a93612b99cea05136aa6b77d90eaac832b46f4d324d0b13b4de84a35020d3ab7/B-03-title_01.jpg" data-mid="69385327" border="0" src="https://freight.cargo.site/w/1000/i/a93612b99cea05136aa6b77d90eaac832b46f4d324d0b13b4de84a35020d3ab7/B-03-title_01.jpg" /> <img width="1325" height="1984" width_o="1325" height_o="1984" data-src="https://freight.cargo.site/t/original/i/b0654ea9fc14ff3e3dc109721cec3167bdc2985fc4f76aab9970371c3a6bea14/B-03-title_03.jpg" data-mid="69385328" border="0" src="https://freight.cargo.site/w/1000/i/b0654ea9fc14ff3e3dc109721cec3167bdc2985fc4f76aab9970371c3a6bea14/B-03-title_03.jpg" /> <img width="1426" height="1984" width_o="1426" height_o="1984" data-src="https://freight.cargo.site/t/original/i/9ce72d62a4c3c52771755ff2840bed09964b42fadf7bf5c8699ea305ab7490e5/B-03-title_04.jpg" data-mid="69385329" border="0" src="https://freight.cargo.site/w/1000/i/9ce72d62a4c3c52771755ff2840bed09964b42fadf7bf5c8699ea305ab7490e5/B-03-title_04.jpg" /> <img width="2044" height="3396" width_o="2044" height_o="3396" data-src="https://freight.cargo.site/t/original/i/43d2187ac80dfba9438df78256a785b727a852965a5518936e63a6b873946f4b/07-Porque-eu-tanto-desejaria-acordar-da-vossa-voz-na-minha-boca-_01.jpg" data-mid="69385314" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/43d2187ac80dfba9438df78256a785b727a852965a5518936e63a6b873946f4b/07-Porque-eu-tanto-desejaria-acordar-da-vossa-voz-na-minha-boca-_01.jpg" /> YTNLYL #7 Porque eu tanto desejaria acordar / da vossa voz na minha boca. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; * una palabra como un ferrocarril a punto siempre de descarrilarse (Herberto Helder, "I" in "poemacto") (Octavio Paz, 18 in “El Mono Gramático”) 2018 aço carbono, buxa vegetal e cimento carbon steel, vegetal sponge and cement178 x ø 90 cm <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/f99bd12b2e47bfa722bf78df06aa5c9ee73e1288d3b1adccd448536f1d125132/07-Porque-eu-tanto-desejaria-acordar-da-vossa-voz-na-minha-boca-_04.jpg" data-mid="69385316" border="0" src="https://freight.cargo.site/w/1000/i/f99bd12b2e47bfa722bf78df06aa5c9ee73e1288d3b1adccd448536f1d125132/07-Porque-eu-tanto-desejaria-acordar-da-vossa-voz-na-minha-boca-_04.jpg" /> <img width="2044" height="3396" width_o="2044" height_o="3396" data-src="https://freight.cargo.site/t/original/i/43d2187ac80dfba9438df78256a785b727a852965a5518936e63a6b873946f4b/07-Porque-eu-tanto-desejaria-acordar-da-vossa-voz-na-minha-boca-_01.jpg" data-mid="69385314" border="0" src="https://freight.cargo.site/w/1000/i/43d2187ac80dfba9438df78256a785b727a852965a5518936e63a6b873946f4b/07-Porque-eu-tanto-desejaria-acordar-da-vossa-voz-na-minha-boca-_01.jpg" /> <img width="2672" height="4000" width_o="2672" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2f50411a426a7ba7f0e8fb5ee737f66ab37db12c32b56cb7b9d52e4f299246d6/07-Porque-eu-tanto-desejaria-acordar-da-vossa-voz-na-minha-boca-_03.jpg" data-mid="69385315" border="0" src="https://freight.cargo.site/w/1000/i/2f50411a426a7ba7f0e8fb5ee737f66ab37db12c32b56cb7b9d52e4f299246d6/07-Porque-eu-tanto-desejaria-acordar-da-vossa-voz-na-minha-boca-_03.jpg" /> <img width="3885" height="5827" width_o="3885" height_o="5827" data-src="https://freight.cargo.site/t/original/i/bd683af0b633a1815b9ba6cc003cb3b30c21c67376c35cc366b82f7a3f103306/DSC09407.jpg" data-mid="73310004" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/bd683af0b633a1815b9ba6cc003cb3b30c21c67376c35cc366b82f7a3f103306/DSC09407.jpg" /> YTNLYL # 12 The barest word may be what I say in you&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * Un proyectarse desesperado de la materia verbal (James Merrill - "To my greek" p.87) (Alejandra Pzarnik "El Infierno Musical" p.268) 2018 concreto, aço, bucha vegetal e folha dourada concrete, steel, vegetal sponge and golden leaf <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/efc1219f9cf02d865648344cec1055fb1bc7d22741ff91b0876c212441b5d1c9/DSC09408.jpg" data-mid="73310005" border="0" src="https://freight.cargo.site/w/1000/i/efc1219f9cf02d865648344cec1055fb1bc7d22741ff91b0876c212441b5d1c9/DSC09408.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/9499b55054c3a7c87b710b1693c5deb8b028020e2b3292966b8a2ee89dcc0b36/DSC09410.jpg" data-mid="73310006" border="0" src="https://freight.cargo.site/w/1000/i/9499b55054c3a7c87b710b1693c5deb8b028020e2b3292966b8a2ee89dcc0b36/DSC09410.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/2a30b333c2396f5d4860537168476e46f52e6a4acbc6acd700a44dc29b4912e4/DSC09411.jpg" data-mid="73310007" border="0" src="https://freight.cargo.site/w/1000/i/2a30b333c2396f5d4860537168476e46f52e6a4acbc6acd700a44dc29b4912e4/DSC09411.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/6bb33f4b0735d1678203266eaa77ee2cb199bf53fe9a773ab273dc8fbc7f3c36/DSC09412.jpg" data-mid="73310008" border="0" src="https://freight.cargo.site/w/1000/i/6bb33f4b0735d1678203266eaa77ee2cb199bf53fe9a773ab273dc8fbc7f3c36/DSC09412.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/e2fc8efd58eccd5edca268b22c0b3d1e1af242b09655c5be48ff6a6f242ed75d/DSC09413.jpg" data-mid="73310009" border="0" src="https://freight.cargo.site/w/1000/i/e2fc8efd58eccd5edca268b22c0b3d1e1af242b09655c5be48ff6a6f242ed75d/DSC09413.jpg" /> <img width="2392" height="3264" width_o="2392" height_o="3264" data-src="https://freight.cargo.site/t/original/i/8137732fb1485f09bda2cb379bbec715db7b4f8c5c44651a7576b75a73b9991d/09-title-1.jpg" data-mid="69385320" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/8137732fb1485f09bda2cb379bbec715db7b4f8c5c44651a7576b75a73b9991d/09-title-1.jpg" /> YTNLYL #9 Projeitinho imanso ciumortevida vidavid &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * The postmodernists / are all retational / &amp; sad though they mug (Caetano Veloso “Outras Palavras” in, "Letra só") (Maureen N. McLane “Mesh” in “Some Say”) 2018concreto, isopor, silicone, aço e folha dourada concrete, polystyrene, silicone, steel and golden leaf32 x 23 x 10 cm <img width="2392" height="3264" width_o="2392" height_o="3264" data-src="https://freight.cargo.site/t/original/i/8137732fb1485f09bda2cb379bbec715db7b4f8c5c44651a7576b75a73b9991d/09-title-1.jpg" data-mid="69385320" border="0" src="https://freight.cargo.site/w/1000/i/8137732fb1485f09bda2cb379bbec715db7b4f8c5c44651a7576b75a73b9991d/09-title-1.jpg" /> <img width="2307" height="3241" width_o="2307" height_o="3241" data-src="https://freight.cargo.site/t/original/i/b6d8f8dbb2f6c008c38c43490a8f4db9eb45a63a75dd2c041520482d8f2f98c9/09-title-2.jpg" data-mid="69385321" border="0" src="https://freight.cargo.site/w/1000/i/b6d8f8dbb2f6c008c38c43490a8f4db9eb45a63a75dd2c041520482d8f2f98c9/09-title-2.jpg" /> <img width="2672" height="3749" width_o="2672" height_o="3749" data-src="https://freight.cargo.site/t/original/i/61c79ef95b6b5ee0adc960eb03c33ba1209ef0856df975dbf4a6d2bf94efd8a1/09-title-6.jpg" data-mid="69385322" border="0" src="https://freight.cargo.site/w/1000/i/61c79ef95b6b5ee0adc960eb03c33ba1209ef0856df975dbf4a6d2bf94efd8a1/09-title-6.jpg" /> <img width="1666" height="1772" width_o="1666" height_o="1772" data-src="https://freight.cargo.site/t/original/i/c5fd51fcccec811d1c8af573bf8c03e9c1ef4dcb6b65059c3394a83c2718dec2/B-06-titile_01.jpg" data-mid="69385323" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/c5fd51fcccec811d1c8af573bf8c03e9c1ef4dcb6b65059c3394a83c2718dec2/B-06-titile_01.jpg" /> YTNLYL #6 En un reflejo, un eco, que fue suyo&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * My brother drew a muscle then he drew a gun (Jorge luis Borges, "la busca" in "el oro de los tigres") (Julie Carr, "1"in "100 notes on violence") 2018concreto, vidro e isopor concrete, glass and polystyrene 40 x 30 x 40 cm <img width="1666" height="1772" width_o="1666" height_o="1772" data-src="https://freight.cargo.site/t/original/i/c5fd51fcccec811d1c8af573bf8c03e9c1ef4dcb6b65059c3394a83c2718dec2/B-06-titile_01.jpg" data-mid="69385323" border="0" src="https://freight.cargo.site/w/1000/i/c5fd51fcccec811d1c8af573bf8c03e9c1ef4dcb6b65059c3394a83c2718dec2/B-06-titile_01.jpg" /> <img width="1315" height="1984" width_o="1315" height_o="1984" data-src="https://freight.cargo.site/t/original/i/e491275b27a5e97e9b3d30feb2565a3bd8a2b0f06c856c57fa98e2573d8bd64b/B-06-titile_05.jpg" data-mid="69385324" border="0" src="https://freight.cargo.site/w/1000/i/e491275b27a5e97e9b3d30feb2565a3bd8a2b0f06c856c57fa98e2573d8bd64b/B-06-titile_05.jpg" /> <img width="1325" height="1984" width_o="1325" height_o="1984" data-src="https://freight.cargo.site/t/original/i/c52d980eb580f7b7d35c8e7a5464c775f1a439934207f5aed45347e77147b618/B-06-titile_06.jpg" data-mid="69385325" border="0" src="https://freight.cargo.site/w/1000/i/c52d980eb580f7b7d35c8e7a5464c775f1a439934207f5aed45347e77147b618/B-06-titile_06.jpg" /> <img width="2672" height="3396" width_o="2672" height_o="3396" data-src="https://freight.cargo.site/t/original/i/9cabeed6fd8494296b782aeb8b75dc10ebbde6da728bfd0f919d9ee37d60c55d/06-En-un-reflejo--un-eco--que-fue-suyo_02.jpg" data-mid="69385326" border="0" src="https://freight.cargo.site/w/1000/i/9cabeed6fd8494296b782aeb8b75dc10ebbde6da728bfd0f919d9ee37d60c55d/06-En-un-reflejo--un-eco--que-fue-suyo_02.jpg" /> <img width="2552" height="2584" width_o="2552" height_o="2584" data-src="https://freight.cargo.site/t/original/i/151ba268a1c380c08352d3b4bb5ae20d7fea3db84ae431d2bbc79d362170af99/YTNLYL-N.19-01.jpg" data-mid="73419327" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/151ba268a1c380c08352d3b4bb5ae20d7fea3db84ae431d2bbc79d362170af99/YTNLYL-N.19-01.jpg" />YTNLYL #19 Didn't know what time it was then I met you&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; *Relógio de bolso tatuado no peito (Lorenz Hart, too many girls)&nbsp;(Haduan Nassar, Lavoura Arcaica) 2019 aço, concreto, polipropileno expandido e folha de cobresteel, concrete, expanded polypropilene and copper leaf 74 x 69 x 16 cm&nbsp; <img width="2552" height="2584" width_o="2552" height_o="2584" data-src="https://freight.cargo.site/t/original/i/151ba268a1c380c08352d3b4bb5ae20d7fea3db84ae431d2bbc79d362170af99/YTNLYL-N.19-01.jpg" data-mid="73419327" border="0" src="https://freight.cargo.site/w/1000/i/151ba268a1c380c08352d3b4bb5ae20d7fea3db84ae431d2bbc79d362170af99/YTNLYL-N.19-01.jpg" /> <img width="2248" height="2852" width_o="2248" height_o="2852" data-src="https://freight.cargo.site/t/original/i/9d25f58f605558ff33d767de2769434f7df0fb754bae8c2522db342c02d728e1/YTNLYL-N.19-04.jpg" data-mid="73419328" border="0" src="https://freight.cargo.site/w/1000/i/9d25f58f605558ff33d767de2769434f7df0fb754bae8c2522db342c02d728e1/YTNLYL-N.19-04.jpg" /> <img width="3814" height="2312" width_o="3814" height_o="2312" data-src="https://freight.cargo.site/t/original/i/36093abcfb7225900095f64ce75bac57d9cecc640bec3f516d72fe0ca0b6f374/YTNLYL-N.19-06.jpg" data-mid="73419329" border="0" src="https://freight.cargo.site/w/1000/i/36093abcfb7225900095f64ce75bac57d9cecc640bec3f516d72fe0ca0b6f374/YTNLYL-N.19-06.jpg" /> <img width="2384" height="2832" width_o="2384" height_o="2832" data-src="https://freight.cargo.site/t/original/i/3a89b49ea8976611e6dff7e83e780d2bc9f90f86cacfe7099e2d138b002d7ae5/YTNLYL-N.19-02.jpg" data-mid="73419926" border="0" src="https://freight.cargo.site/w/1000/i/3a89b49ea8976611e6dff7e83e780d2bc9f90f86cacfe7099e2d138b002d7ae5/YTNLYL-N.19-02.jpg" /> <img width="2420" height="3108" width_o="2420" height_o="3108" data-src="https://freight.cargo.site/t/original/i/23e50102b8f2ec2d89d2b8bce3b82d5b387c08aee687ddd29fc1483fc665b641/YTNLYL-N.19-03.jpg" data-mid="73419927" border="0" src="https://freight.cargo.site/w/1000/i/23e50102b8f2ec2d89d2b8bce3b82d5b387c08aee687ddd29fc1483fc665b641/YTNLYL-N.19-03.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/fea208098c223748e7639d9a392c44162bb03944bbf1a777aef7a637a733a5db/YTNLYL-N.19-05.jpg" data-mid="73419929" border="0" src="https://freight.cargo.site/w/1000/i/fea208098c223748e7639d9a392c44162bb03944bbf1a777aef7a637a733a5db/YTNLYL-N.19-05.jpg" /> <img width="3226" height="2672" width_o="3226" height_o="2672" data-src="https://freight.cargo.site/t/original/i/5089c0e861db0a744631f4189a3d1fe132e84833ebbe7f5ab9c2d380abaf482c/YTNLYL-N.19-07.jpg" data-mid="73419931" border="0" src="https://freight.cargo.site/w/1000/i/5089c0e861db0a744631f4189a3d1fe132e84833ebbe7f5ab9c2d380abaf482c/YTNLYL-N.19-07.jpg" /> <img width="2449" height="3666" width_o="2449" height_o="3666" data-src="https://freight.cargo.site/t/original/i/d92bd0f9d4e35fb016888d46d64989ba18690d23736315dd29dd9e0ce8fa5053/YTNLYL-N.19-08.jpg" data-mid="73419932" border="0" src="https://freight.cargo.site/w/1000/i/d92bd0f9d4e35fb016888d46d64989ba18690d23736315dd29dd9e0ce8fa5053/YTNLYL-N.19-08.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/32550a3778e275ec5390eddfdca93d3a78bb3d68a5a62921e30caa5ebf422d1a/YTNLYL-N.19-09.jpg" data-mid="73419933" border="0" src="https://freight.cargo.site/w/1000/i/32550a3778e275ec5390eddfdca93d3a78bb3d68a5a62921e30caa5ebf422d1a/YTNLYL-N.19-09.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/4b3432a2e0ca774a5dd47447835d977301d76511c578c153d6a6197b46758fc9/YTNLYL-N.19-10.jpg" data-mid="73419934" border="0" src="https://freight.cargo.site/w/1000/i/4b3432a2e0ca774a5dd47447835d977301d76511c578c153d6a6197b46758fc9/YTNLYL-N.19-10.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/49f402cd1a7f7a2982c530bc8c7564269e793f6b2cd28822b65c0be48062c470/YTNLYL-N.19-12.jpg" data-mid="73419936" border="0" src="https://freight.cargo.site/w/1000/i/49f402cd1a7f7a2982c530bc8c7564269e793f6b2cd28822b65c0be48062c470/YTNLYL-N.19-12.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/ee9ec027047f1472b74c750185bb5f17092908e29a1ca2d15b1b65298d8e8785/YTNLYL-N.19-11.jpg" data-mid="73419935" border="0" src="https://freight.cargo.site/w/1000/i/ee9ec027047f1472b74c750185bb5f17092908e29a1ca2d15b1b65298d8e8785/YTNLYL-N.19-11.jpg" /> <img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/0ed50d233875f9b40f9f81d03799f56dff363c8d655e315102f5d612ef9245f6/LS038_sei-que-devo-partir-de-todos-os-lugares-onde-chegar_300.jpg" data-mid="73419324" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/0ed50d233875f9b40f9f81d03799f56dff363c8d655e315102f5d612ef9245f6/LS038_sei-que-devo-partir-de-todos-os-lugares-onde-chegar_300.jpg" /> YTNLYL # 17sei que devo partir de todos os lugares onde chegar &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * Love we’ve been falling ever since falling made way for a leap.”, (Carta da região mais fértil, Al Berto) (This Blue, Maureen N. McLane)2019 concreto, aço, buxa vegetal e folha de cobre concrete, steel, vegetal sponge, cooper leaf 78" x 8" x 8" <img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/0ed50d233875f9b40f9f81d03799f56dff363c8d655e315102f5d612ef9245f6/LS038_sei-que-devo-partir-de-todos-os-lugares-onde-chegar_300.jpg" data-mid="73419324" border="0" src="https://freight.cargo.site/w/1000/i/0ed50d233875f9b40f9f81d03799f56dff363c8d655e315102f5d612ef9245f6/LS038_sei-que-devo-partir-de-todos-os-lugares-onde-chegar_300.jpg" /> <img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/edf71d80fbfe9fc449301e1f51e4be4c39c26c84527c548421a470bd49e8d636/LS038_sei-que-devo-partir-de-todos-os-lugares-onde-chegar_3001.jpg" data-mid="73419325" border="0" src="https://freight.cargo.site/w/1000/i/edf71d80fbfe9fc449301e1f51e4be4c39c26c84527c548421a470bd49e8d636/LS038_sei-que-devo-partir-de-todos-os-lugares-onde-chegar_3001.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/891cc9dee9b095f350228513822759fa45403636504f0b76eba2d75b774574d4/LS038_sei-que-devo-partir-de-todos-os-lugares-onde-chegar_3003.jpeg" data-mid="73419326" border="0" src="https://freight.cargo.site/w/1000/i/891cc9dee9b095f350228513822759fa45403636504f0b76eba2d75b774574d4/LS038_sei-que-devo-partir-de-todos-os-lugares-onde-chegar_3003.jpeg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/25597a3de0942a078f726ebbbe4384e7bb017e758b3123f86eb495c1ed3f7e89/DSC09396.jpg" data-mid="73309997" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/25597a3de0942a078f726ebbbe4384e7bb017e758b3123f86eb495c1ed3f7e89/DSC09396.jpg" />YTNLYL #11 La violencia es como la poesía, no se corrige. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * I ate and drank in that world. May I&nbsp; Also survive it's meanings, and my own. (Roberto Bolaño , "en la sala de lecturas del infierno" &nbsp;p.268) (James Merrill - "After Greece" p.42) 2018 concreto, madeira e folha de cobre concrete, wood and copper leaf <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/25597a3de0942a078f726ebbbe4384e7bb017e758b3123f86eb495c1ed3f7e89/DSC09396.jpg" data-mid="73309997" border="0" src="https://freight.cargo.site/w/1000/i/25597a3de0942a078f726ebbbe4384e7bb017e758b3123f86eb495c1ed3f7e89/DSC09396.jpg" /> <img width="3553" height="5330" width_o="3553" height_o="5330" data-src="https://freight.cargo.site/t/original/i/adef1020a28397a37952f02e0afddaccbde7fcadf20bf36ced5d7596a039d2a4/DSC09398.jpg" data-mid="73309999" border="0" src="https://freight.cargo.site/w/1000/i/adef1020a28397a37952f02e0afddaccbde7fcadf20bf36ced5d7596a039d2a4/DSC09398.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/a8adebfae63da30e24dfa02ab1f57fbf10ba08a1a4ae54682898d227494f93e4/DSC09399.jpg" data-mid="73310000" border="0" src="https://freight.cargo.site/w/1000/i/a8adebfae63da30e24dfa02ab1f57fbf10ba08a1a4ae54682898d227494f93e4/DSC09399.jpg" /> <img width="3506" height="5259" width_o="3506" height_o="5259" data-src="https://freight.cargo.site/t/original/i/a3526f7f975b7a47bd969f9b19aac01d257248fa02a5ac6c0f1abe0a3163f6cf/DSC09403.jpg" data-mid="73310003" border="0" src="https://freight.cargo.site/w/1000/i/a3526f7f975b7a47bd969f9b19aac01d257248fa02a5ac6c0f1abe0a3163f6cf/DSC09403.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/b08619ae02ae4a4d780770508c7e223a0409a674b60c6a31833c4b46307a5947/DSC09402.jpg" data-mid="73310002" border="0" src="https://freight.cargo.site/w/1000/i/b08619ae02ae4a4d780770508c7e223a0409a674b60c6a31833c4b46307a5947/DSC09402.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/00ee6a827ba1bc650066e3dd6c772d3e96437cd83f60462fcbaacc78467960af/DSC09401.jpg" data-mid="73310001" border="0" src="https://freight.cargo.site/w/1000/i/00ee6a827ba1bc650066e3dd6c772d3e96437cd83f60462fcbaacc78467960af/DSC09401.jpg" /> <img width="3811" height="5717" width_o="3811" height_o="5717" data-src="https://freight.cargo.site/t/original/i/ed7b6fdf3207fc6b5fe6f04218aa9fb56865e55d1af6e8bdf6d891ab5b86e83e/DSC09414.jpg" data-mid="73310010" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/ed7b6fdf3207fc6b5fe6f04218aa9fb56865e55d1af6e8bdf6d891ab5b86e83e/DSC09414.jpg" /> YTNLYL # 13 ter escrito ainda não existe&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; * Un proyectarse desesperado de la materia verbal (Ricardo Aleixo,em "Pesado demais para ventania" p.83) (sono io il mistero, del male che ti attrae - Mariangela Gualtieri - em "Caino" p.16) 2018 concreto e folha de prata concrete and silver leaf <img width="3811" height="5717" width_o="3811" height_o="5717" data-src="https://freight.cargo.site/t/original/i/ed7b6fdf3207fc6b5fe6f04218aa9fb56865e55d1af6e8bdf6d891ab5b86e83e/DSC09414.jpg" data-mid="73310010" border="0" src="https://freight.cargo.site/w/1000/i/ed7b6fdf3207fc6b5fe6f04218aa9fb56865e55d1af6e8bdf6d891ab5b86e83e/DSC09414.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/57763f993dfda1402419b6691ee931416117e09aa1779c1875b461b686a8b0f6/DSC09415.jpg" data-mid="73310011" border="0" src="https://freight.cargo.site/w/1000/i/57763f993dfda1402419b6691ee931416117e09aa1779c1875b461b686a8b0f6/DSC09415.jpg" /> <img width="3829" height="5744" width_o="3829" height_o="5744" data-src="https://freight.cargo.site/t/original/i/ed5fe4cc77c6f9cca4e1154f3c0cf72369f398cf98bc02e72a98c063171d6a10/DSC09416.jpg" data-mid="73310013" border="0" src="https://freight.cargo.site/w/1000/i/ed5fe4cc77c6f9cca4e1154f3c0cf72369f398cf98bc02e72a98c063171d6a10/DSC09416.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/af87a3b15c676f2ef73fdc4072e61f54dbb8a8127283da6f468def5b71d4b2d5/DSC09418.jpg" data-mid="73310014" border="0" src="https://freight.cargo.site/w/1000/i/af87a3b15c676f2ef73fdc4072e61f54dbb8a8127283da6f468def5b71d4b2d5/DSC09418.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/a15706a079e9016a8bc8117af6b774aa42a4d79c5d148d25a73ae60f6ef6511c/DSC09419.jpg" data-mid="73310015" border="0" src="https://freight.cargo.site/w/1000/i/a15706a079e9016a8bc8117af6b774aa42a4d79c5d148d25a73ae60f6ef6511c/DSC09419.jpg" /> https://lucassimoes.com.br/corpos-de-prova Mon, 07 Aug 2017 20:59:40 +0000 lucas simoes https://lucassimoes.com.br/corpos-de-prova corpos de prova The Portuguese phrase Corpos de Prova translates to “bodies of test or proof” – a technical term for testing the limits of strength and resistance in regards to architecture and in particular concrete building materials. Lucas Simões’ practice explores the concepts of experimenting with balance, pressure and materiality – creating situations which test the limits of a structure and its inevitable and eventual loss of stability. Texto em português “Corpo de prova” é um termo técnico usados para os testes de limites de esforços e resistência relativos à arquitetura e em particular aos materiais empregados na realização do concreto. A prática de Lucas Simões explora o conceito de experimentação sobre equilíbrio, pressão e materialidade - criando situações que testam os limites da estrutura e sua inevitável e eventual perca de estabilidade. <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/82259151ba0868dc8d51ba9a74c612c2b4b7ee8a6794cd3b41ca116af24b7e14/LSimes_corpos-de-prova-29_300-2.jpg" data-mid="73141804" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/82259151ba0868dc8d51ba9a74c612c2b4b7ee8a6794cd3b41ca116af24b7e14/LSimes_corpos-de-prova-29_300-2.jpg" /> corpo de prova #28, 2017 concreto, vidro, aço, tecido e XPS concrete, glass, steel, fabric and XPS 50 x 17 x 15 cm <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/82259151ba0868dc8d51ba9a74c612c2b4b7ee8a6794cd3b41ca116af24b7e14/LSimes_corpos-de-prova-29_300-2.jpg" data-mid="73141804" border="0" src="https://freight.cargo.site/w/1000/i/82259151ba0868dc8d51ba9a74c612c2b4b7ee8a6794cd3b41ca116af24b7e14/LSimes_corpos-de-prova-29_300-2.jpg" /> <img width="720" height="1080" width_o="720" height_o="1080" data-src="https://freight.cargo.site/t/original/i/27114cac8e8f9d08e07e37bc119cab5c417997c9aa7b4bbcc049ca6e91c113b0/LSimes_corpos-de-prova-29_72-1.jpg" data-mid="73141805" border="0" src="https://freight.cargo.site/w/720/i/27114cac8e8f9d08e07e37bc119cab5c417997c9aa7b4bbcc049ca6e91c113b0/LSimes_corpos-de-prova-29_72-1.jpg" /> <img width="720" height="1080" width_o="720" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ba7133c5852e36b24dee0ab515ca0625bfa259db51e71ec5633d2c67b2b40792/LSimes_corpos-de-prova-29_72-3.jpg" data-mid="73141806" border="0" src="https://freight.cargo.site/w/720/i/ba7133c5852e36b24dee0ab515ca0625bfa259db51e71ec5633d2c67b2b40792/LSimes_corpos-de-prova-29_72-3.jpg" /> <img width="3094" height="2225" width_o="3094" height_o="2225" data-src="https://freight.cargo.site/t/original/i/407529884e56bac2fb4690d38150b0206332363b8fdca607d248f4330abd6a79/corpo-de-prova-25A.jpg" data-mid="73141815" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/407529884e56bac2fb4690d38150b0206332363b8fdca607d248f4330abd6a79/corpo-de-prova-25A.jpg" /> corpo de prova #25metal, XPS, richa, EVA, folha dourada e cortiça metal, XPS, EVA, golden leaf and cork16x13.5x19 cm <img width="3094" height="2225" width_o="3094" height_o="2225" data-src="https://freight.cargo.site/t/original/i/407529884e56bac2fb4690d38150b0206332363b8fdca607d248f4330abd6a79/corpo-de-prova-25A.jpg" data-mid="73141815" border="0" src="https://freight.cargo.site/w/1000/i/407529884e56bac2fb4690d38150b0206332363b8fdca607d248f4330abd6a79/corpo-de-prova-25A.jpg" /> <img width="2722" height="2672" width_o="2722" height_o="2672" data-src="https://freight.cargo.site/t/original/i/d5a0deb362edcd95556da1a97ad526d704a48f27ec121c6b3f524ff59eaa6dc4/corpo-de-prova-25B.jpg" data-mid="73141816" border="0" src="https://freight.cargo.site/w/1000/i/d5a0deb362edcd95556da1a97ad526d704a48f27ec121c6b3f524ff59eaa6dc4/corpo-de-prova-25B.jpg" /> <img width="2594" height="2699" width_o="2594" height_o="2699" data-src="https://freight.cargo.site/t/original/i/f27c03683cd4c7e402c6c4746bfefb850aa9c21b6ff43695914f9e48b6c42f9b/corpo-de-prova-25C.jpg" data-mid="73270553" border="0" src="https://freight.cargo.site/w/1000/i/f27c03683cd4c7e402c6c4746bfefb850aa9c21b6ff43695914f9e48b6c42f9b/corpo-de-prova-25C.jpg" /> <img width="4126" height="3648" width_o="4126" height_o="3648" data-src="https://freight.cargo.site/t/original/i/953ef5ffab1ce55e44771870a4b113809b94b36896038da18427bf995153bbeb/_MG_7146.jpg" data-mid="73141796" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/953ef5ffab1ce55e44771870a4b113809b94b36896038da18427bf995153bbeb/_MG_7146.jpg" /> corpo de prova #09, 2017plastico, cimento e folha douradaplastic, cement and golden leaf16x16x11 cm <img width="3186" height="2432" width_o="3186" height_o="2432" data-src="https://freight.cargo.site/t/original/i/fbfb65ecff16125318cca4e654ef1f6e5feac56781b59bd8d646a37bf03bc6de/corpo-de-prova-33_sm.jpg" data-mid="73141807" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/fbfb65ecff16125318cca4e654ef1f6e5feac56781b59bd8d646a37bf03bc6de/corpo-de-prova-33_sm.jpg" /> corpo de prova #33concreto, papel e folha dourada concrete, paper and golden leaf55 x 70 x 13 cm <img width="3186" height="2432" width_o="3186" height_o="2432" data-src="https://freight.cargo.site/t/original/i/fbfb65ecff16125318cca4e654ef1f6e5feac56781b59bd8d646a37bf03bc6de/corpo-de-prova-33_sm.jpg" data-mid="73141807" border="0" src="https://freight.cargo.site/w/1000/i/fbfb65ecff16125318cca4e654ef1f6e5feac56781b59bd8d646a37bf03bc6de/corpo-de-prova-33_sm.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/ea14372542bb2a403a874e250e69cbdcb6802c1393cc19383ec4d18d1c879011/corpo-de-prova-33__sm.jpg" data-mid="73141808" border="0" src="https://freight.cargo.site/w/1000/i/ea14372542bb2a403a874e250e69cbdcb6802c1393cc19383ec4d18d1c879011/corpo-de-prova-33__sm.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/e6fcd300e4199121fee7a222250cac4de4c6b20f0d8cd4ad7276c7b4dc9e9b29/corpo-de-prova-33__2sm.jpg" data-mid="73270554" border="0" src="https://freight.cargo.site/w/1000/i/e6fcd300e4199121fee7a222250cac4de4c6b20f0d8cd4ad7276c7b4dc9e9b29/corpo-de-prova-33__2sm.jpg" /> <img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/693002e819a35f5dd264a3b603141b9c584f1c470ea2b5b6961dbaee4c2d3fe9/corpo-de-prova-35_red.jpg" data-mid="73364792" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/693002e819a35f5dd264a3b603141b9c584f1c470ea2b5b6961dbaee4c2d3fe9/corpo-de-prova-35_red.jpg" /> corpo de prova #35, 2019 concreto, papel e folha dourada concrete, paper and golden leaf 70 x 91 x 18 cm <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/84177184cb10e660d21c2fbfaf848135cd712b325c679c2360fe76288fa65036/corpo-de-prova-37A.jpg" data-mid="73364779" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/84177184cb10e660d21c2fbfaf848135cd712b325c679c2360fe76288fa65036/corpo-de-prova-37A.jpg" /> corpo de prova #37, 2019 concreto e papel concrete and paper dimensões variáveis <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/84177184cb10e660d21c2fbfaf848135cd712b325c679c2360fe76288fa65036/corpo-de-prova-37A.jpg" data-mid="73364779" border="0" src="https://freight.cargo.site/w/1000/i/84177184cb10e660d21c2fbfaf848135cd712b325c679c2360fe76288fa65036/corpo-de-prova-37A.jpg" /> <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/fff94ee162717f4ce87c0e692bec2f84cceccb9040c8cd7bd8fbd7f37d8097be/corpo-de-prova-37B.jpg" data-mid="73364780" border="0" src="https://freight.cargo.site/w/1000/i/fff94ee162717f4ce87c0e692bec2f84cceccb9040c8cd7bd8fbd7f37d8097be/corpo-de-prova-37B.jpg" /> <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/9729473f2b3f942148033ad8949c3b7ef32f6db276542e39bfad08aba2029e10/corpo-de-prova-37C.jpg" data-mid="73364781" border="0" src="https://freight.cargo.site/w/1000/i/9729473f2b3f942148033ad8949c3b7ef32f6db276542e39bfad08aba2029e10/corpo-de-prova-37C.jpg" /> <img width="3352" height="2186" width_o="3352" height_o="2186" data-src="https://freight.cargo.site/t/original/i/58083bd88a3763b37d427c1328b3c8d85095ac9aa9a89009e62a8e2245c0f8c2/corpo-de-prova-21A.jpg" data-mid="73141809" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/58083bd88a3763b37d427c1328b3c8d85095ac9aa9a89009e62a8e2245c0f8c2/corpo-de-prova-21A.jpg" /> corpo de prova no 21, 2017concreto e papel concrete and paper15 x 60 x 10,5 <img width="3352" height="2186" width_o="3352" height_o="2186" data-src="https://freight.cargo.site/t/original/i/58083bd88a3763b37d427c1328b3c8d85095ac9aa9a89009e62a8e2245c0f8c2/corpo-de-prova-21A.jpg" data-mid="73141809" border="0" src="https://freight.cargo.site/w/1000/i/58083bd88a3763b37d427c1328b3c8d85095ac9aa9a89009e62a8e2245c0f8c2/corpo-de-prova-21A.jpg" /> <img width="4000" height="1940" width_o="4000" height_o="1940" data-src="https://freight.cargo.site/t/original/i/64cff2879279e2c51cedbf308e66c40bcc7890c7cf2a16857fe68d7971f4e3d2/corpo-de-prova-21.jpg" data-mid="73270552" border="0" src="https://freight.cargo.site/w/1000/i/64cff2879279e2c51cedbf308e66c40bcc7890c7cf2a16857fe68d7971f4e3d2/corpo-de-prova-21.jpg" /> <img width="2198" height="2009" width_o="2198" height_o="2009" data-src="https://freight.cargo.site/t/original/i/f6201e1f0739a872d2d8ffaf17f021b11453c79a6e24745cefb3da915dbe05a5/CORPO-DE-PROVA--45_01-sm.jpg" data-mid="95203844" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/f6201e1f0739a872d2d8ffaf17f021b11453c79a6e24745cefb3da915dbe05a5/CORPO-DE-PROVA--45_01-sm.jpg" /> corpo de prova #45, 2020 concreto e papel concrete and paper66 X 59 X 10 cm <img width="2198" height="2009" width_o="2198" height_o="2009" data-src="https://freight.cargo.site/t/original/i/f6201e1f0739a872d2d8ffaf17f021b11453c79a6e24745cefb3da915dbe05a5/CORPO-DE-PROVA--45_01-sm.jpg" data-mid="95203844" border="0" src="https://freight.cargo.site/w/1000/i/f6201e1f0739a872d2d8ffaf17f021b11453c79a6e24745cefb3da915dbe05a5/CORPO-DE-PROVA--45_01-sm.jpg" /> <img width="2444" height="2585" width_o="2444" height_o="2585" data-src="https://freight.cargo.site/t/original/i/2bad1443cf9d61d7fba9f763f43d428a5cd2672e8fdbc122ffbaf7f418e57ece/CORPO-DE-PROVA--45_02-sm.jpg" data-mid="95203846" border="0" src="https://freight.cargo.site/w/1000/i/2bad1443cf9d61d7fba9f763f43d428a5cd2672e8fdbc122ffbaf7f418e57ece/CORPO-DE-PROVA--45_02-sm.jpg" /> <img width="2343" height="2135" width_o="2343" height_o="2135" data-src="https://freight.cargo.site/t/original/i/986c492f655bc44fba80ecbe952589bbdf4e02ae3cd9e7137e0b37de173a7ea3/corpo-de-prova--39-j.jpg" data-mid="95203823" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/986c492f655bc44fba80ecbe952589bbdf4e02ae3cd9e7137e0b37de173a7ea3/corpo-de-prova--39-j.jpg" /> corpo de prova #39, 2020concreto e papel concrete and paper <img width="2343" height="2135" width_o="2343" height_o="2135" data-src="https://freight.cargo.site/t/original/i/986c492f655bc44fba80ecbe952589bbdf4e02ae3cd9e7137e0b37de173a7ea3/corpo-de-prova--39-j.jpg" data-mid="95203823" border="0" src="https://freight.cargo.site/w/1000/i/986c492f655bc44fba80ecbe952589bbdf4e02ae3cd9e7137e0b37de173a7ea3/corpo-de-prova--39-j.jpg" /> <img width="2228" height="3017" width_o="2228" height_o="3017" data-src="https://freight.cargo.site/t/original/i/3e9bbf0759f8f9a2d365fd7487d6ea27ff8b12a83a5a01530e52af1267fb7ee7/corpo-de-prova--39B.jpg" data-mid="95203824" border="0" src="https://freight.cargo.site/w/1000/i/3e9bbf0759f8f9a2d365fd7487d6ea27ff8b12a83a5a01530e52af1267fb7ee7/corpo-de-prova--39B.jpg" /> <img width="3375" height="2672" width_o="3375" height_o="2672" data-src="https://freight.cargo.site/t/original/i/7154cf76d93371cbcaad74ee82c61eb7004f9f518d4f8f8d0b684c98b48fac55/corpo-de-prova--39F.jpg" data-mid="95203829" border="0" src="https://freight.cargo.site/w/1000/i/7154cf76d93371cbcaad74ee82c61eb7004f9f518d4f8f8d0b684c98b48fac55/corpo-de-prova--39F.jpg" /> <img width="2473" height="3004" width_o="2473" height_o="3004" data-src="https://freight.cargo.site/t/original/i/8fb2b1d45ebc28e949b47654856db9b844ede51c1c314261c9c63ad7c7144cee/corpo-de-prova--39H.jpg" data-mid="95203831" border="0" src="https://freight.cargo.site/w/1000/i/8fb2b1d45ebc28e949b47654856db9b844ede51c1c314261c9c63ad7c7144cee/corpo-de-prova--39H.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/d1e6ce46e749ee978a6af73cfe1f90fdb05f7f5795ea851e49873d1ccf9f0e8b/corpo-de-prova--39I.jpg" data-mid="95203832" border="0" src="https://freight.cargo.site/w/1000/i/d1e6ce46e749ee978a6af73cfe1f90fdb05f7f5795ea851e49873d1ccf9f0e8b/corpo-de-prova--39I.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/494b7069690d46931c3909805691747928fecfbcf5f6337c1b02812ee0c822f8/corpo-de-prova--39C.jpg" data-mid="95203827" border="0" src="https://freight.cargo.site/w/1000/i/494b7069690d46931c3909805691747928fecfbcf5f6337c1b02812ee0c822f8/corpo-de-prova--39C.jpg" /> <img width="2490" height="2262" width_o="2490" height_o="2262" data-src="https://freight.cargo.site/t/original/i/52547a7dd2ec14ab1f40557954364cc948679a56ef7488e07cae414dad48e5bd/corpo-de-prova--39Q.jpg" data-mid="95203837" border="0" src="https://freight.cargo.site/w/1000/i/52547a7dd2ec14ab1f40557954364cc948679a56ef7488e07cae414dad48e5bd/corpo-de-prova--39Q.jpg" /> <img width="2230" height="3075" width_o="2230" height_o="3075" data-src="https://freight.cargo.site/t/original/i/3884bb067582db756560c52e72c715a15cdf7ed22122b9ce6950be9c0e3f07d1/corpo-de-prova--39R.jpg" data-mid="95203840" border="0" src="https://freight.cargo.site/w/1000/i/3884bb067582db756560c52e72c715a15cdf7ed22122b9ce6950be9c0e3f07d1/corpo-de-prova--39R.jpg" /> <img width="3931" height="2672" width_o="3931" height_o="2672" data-src="https://freight.cargo.site/t/original/i/6e06d54a9829a479a4cb378f038c5955fdddc8a8e89fb9460a01e4b6d0657495/corpo-de-prova--39S.jpg" data-mid="95203842" border="0" src="https://freight.cargo.site/w/1000/i/6e06d54a9829a479a4cb378f038c5955fdddc8a8e89fb9460a01e4b6d0657495/corpo-de-prova--39S.jpg" /> <img width="2282" height="4000" width_o="2282" height_o="4000" data-src="https://freight.cargo.site/t/original/i/43ad18d6fb54603751619da015dcce292b7c21a2bee6026dbf949e3ce0de6935/corpo-de-prova--39P.jpg" data-mid="95203835" border="0" src="https://freight.cargo.site/w/1000/i/43ad18d6fb54603751619da015dcce292b7c21a2bee6026dbf949e3ce0de6935/corpo-de-prova--39P.jpg" /> <img width="3193" height="3424" width_o="3193" height_o="3424" data-src="https://freight.cargo.site/t/original/i/a6435b119543f089c8e4f547b502a7d53af5c9a193578424f600bae07380d5af/_MG_7154.jpg" data-mid="73141797" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/a6435b119543f089c8e4f547b502a7d53af5c9a193578424f600bae07380d5af/_MG_7154.jpg" />corpo de prova #06, 2017concreto e poliestireno expandido concrete and&nbsp;expanded polystyrene25 x 10 x 10 cm <img width="3193" height="3424" width_o="3193" height_o="3424" data-src="https://freight.cargo.site/t/original/i/a6435b119543f089c8e4f547b502a7d53af5c9a193578424f600bae07380d5af/_MG_7154.jpg" data-mid="73141797" border="0" src="https://freight.cargo.site/w/1000/i/a6435b119543f089c8e4f547b502a7d53af5c9a193578424f600bae07380d5af/_MG_7154.jpg" /> <img width="4268" height="3632" width_o="4268" height_o="3632" data-src="https://freight.cargo.site/t/original/i/107be71579092f3434bad77908ca965db3949c58de6822ef807a8deaaf22b839/corpo-de-prova-06_04.jpg" data-mid="73270318" border="0" src="https://freight.cargo.site/w/1000/i/107be71579092f3434bad77908ca965db3949c58de6822ef807a8deaaf22b839/corpo-de-prova-06_04.jpg" /> <img width="5471" height="3261" width_o="5471" height_o="3261" data-src="https://freight.cargo.site/t/original/i/6c3ba212ab1c94283ef7899db4cc051ac911b05fafc8ebcd719a4a925718d767/corpo-de-prova-06_03.jpg" data-mid="73270307" border="0" src="https://freight.cargo.site/w/1000/i/6c3ba212ab1c94283ef7899db4cc051ac911b05fafc8ebcd719a4a925718d767/corpo-de-prova-06_03.jpg" /> <img width="2046" height="3502" width_o="2046" height_o="3502" data-src="https://freight.cargo.site/t/original/i/5d08c6dcf9385f52c9b5acb988d9ea5c0ba68f1fea02b050fdff11ca4467692a/AR_03.jpg" data-mid="73270284" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/5d08c6dcf9385f52c9b5acb988d9ea5c0ba68f1fea02b050fdff11ca4467692a/AR_03.jpg" /> AR, 2015 concreto e metal concrete and metal 100 X 45 X 15 cm <img width="2046" height="3502" width_o="2046" height_o="3502" data-src="https://freight.cargo.site/t/original/i/5d08c6dcf9385f52c9b5acb988d9ea5c0ba68f1fea02b050fdff11ca4467692a/AR_03.jpg" data-mid="73270284" border="0" src="https://freight.cargo.site/w/1000/i/5d08c6dcf9385f52c9b5acb988d9ea5c0ba68f1fea02b050fdff11ca4467692a/AR_03.jpg" /> <img width="1826" height="3106" width_o="1826" height_o="3106" data-src="https://freight.cargo.site/t/original/i/c8210ba54808835e8c385ffabbea5c9134950098372e293a1071990628e666c3/AR_04.jpg" data-mid="73270285" border="0" src="https://freight.cargo.site/w/1000/i/c8210ba54808835e8c385ffabbea5c9134950098372e293a1071990628e666c3/AR_04.jpg" /> <img width="2066" height="3490" width_o="2066" height_o="3490" data-src="https://freight.cargo.site/t/original/i/26c8c273ab23782ddc62c5d9a9915300a9496e9e3fefa23952af0cabd75dfd6b/AR_01.jpg" data-mid="73270282" border="0" src="https://freight.cargo.site/w/1000/i/26c8c273ab23782ddc62c5d9a9915300a9496e9e3fefa23952af0cabd75dfd6b/AR_01.jpg" /> <img width="1984" height="3496" width_o="1984" height_o="3496" data-src="https://freight.cargo.site/t/original/i/5e28a338c00303cf3c282513377966135387efda94e015a9183df98d780bc492/AR_02.jpg" data-mid="73270283" border="0" src="https://freight.cargo.site/w/1000/i/5e28a338c00303cf3c282513377966135387efda94e015a9183df98d780bc492/AR_02.jpg" /> <img width="2082" height="3652" width_o="2082" height_o="3652" data-src="https://freight.cargo.site/t/original/i/3391547bedc6caef546b7dc0bf187c7243a069df71963b9c535e06034faac250/AR_05.jpg" data-mid="73270287" border="0" src="https://freight.cargo.site/w/1000/i/3391547bedc6caef546b7dc0bf187c7243a069df71963b9c535e06034faac250/AR_05.jpg" /> <img width="1772" height="2655" width_o="1772" height_o="2655" data-src="https://freight.cargo.site/t/original/i/060559c35c699ce6081592d357381303a65aeb9295607d231ab43d20c64a2ccb/corpo-de-prova-36---parede_3001.jpg" data-mid="73364777" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/060559c35c699ce6081592d357381303a65aeb9295607d231ab43d20c64a2ccb/corpo-de-prova-36---parede_3001.jpg" /> corpo de prova #36, 2019 concreto, papel e folha dourada concrete, paper and golden leaf 36 x 22 x 12 cm <img width="1772" height="2655" width_o="1772" height_o="2655" data-src="https://freight.cargo.site/t/original/i/060559c35c699ce6081592d357381303a65aeb9295607d231ab43d20c64a2ccb/corpo-de-prova-36---parede_3001.jpg" data-mid="73364777" border="0" src="https://freight.cargo.site/w/1000/i/060559c35c699ce6081592d357381303a65aeb9295607d231ab43d20c64a2ccb/corpo-de-prova-36---parede_3001.jpg" /> <img width="1772" height="2612" width_o="1772" height_o="2612" data-src="https://freight.cargo.site/t/original/i/7a31180d03c01f0feeaacb2457336c7159f45e104d82c422204fa037d3547bf5/corpo-de-prova-36---parede_3002.jpg" data-mid="73364778" border="0" src="https://freight.cargo.site/w/1000/i/7a31180d03c01f0feeaacb2457336c7159f45e104d82c422204fa037d3547bf5/corpo-de-prova-36---parede_3002.jpg" /> <img width="2988" height="3735" width_o="2988" height_o="3735" data-src="https://freight.cargo.site/t/original/i/f462a9d8ac43f93641a9552dfb5bbc30b55bffe3c6621941be4f041cf330fa68/IMG_20170728_120453_960.jpg" data-mid="73141801" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/f462a9d8ac43f93641a9552dfb5bbc30b55bffe3c6621941be4f041cf330fa68/IMG_20170728_120453_960.jpg" /> corpo de prova #1,&nbsp;2017 papel, concreto e metal paper, concrete and metal 30 x 22 x 12 cm <img width="2108" height="2510" width_o="2108" height_o="2510" data-src="https://freight.cargo.site/t/original/i/9b15af677cc0b036b175d85fd8de6b22b874987080aafe7b2e27e16832382484/corpo-de-prova-24.jpg" data-mid="73141811" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/9b15af677cc0b036b175d85fd8de6b22b874987080aafe7b2e27e16832382484/corpo-de-prova-24.jpg" /> corpo de prova #24metal, XPS, plástico, folha dourada, madeira e cimento metal, XPS, plastic, goden leaf, wood and cement34x27x9 cm <img width="2063" height="2581" width_o="2063" height_o="2581" data-src="https://freight.cargo.site/t/original/i/33847bd7e03674330479df719218fa18636d854ff09ad8440ac1da5eb737d1f5/corpo-de-prova-23.jpg" data-mid="73141810" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/33847bd7e03674330479df719218fa18636d854ff09ad8440ac1da5eb737d1f5/corpo-de-prova-23.jpg" /> corpo de prova #23aço, XPS, concreto e folha dourada steel, XPS, concrete and golden leaf23.5 x 18 x 6 cm <img width="2235" height="3434" width_o="2235" height_o="3434" data-src="https://freight.cargo.site/t/original/i/c2b22a941372494ae2b5e000137d7641d1aa4b0d5594efa62dd2fd0b16fd6076/corpo-de-prova-35-03.jpg" data-mid="73270615" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/c2b22a941372494ae2b5e000137d7641d1aa4b0d5594efa62dd2fd0b16fd6076/corpo-de-prova-35-03.jpg" /> corpo de prova #35, 2019aço, poliestireno expandido, silicone, cimento e folha de cobresteel, expanded polystyrene, silicon, cement and copper leaf.72x 50 x 13 cm <img width="2235" height="3434" width_o="2235" height_o="3434" data-src="https://freight.cargo.site/t/original/i/c2b22a941372494ae2b5e000137d7641d1aa4b0d5594efa62dd2fd0b16fd6076/corpo-de-prova-35-03.jpg" data-mid="73270615" border="0" src="https://freight.cargo.site/w/1000/i/c2b22a941372494ae2b5e000137d7641d1aa4b0d5594efa62dd2fd0b16fd6076/corpo-de-prova-35-03.jpg" /> <img width="2432" height="3088" width_o="2432" height_o="3088" data-src="https://freight.cargo.site/t/original/i/4cb22b09722a273dd39a4c9630ca47b3089e45cedb444f0d51c36edd3b49189d/corpo-de-prova-35-01.jpg" data-mid="73270608" border="0" src="https://freight.cargo.site/w/1000/i/4cb22b09722a273dd39a4c9630ca47b3089e45cedb444f0d51c36edd3b49189d/corpo-de-prova-35-01.jpg" /> <img width="1983" height="2729" width_o="1983" height_o="2729" data-src="https://freight.cargo.site/t/original/i/5a8048909a77783842b71a10633af3f141926e05a88a9ba3d58954a64e966446/corpo-de-prova-35-02.jpg" data-mid="73270614" border="0" src="https://freight.cargo.site/w/1000/i/5a8048909a77783842b71a10633af3f141926e05a88a9ba3d58954a64e966446/corpo-de-prova-35-02.jpg" /> <img width="2126" height="3043" width_o="2126" height_o="3043" data-src="https://freight.cargo.site/t/original/i/63534e672f3b23bbaa21b861d9e2c5987d4e9f1ca0d77a209d908934c81e3400/sem-ttulo-chicletinho.jpg" data-mid="73364782" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/63534e672f3b23bbaa21b861d9e2c5987d4e9f1ca0d77a209d908934c81e3400/sem-ttulo-chicletinho.jpg" /> sem titulo [chicletinho], 2019 concreto aço e silicone concrete, steel and silicone 40 x 31 x 9 cm <img width="1511" height="2000" width_o="1511" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4dbb7703bdf2c3dd2104d9b32b3b3ca8b080c519455bf2a473e4a6b83f235900/_DSC4459.jpg" data-mid="73270281" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/4dbb7703bdf2c3dd2104d9b32b3b3ca8b080c519455bf2a473e4a6b83f235900/_DSC4459.jpg" /> chicletinho, 2019 concreto, aço, siliconeconcrete , steel and silicone 64x44x15cm 25 ¾ X 17 ¾ X 6 in. <img width="3205" height="2372" width_o="3205" height_o="2372" data-src="https://freight.cargo.site/t/original/i/156cd5d24496f10dcb36cdf0e6d9ae229ee33e504ad924a8334f9f17fe787cc7/corpo-de-prova-22.jpg" data-mid="73141814" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/156cd5d24496f10dcb36cdf0e6d9ae229ee33e504ad924a8334f9f17fe787cc7/corpo-de-prova-22.jpg" /> corpo de prova #22, 2017concreto, silicone, areia, metal e XPS concrete, silicon, sand, metal and XPS20 x 20 x 10 cm https://lucassimoes.com.br/white-lies Fri, 15 May 2020 16:51:24 +0000 lucas simoes https://lucassimoes.com.br/white-lies white lies (Portuguese text below the images) “Simões is also presenting a new series of six column-like works made from concrete and copy paper. The six pieces are arranged in a grid, as if they were pylons for an imaginary building in the process of being built or demolished. Paper and concrete seem to cascade toward the ground or climb skyward in a regular pattern, frozen a moment before each pillar topples. Knowing the Abismos are held together by tension alone, one might assume—incorrectly—the new gravity-defying columns are too. Instead, Simões has hidden a network of stabilizing rods inside these precarious-looking pieces, giving them an unexpected structural soundness at odds with their appearance. Before becoming an artist, Simões was an architect. He has long been interested in the promises, failures, and whiteness of modern architecture. Most major architects in the 20th century were white men. That the six columns in this show are mostly paper (and white) would be less than ideal if they were actually load-bearing. And yet—these sculptures thwart expectations. Sculptures and buildings both evolve in unexpected ways between their conception, design, construction, and use by their eventual owners. Their stories are more complex than a cursory glance reveals. Pruitt-Igoe, for example, was an urban housing project in St. Louis built in the 1950s. Its 33 high-rise buildings were designed to replace the city’s slums, which were dirty, unsafe, and crime-ridden. Early brochures promoting the project boasted of indoor plumbing, electric lights, and wide lawns on which children could safely play. But not long after opening its doors, things turned south: elevators broke, vandalism festered, piles of trash accumulated in the hallways. White people moved out, to the suburbs, leaving poor African-Americans behind. Drug dealing and prostitution became rampant. Pruitt-Igoe had come to resemble the slums it was meant to replace. 20 years after it was built, the governor of Missouri ordered it to be torn down. Recent interviews with residents of Pruitt-Igoe, however, offer a different perspective from the uncompromisingly negative one put forth by the media. Some say it was a warm, friendly place to live—where neighbors felt like family. For many, Pruitt-Igoe was home. Drawing easy conclusions based on outward appearances should be avoided. (The close-knit community of Pruitt-Igoe is similar in ways to the internal supporting structure in Simões’s new columnar sculptures—invisible from the outside but kept/keeps the whole thing standing.) Many factors led to Pruitt-Igoe’s downfall. With so many moving parts—the architect, city, politicians, residents—no one could have predicted the project’s trajectory. When designing spaces, artworks, or even his own life, uncertainty is the most interesting component for Simões. He makes precise renderings of his sculptures with architectural software before producing them. But perfection is not as easily achieved when casting concrete by hand or aligning hundreds of sheets of paper as it is when using a line tool in CAD. Given time, the concrete in Simões’s sculptures might develop micro-cracks and the paper might curl—analogous to Pruitt-Igoe changing over the years. What unites sculptures and buildings and people? All are alive and often unpredictable. Simões’s work is about buildings—their stability and failure, the promises their architects make and the consequences of their existence. The idiom in the title of the show, White Lies, implies a certain harmlessness. But thinking about the phrase in terms of race, instead, encourages a reconsideration of modern architecture, the people at its helm, and its effects on the world” extract from the text by Colin Doyle for the White Lies exhibiiton <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/a83f2dbd555973eed2e77afd6a4f56fa44d0e06857b68789955d35793f99cf77/geral-limpa-total.jpg" data-mid="71157637" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/a83f2dbd555973eed2e77afd6a4f56fa44d0e06857b68789955d35793f99cf77/geral-limpa-total.jpg" /> White lies (vers une architecture), 2018metal, papel e concretometal, paper and concretevariable dimensions [grid of 6 pilotis]comissioned for the exhibition“Experimentanto Le Corbusier”at Museu da casa Brasileira , São Paulo <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/a83f2dbd555973eed2e77afd6a4f56fa44d0e06857b68789955d35793f99cf77/geral-limpa-total.jpg" data-mid="71157637" border="0" src="https://freight.cargo.site/w/1000/i/a83f2dbd555973eed2e77afd6a4f56fa44d0e06857b68789955d35793f99cf77/geral-limpa-total.jpg" /> <img width="4956" height="3840" width_o="4956" height_o="3840" data-src="https://freight.cargo.site/t/original/i/c5ead8d0f9fff133e57d422864208b05aa0b44ba23936ff10a40f7f1798d9270/geral-2-limpa.jpg" data-mid="71157272" border="0" src="https://freight.cargo.site/w/1000/i/c5ead8d0f9fff133e57d422864208b05aa0b44ba23936ff10a40f7f1798d9270/geral-2-limpa.jpg" /> <img width="1575" height="1575" width_o="1575" height_o="1575" data-src="https://freight.cargo.site/t/original/i/07a5a1f06ce61a4f2923248ba881fe57a2b480028d41552f9962731b7f86a08b/insta11.jpg" data-mid="71157398" border="0" src="https://freight.cargo.site/w/1000/i/07a5a1f06ce61a4f2923248ba881fe57a2b480028d41552f9962731b7f86a08b/insta11.jpg" /> <img width="2619" height="3689" width_o="2619" height_o="3689" data-src="https://freight.cargo.site/t/original/i/8f2d3d74ee691f212e343b9166ba7ed3dfa831b4cb2ddd5bd3403e856c62a80c/insta1.jpg" data-mid="71157396" border="0" src="https://freight.cargo.site/w/1000/i/8f2d3d74ee691f212e343b9166ba7ed3dfa831b4cb2ddd5bd3403e856c62a80c/insta1.jpg" /> <img width="2483" height="3872" width_o="2483" height_o="3872" data-src="https://freight.cargo.site/t/original/i/917b9157ba8b08676b7badad3a491309411ea72f20c72bf36f411ffccae73067/instra-2-small.jpg" data-mid="71157402" border="0" src="https://freight.cargo.site/w/1000/i/917b9157ba8b08676b7badad3a491309411ea72f20c72bf36f411ffccae73067/instra-2-small.jpg" /> <img width="3818" height="2341" width_o="3818" height_o="2341" data-src="https://freight.cargo.site/t/original/i/ccacb2681f216a595cb546077250e635e5547d9ea5b44ec42f8fb2d063a42671/20180531_124527-01.jpeg" data-mid="71157853" border="0" src="https://freight.cargo.site/w/1000/i/ccacb2681f216a595cb546077250e635e5547d9ea5b44ec42f8fb2d063a42671/20180531_124527-01.jpeg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/08e4ed95076c1bd1b2d2f33906cf715e3a78fdc3164995eb5958baf8038f13f3/_DSC1772.jpg" data-mid="71158355" border="0" data-scale="49" src="https://freight.cargo.site/w/801/i/08e4ed95076c1bd1b2d2f33906cf715e3a78fdc3164995eb5958baf8038f13f3/_DSC1772.jpg" /> White Lies 5, 2017 concreto, papel, folha dourada e açoconcrete, paper, gold leaf, and steel37-3/8 x 15 x 14 inches <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/08e4ed95076c1bd1b2d2f33906cf715e3a78fdc3164995eb5958baf8038f13f3/_DSC1772.jpg" data-mid="71158355" border="0" src="https://freight.cargo.site/w/801/i/08e4ed95076c1bd1b2d2f33906cf715e3a78fdc3164995eb5958baf8038f13f3/_DSC1772.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/8522bd3e47430ac2fb54cec658d57ecfb07e27a21afa749510e44bc3a98fce06/_DSC1782.jpg" data-mid="71158356" border="0" src="https://freight.cargo.site/w/801/i/8522bd3e47430ac2fb54cec658d57ecfb07e27a21afa749510e44bc3a98fce06/_DSC1782.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/11ab328fe46fe670971058f7e8d27e2233a493dfffa6b08cfeaaa36b133ecdec/_DSC1790.jpg" data-mid="71158357" border="0" data-scale="49" src="https://freight.cargo.site/w/801/i/11ab328fe46fe670971058f7e8d27e2233a493dfffa6b08cfeaaa36b133ecdec/_DSC1790.jpg" /> White Lies 6, 2017 concreto, papel, folha dourada e açoconcrete, paper, gold leaf, and steel54-1/4 x 12 x 9-1/2 inches <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/11ab328fe46fe670971058f7e8d27e2233a493dfffa6b08cfeaaa36b133ecdec/_DSC1790.jpg" data-mid="71158357" border="0" src="https://freight.cargo.site/w/801/i/11ab328fe46fe670971058f7e8d27e2233a493dfffa6b08cfeaaa36b133ecdec/_DSC1790.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f719a546d4854a034a6d422e5321891998df1bb91ecbd5b0d1775e5d825f505f/_DSC1795.jpg" data-mid="71158359" border="0" src="https://freight.cargo.site/w/801/i/f719a546d4854a034a6d422e5321891998df1bb91ecbd5b0d1775e5d825f505f/_DSC1795.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/20c096823d6a1fba45884797d5d4bc6b125483969973fad89a5bf99fd9811a88/_DSC1794.jpg" data-mid="71158358" border="0" src="https://freight.cargo.site/w/801/i/20c096823d6a1fba45884797d5d4bc6b125483969973fad89a5bf99fd9811a88/_DSC1794.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ee8d01c123c70e11d6999de966b8e299f4102335f7bd80265464cf53b86c4545/_DSC1796.jpg" data-mid="71158361" border="0" src="https://freight.cargo.site/w/801/i/ee8d01c123c70e11d6999de966b8e299f4102335f7bd80265464cf53b86c4545/_DSC1796.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/979364b7ba99eec350036d852521930d9bb79a62cfb6254ab77d85794c090a73/_DSC1798.jpg" data-mid="71158362" border="0" src="https://freight.cargo.site/w/801/i/979364b7ba99eec350036d852521930d9bb79a62cfb6254ab77d85794c090a73/_DSC1798.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b887b6092b8676bdf395ba96e30d797fdc0434d4098bb3bb3c8ba57250bf7bb5/_DSC1810.jpg" data-mid="71158364" border="0" data-scale="49" src="https://freight.cargo.site/w/801/i/b887b6092b8676bdf395ba96e30d797fdc0434d4098bb3bb3c8ba57250bf7bb5/_DSC1810.jpg" /> White Lies 8, 2017 concreto, papel e açoconcrete, paper, and steel30 x 15 x 9-1/4 inches <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b887b6092b8676bdf395ba96e30d797fdc0434d4098bb3bb3c8ba57250bf7bb5/_DSC1810.jpg" data-mid="71158364" border="0" src="https://freight.cargo.site/w/801/i/b887b6092b8676bdf395ba96e30d797fdc0434d4098bb3bb3c8ba57250bf7bb5/_DSC1810.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0264be3348b905ff28df4ead98e49eda65f3afb7f89b95980231d92cb9390427/_DSC1811.jpg" data-mid="71158365" border="0" src="https://freight.cargo.site/w/801/i/0264be3348b905ff28df4ead98e49eda65f3afb7f89b95980231d92cb9390427/_DSC1811.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/35d15b8a0ed4074b3e7c0f52a6c051c1e86dbe518f3fead889e8524a375974da/_DSC1919.jpg" data-mid="71158366" border="0" data-scale="49" src="https://freight.cargo.site/w/801/i/35d15b8a0ed4074b3e7c0f52a6c051c1e86dbe518f3fead889e8524a375974da/_DSC1919.jpg" /> White Lies 7, 2017 concreto, papel, folha dourada e açoconcrete, paper, gold leaf, and steel57 x 13-1/4 x 10-3/4 inches <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/35d15b8a0ed4074b3e7c0f52a6c051c1e86dbe518f3fead889e8524a375974da/_DSC1919.jpg" data-mid="71158366" border="0" src="https://freight.cargo.site/w/801/i/35d15b8a0ed4074b3e7c0f52a6c051c1e86dbe518f3fead889e8524a375974da/_DSC1919.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7f565414bc18a71173d917693e67341cb5283b4154d9b0156e34da7fc341f2f2/_DSC1922.jpg" data-mid="71158367" border="0" src="https://freight.cargo.site/w/801/i/7f565414bc18a71173d917693e67341cb5283b4154d9b0156e34da7fc341f2f2/_DSC1922.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b32cc4888e9300d27e702eeffc029f92e38a8bd3f704c7f1330c6c422af12b3a/_DSC1924.jpg" data-mid="71158368" border="0" src="https://freight.cargo.site/w/801/i/b32cc4888e9300d27e702eeffc029f92e38a8bd3f704c7f1330c6c422af12b3a/_DSC1924.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5802980bcd92f78863eb1944ca8caea43041404c21becc127747bbbd3ede41f4/_DSC1931.jpg" data-mid="71158369" border="0" data-scale="49" src="https://freight.cargo.site/w/801/i/5802980bcd92f78863eb1944ca8caea43041404c21becc127747bbbd3ede41f4/_DSC1931.jpg" /> White Lies 4, 2017 concreto, papel e açoconcrete, paper, and steel40-1/4 x 20-3/4 x 8-3/4 inches <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5802980bcd92f78863eb1944ca8caea43041404c21becc127747bbbd3ede41f4/_DSC1931.jpg" data-mid="71158369" border="0" src="https://freight.cargo.site/w/801/i/5802980bcd92f78863eb1944ca8caea43041404c21becc127747bbbd3ede41f4/_DSC1931.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/59f5cf996ba9788ed588fad791abb82c55d7c58b14ca0b4c1c10602a60a29629/_DSC1935.jpg" data-mid="71158370" border="0" src="https://freight.cargo.site/w/801/i/59f5cf996ba9788ed588fad791abb82c55d7c58b14ca0b4c1c10602a60a29629/_DSC1935.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e80e5e70f6a7f6ecf0c2f63822f8c6ff9719bddea67e823432a547e05592ca17/_DSC1940.jpg" data-mid="71158371" border="0" data-scale="50" src="https://freight.cargo.site/w/801/i/e80e5e70f6a7f6ecf0c2f63822f8c6ff9719bddea67e823432a547e05592ca17/_DSC1940.jpg" /> White Lies 9, 2017 concreto, papel e açoconcrete, paper, and steel33-1/2 x 12-1/2 x 11-1/2 inches <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e80e5e70f6a7f6ecf0c2f63822f8c6ff9719bddea67e823432a547e05592ca17/_DSC1940.jpg" data-mid="71158371" border="0" src="https://freight.cargo.site/w/801/i/e80e5e70f6a7f6ecf0c2f63822f8c6ff9719bddea67e823432a547e05592ca17/_DSC1940.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/370798f6afc8c77dcf309de184cb04d3e0bffad7f96e781c988681192044aa0f/_DSC1956.jpg" data-mid="71158372" border="0" src="https://freight.cargo.site/w/801/i/370798f6afc8c77dcf309de184cb04d3e0bffad7f96e781c988681192044aa0f/_DSC1956.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/81f1538187de187a0bcb405c4f742f60ae0235e0712a511d009f325b77977b8a/_DSC1964.jpg" data-mid="71158374" border="0" data-scale="50" src="https://freight.cargo.site/w/801/i/81f1538187de187a0bcb405c4f742f60ae0235e0712a511d009f325b77977b8a/_DSC1964.jpg" /> White Lies 2, 2017 concreto, papel, folha dourada e açoconcrete, paper, gold leaf, and steel54-1/4 x 12 x 9-1/2 inches <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/81f1538187de187a0bcb405c4f742f60ae0235e0712a511d009f325b77977b8a/_DSC1964.jpg" data-mid="71158374" border="0" src="https://freight.cargo.site/w/801/i/81f1538187de187a0bcb405c4f742f60ae0235e0712a511d009f325b77977b8a/_DSC1964.jpg" /> <img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1440e800254b462ec8e79174f69822054a7760ce31e45861b16709450d16acac/_DSC1966.jpg" data-mid="71158375" border="0" src="https://freight.cargo.site/w/801/i/1440e800254b462ec8e79174f69822054a7760ce31e45861b16709450d16acac/_DSC1966.jpg" /> <img width="2306" height="3514" width_o="2306" height_o="3514" data-src="https://freight.cargo.site/t/original/i/608e70adfe3ec0b56007eeaa7c94891eacd60707cc4bb8f09f1e56e1ec3c3130/white-lies-23_06-sm.jpg" data-mid="76426742" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/608e70adfe3ec0b56007eeaa7c94891eacd60707cc4bb8f09f1e56e1ec3c3130/white-lies-23_06-sm.jpg" /> White Lies 23, 2018concreto, papel, folha de cobre e açoconcrete, paper, copper leaf, and steel <img width="2306" height="3514" width_o="2306" height_o="3514" data-src="https://freight.cargo.site/t/original/i/608e70adfe3ec0b56007eeaa7c94891eacd60707cc4bb8f09f1e56e1ec3c3130/white-lies-23_06-sm.jpg" data-mid="76426742" border="0" src="https://freight.cargo.site/w/1000/i/608e70adfe3ec0b56007eeaa7c94891eacd60707cc4bb8f09f1e56e1ec3c3130/white-lies-23_06-sm.jpg" /> <img width="2528" height="3412" width_o="2528" height_o="3412" data-src="https://freight.cargo.site/t/original/i/e7918580a4c8891d7f9c1fcb285bcf67955fce91df81d44675455315d67bbb2c/white-lies-23_07-sm.jpg" data-mid="76426743" border="0" src="https://freight.cargo.site/w/1000/i/e7918580a4c8891d7f9c1fcb285bcf67955fce91df81d44675455315d67bbb2c/white-lies-23_07-sm.jpg" /> <img width="2521" height="2549" width_o="2521" height_o="2549" data-src="https://freight.cargo.site/t/original/i/89e88016dd194cc455b2bd8971a099ba95816440256268f9fe04631d92db6c39/white-lies-23_05-sm.jpg" data-mid="76426740" border="0" src="https://freight.cargo.site/w/1000/i/89e88016dd194cc455b2bd8971a099ba95816440256268f9fe04631d92db6c39/white-lies-23_05-sm.jpg" /> <img width="2528" height="3412" width_o="2528" height_o="3412" data-src="https://freight.cargo.site/t/original/i/e7918580a4c8891d7f9c1fcb285bcf67955fce91df81d44675455315d67bbb2c/white-lies-23_07-sm.jpg" data-mid="76426743" border="0" src="https://freight.cargo.site/w/1000/i/e7918580a4c8891d7f9c1fcb285bcf67955fce91df81d44675455315d67bbb2c/white-lies-23_07-sm.jpg" /> <img width="2057" height="3450" width_o="2057" height_o="3450" data-src="https://freight.cargo.site/t/original/i/7221b5c5ab4ccfb9c018ba5714b615e2146bc564b8dbf6025e1e5634ab597e61/whie-lies_27_01.jpg" data-mid="76426730" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/7221b5c5ab4ccfb9c018ba5714b615e2146bc564b8dbf6025e1e5634ab597e61/whie-lies_27_01.jpg" /> White Lies 27, 2020concreto, papel,&nbsp; aço e pintura em poliuretanoconcrete, paper, steel and polyurethane paint <img width="2057" height="3450" width_o="2057" height_o="3450" data-src="https://freight.cargo.site/t/original/i/7221b5c5ab4ccfb9c018ba5714b615e2146bc564b8dbf6025e1e5634ab597e61/whie-lies_27_01.jpg" data-mid="76426730" border="0" src="https://freight.cargo.site/w/1000/i/7221b5c5ab4ccfb9c018ba5714b615e2146bc564b8dbf6025e1e5634ab597e61/whie-lies_27_01.jpg" /> <img width="2133" height="3880" width_o="2133" height_o="3880" data-src="https://freight.cargo.site/t/original/i/7a50c8fa7a6cd2459520d2d06f6c3f8b76690741bfac78974189c19e1adb8e3a/whie-lies_27_02.jpg" data-mid="76426731" border="0" src="https://freight.cargo.site/w/1000/i/7a50c8fa7a6cd2459520d2d06f6c3f8b76690741bfac78974189c19e1adb8e3a/whie-lies_27_02.jpg" /> <img width="4000" height="2672" width_o="4000" height_o="2672" data-src="https://freight.cargo.site/t/original/i/0faced02e79c1d10216a1ac4f71f62081289f4553d5e252ecdb8183e4f4f1b49/whie-lies_27_det01.jpg" data-mid="76426732" border="0" src="https://freight.cargo.site/w/1000/i/0faced02e79c1d10216a1ac4f71f62081289f4553d5e252ecdb8183e4f4f1b49/whie-lies_27_det01.jpg" /> <img width="2672" height="4000" width_o="2672" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4af8e8781ae456f239638dbbc8cb29de44a52d294a870a025871aa92eddc9c7e/whie-lies_27_det02.jpg" data-mid="76426736" border="0" src="https://freight.cargo.site/w/1000/i/4af8e8781ae456f239638dbbc8cb29de44a52d294a870a025871aa92eddc9c7e/whie-lies_27_det02.jpg" /> <img width="3536" height="2672" width_o="3536" height_o="2672" data-src="https://freight.cargo.site/t/original/i/ec403e9b5e5647017a94c0839da934b4839007a0f026d4726f974a46912254a7/whie-lies_27_det03.jpg" data-mid="76426739" border="0" src="https://freight.cargo.site/w/1000/i/ec403e9b5e5647017a94c0839da934b4839007a0f026d4726f974a46912254a7/whie-lies_27_det03.jpg" /> Texto em português “Simões apresenta também uma serie de seis trabalhos em formato de coluna, realizados em concreto e papel de cópia. As seis peças estão dispostas em uma malha, como fossem pilares de uma edificação imaginaria em processo de construção ou demolição. Papel e concreto parecem estar prestes a cair ou escalar para o céu em um diagrama ordenado, congelado um momento antes de desabar. Sabendo que os Abismos se seguram apenas sob a própria tensão, pode parecer, incorretamente, que o mesmo principio se aplique à essas colunas que desafiam a gravidade. Ao contrario, Simões escondeu uma malha de vergalhões dentro dessas peças aparentemente precárias, garantindo uma inesperada solidez que contradiz suas aparências. Antes de se tornar artista, Simões era arquiteto. Foi por muito tempo interessado pelas promessas, falimentos e branquidão da arquitetura moderna. A maioria dos mais importantes arquitetos do século XX foram homens brancos. Aquelas seis colunas desta exposição, feitas principalmente de papel (também branco), seriam inadequadas se carregassem, de fato, uma carga. Mesmo assim, essas esculturas contrariam as expectativas. Tanto as esculturas quanto as edificações evoluem de maneiras inesperada ente sua concepção, projetação, construção e uso dos eventuais proprietários. Sues historias são mais complexas de quanto um olhar desatento possa revelar. Pruitt-Igoe, por exemplo, foi um projeto de habitação social construído em St. Louis (EUA) na década de 50. Suas torres de 33 andares foram pensadas para substituir os assentamentos informais que eram insalubres, inseguros e com alta criminalidade. As primeiras propagandas ressaltavam os encanamentos embutidos, a luz elétrica e os amplos gramados onde as crianças pudessem brincar. Não muito tempo depois de sua inauguração, as coisas começaram desandar: os elevadores quebravam, atos vandálicos se agravavam, pilhas de lixo se acumulavam nos corredores. A população branca se mudou então para os subúrbios, deixando para trás os Afro-Americanos pobres. Trafego e prostituição generalizaram-se. Pruitt-Igoe se tornou semelhante às favelas que deveria ter substituído. 20 anos após sua construção, o governador de Missouri ordenou sua demolição. &nbsp; &nbsp;&nbsp;&nbsp;&nbsp; Entrevistas recentes a moradores do Pruitt-Igoe, porem, oferecem uma perspectiva diferente daquela drasticamente negativa perpetuada &nbsp;pela media. Alguns relataram que era um lugar acolhedor e amigável de se morar, onde os vizinhos se tornaram familiares. Para muitos, Pruitt-Igoe era casa. Chegar a conclusões fáceis baseadas nas aparências deveria ser evitado. (A comunidade coesa do Pruitt-Igoe relembra as estruturas internas das novas colunas de Simões, invisível de fora, mas com força estrutural). Muitos fatores levaram a decadência de Pruitt-Igoe. Com tantos atores – o arquiteto, a cidade, os políticos, os moradores – era impossível prever a trajetória deste projeto. O incerto é a componente mais interessante para Simões, seja na hora de desenhar espaços, obras de arte ou mesmo sua própria vida. Com um software de arquitetura, ele realiza desenhos precisos de suas esculturas antes de realiza-las. Mas a perfeição não é algo fácil de se alcançar quando se molda concreto com as mãos ou se alinham centenas de folhas de papel ao contrario de quando se usa o CAD. Com o tempo, o concreto de Simões pode desenvolver pequenas fraturas e o papel pode enrugar, assim como aconteceram ao longo do tempo as mudanças no Pruitt-Igoe. Todos são vivos e, muitas vezes, imprevisíveis. O trabalho de Simões é sobre edificações, suas estabilidade e decadência, as promessas de seus arquitetos e as consequência de suas existências. A frase no titulo da exposição, White Lies, implica uma certa inocência. Mas repensando à frase em termos de raça, porém, convida a reconsiderar a arquitetura moderna, seus protagonistas e seus efeitos sobre o mundo.” &nbsp;&nbsp; extrato do texto de Colin Doyle para a exibição White Lies&nbsp;